本文關(guān)鍵詞：莫言小說反諷現(xiàn)象研究　出處：《山東大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 莫言 反諷 閱讀契約 反諷主體

【摘要】：莫言小說的反諷現(xiàn)象一直為學(xué)界所關(guān)注,其中不乏深入且獨(dú)到的分析。但或是圍繞某一作品展開,或者是作為莫言研究的一個(gè)方面,或是作為當(dāng)代文學(xué)反諷的一個(gè)案例,而莫言小說反諷產(chǎn)生的深層原因,以及反諷在其中體現(xiàn)出的歷時(shí)性特征等問題都有待更進(jìn)一步的分析。本文從閱讀體驗(yàn)出發(fā),將莫言小說中的反諷視為一種現(xiàn)象,進(jìn)行總體歸納、文本分析和原因探討,試圖構(gòu)建起莫言作為創(chuàng)作主體和反諷之間的聯(lián)系。下面按章節(jié)進(jìn)行概述:第一章以莫言的創(chuàng)作歷程為線索,發(fā)現(xiàn)莫言小說中的反諷呈現(xiàn)出一種螺旋式上升的特點(diǎn)。本文將莫言的反諷總結(jié)為四個(gè)階段:從模仿到極端化的初創(chuàng)時(shí)期、從尖銳對(duì)立到溫和對(duì)抗的復(fù)蘇時(shí)期、從深沉厚重到輕靈自由的轉(zhuǎn)型時(shí)期,以及"大踏步撤退"的形式探索時(shí)期。第二章從修辭反諷和情境反諷兩個(gè)層面分析莫言小說文本內(nèi)部的反諷要素。在修辭反諷層面,政治話語的借用、矛盾與悖謬、夸張與變形都是常見的手法;在情境反諷層面,敘述結(jié)構(gòu)和文體戲仿上的試驗(yàn)表達(dá)出"真?zhèn)沃?的意義指向。第三章聚焦于莫言小說文本背后的反諷內(nèi)涵,從意象反諷和主題反諷的角度深入研究。在意象反諷層面,意象與人物之間的相離與相合構(gòu)成深刻的反諷;在主題反諷層面,對(duì)"戰(zhàn)爭(zhēng)"與"自我"的處理方式,都反映出莫言的深刻洞見。第四章從閱讀契約的角度,以《豐乳肥臀》和《歡樂》引發(fā)的爭(zhēng)議為切入點(diǎn),對(duì)作者意圖、表現(xiàn)效果、深層原因等方面進(jìn)行討論,分析莫言反諷的未盡之處。第五章從反諷主體分析了莫言小說中反諷的產(chǎn)生原因。莫言農(nóng)民、軍人、作家的身份與創(chuàng)作立場(chǎng)讓反諷成為一個(gè)復(fù)雜的矛盾體。同時(shí)本文還對(duì)莫言筆名的內(nèi)涵進(jìn)行了分析,貫通了現(xiàn)實(shí)中莫言、敘述風(fēng)格中的莫言和作品中的人物莫言,揭示出名與人、文與人之間深刻而復(fù)雜的關(guān)系。本文按照從現(xiàn)象到本質(zhì)的邏輯,關(guān)注到反諷背后的內(nèi)涵,將反諷研究從文本之內(nèi)擴(kuò)散到文本之外,從文本客體推及到作者主體,尋找解讀文本的不同角度,以期為莫言研究貢獻(xiàn)一點(diǎn)新意。
[Abstract]:The phenomenon of irony in Mo Yan's novels has been concerned by academics, including analysis of deep and unique. But or around a certain works, or as an aspect of the study of Mo Yan, or as a case of contemporary literary irony, irony and deep reasons of Mo Yan's novels and the irony in which reflect the diachronic characteristics and other issues need to be further analyzed. From the reading experience of the irony in Mo Yan's novels as one kind of phenomenon, summarize and discuss the text analysis and reason, trying to build up Mo Yan as a creative subject and the relation between irony. The following chapters: first overview by chapter in Mo Yan's creative process as a clue, found in Mo Yan's novels irony showing a spiraling characteristics. In this paper, Mo Yan's irony summarized into four stages: from imitation to extremes at the beginning From the stage, in sharp opposition to moderate against the recovery period, from deep to light and agile transition period, and explore the retreat by leaps and bounds in the form of time. The second chapter is the analysis of Mo Yan's novel text internal irony elements from two aspects of rhetorical irony and situational irony. In the rhetoric of irony, the political discourse of borrowing, contