發(fā)布時(shí)間：2018-02-10 05:24

  本文關(guān)鍵詞： 王秀梅小說(shuō) 題材類型 空間敘事 時(shí)間敘事 意象敘事　出處：《魯東大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：本文以王秀梅的小說(shuō)為研究對(duì)象,從四個(gè)方面展開具體論述。首先,論文探討了王秀梅小說(shuō)豐富新穎的題材類型。本章分為三節(jié),第一節(jié)分析王秀梅中短篇小說(shuō)的題材類型,劃分了驚悚懸疑小說(shuō)、都市情感小說(shuō)和其他小說(shuō)題材類型。第二節(jié)分析王秀梅長(zhǎng)篇小說(shuō)的題材類型,劃分了驚悚懸疑小說(shuō)、都市情感小說(shuō)和革命歷史小說(shuō)三大類型。第三節(jié)總結(jié)王秀梅小說(shuō)題材與體式的新穎性與深刻性。通過(guò)本章初步把握王秀梅小說(shuō)題材上的特征,并兼及探討了其創(chuàng)作的發(fā)展歷程與變化軌跡。在分析王秀梅小說(shuō)題材類型的基礎(chǔ)上,結(jié)合王秀梅小說(shuō)特殊的膠東地域文化特征,論文第二部分具體論述王秀梅小說(shuō)女性意識(shí)之下的空間敘事。本章分為兩節(jié),第一節(jié)分析王秀梅小說(shuō)中的實(shí)體空間即宏觀的物理空間和微觀的物理空間。實(shí)體空間不但是小說(shuō)故事演繹的背景地,參與敘事進(jìn)程,聚焦時(shí)間,常常還有特定的象征隱喻,對(duì)文本主題的闡釋起重要作用。第二節(jié)分析王秀梅小說(shuō)中的虛化空間即人物有意識(shí)的和無(wú)意識(shí)的心理空間,揭示敘事空間所蘊(yùn)含的多重意義,深刻剖析王秀梅筆下的都市男女面對(duì)生活時(shí)堅(jiān)韌隱忍的人生態(tài)度,引發(fā)讀者對(duì)都市男女生存空間和生存困境的思考。再次,論文具體論述王秀梅小說(shuō)先鋒訴求下的時(shí)間敘事,敘事時(shí)間結(jié)構(gòu)類型和敘事時(shí)間處理方式體現(xiàn)出王秀梅在“山東作家群”和“膠東作家群”中的先鋒性。本章分為兩節(jié),第一節(jié)分析王秀梅小說(shuō)中橫向展開式、縱向展開式和復(fù)線展開式三種敘事時(shí)間結(jié)構(gòu)類型,整體把握王秀梅小說(shuō)靈活多變的敘事時(shí)間結(jié)構(gòu)。第二節(jié)分析王秀梅小說(shuō)中的敘事時(shí)間處理方式,分別從時(shí)序、時(shí)距和時(shí)頻三方面進(jìn)行探討,時(shí)間的倒錯(cuò)體現(xiàn)出王秀梅小說(shuō)的后現(xiàn)代時(shí)間觀;加速性的省略敘事和減緩性的場(chǎng)景敘事體現(xiàn)出敘事節(jié)奏與故事所反映的生活節(jié)奏之間形成的審美張力;詞語(yǔ)、句子和事件、情節(jié)、場(chǎng)景的重復(fù)體現(xiàn)出王秀梅對(duì)小說(shuō)意蘊(yùn)與整一的空間情景的追求。論文的第四部分具體論述王秀梅小說(shuō)詩(shī)意觀照下的意象敘事,相對(duì)于山東其他作家,王秀梅選取的意象個(gè)性鮮明,賦予文本詩(shī)化效果。本章分為三節(jié),第一節(jié)分析王秀梅小說(shuō)中個(gè)性鮮明的自然之“象”、家居之“象”、社會(huì)之“象”和虛構(gòu)之“象”。第二節(jié)分析王秀梅小說(shuō)中主要意象的內(nèi)蘊(yùn):“洞”“火車”意象與尋找主題,“刀”“雪”意象與反抗主題,以及“槐花洲”意象與逃離主題。第三節(jié)分析王秀梅小說(shuō)意象的組織和藝術(shù)效果,探討其詩(shī)意世界和審美張力形成的原因。在最后的結(jié)語(yǔ)部分,論文結(jié)合王秀梅的生活經(jīng)歷,將其置于“山東作家”和“膠東作家”的創(chuàng)作群體和文化背景中,分析其創(chuàng)作的獨(dú)特意義,探討其小說(shuō)的未來(lái)前景,力圖較全面地探討王秀梅寫作在中國(guó)當(dāng)代文學(xué)的地位和意義。
[Abstract]:This paper takes Wang Xiumei's novels as the object of study, and discusses them from four aspects. Firstly, the paper discusses the rich and novel theme types of Wang Xiumei's novels. This chapter is divided into three sections. The second section analyzes the theme types of Wang Xiumei's novels, divides them into thriller suspense novels, urban affective novels and other novel themes. The third section summarizes the novelty and profundity of Wang Xiumei's novel theme and style. On the basis of analyzing the theme types of Wang Xiumei's novels and combining with the special regional cultural characteristics of the Jiaodong novels, this paper also discusses the development course and the changing track of his works. The second part of the thesis specifically discusses the space narration under the female consciousness of Wang Xiumei's novels. This chapter is divided into two sections. The first section analyzes the physical space in Wang Xiumei's novels, that is, the macroscopic physical space and the microscopic physical space. The physical space is not only the background of the story deduction, but also takes part in the narrative process, focuses on the time, and often has specific symbolic metaphors. The second section analyzes the fictitious space in Wang Xiumei's novels, that is, the conscious and unconscious psychological space of the characters, and reveals the multiple meanings of the narrative space. This paper deeply analyzes Wang Xiumei's life attitude of urban men and women in the face of life, which causes readers to think about the living space and plight of urban men and women. Thirdly, the paper specifically discusses the time narration under the vanguard's demand of Wang Xiumei's novels. The types of narrative time structure and the way of dealing with narrative time reflect Wang Xiumei's pioneering character in Shandong Writers Group and Jiaodong Writers Group. This chapter is divided into two sections. There are three types of narrative time structure: longitudinal expansion and double-line expansion, which can grasp the flexible and changeable narrative time structure of Wang Xiumei's novels as a whole. Time distance and time frequency are discussed in three aspects. The reverse error of time reflects Wang Xiumei's postmodern view of time. The accelerated ellipsis narrative and the slow down scene narrative reflect the aesthetic tension between the narrative rhythm and the life rhythm reflected by the story; words, sentences and events; The repetition of the scene reflects Wang Xiumei's pursuit of the meaning of the novel and the whole space scene. Part 4th of the thesis specifically discusses the image narration under the poetic view of Wang Xiumei's novel, compared with other writers in Shandong Province. Wang Xiumei selected a distinctive image personality, giving the text poetic effect. This chapter is divided into three sections, The first section analyzes the vivid natural "image", the home "image", the social "image" and the fictional "image" in Wang Xiumei's novels. The second section analyzes the connotation of the main images in Wang Xiumei's novels: the "hole" and "train" image and its search. The theme, the image of "the knife" and "snow" and the theme of resistance, The third section analyzes the organization and artistic effect of Wang Xiumei's novel imagery, and discusses the causes of its poetic world and aesthetic tension. Put it in the creative group and cultural background of Shandong Writers and Jiaodong Writers, analyze the unique significance of their creation, and discuss the future prospects of their novels. This paper tries to probe into the status and significance of Wang Xiumei's writing in Chinese contemporary literature.
【學(xué)位授予單位】：魯東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 王秀梅;;一墻之隔[J];江南;2015年06期

2 王秀梅;;四十千[J];湖南文學(xué);2015年02期

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本文編號(hào)：1499758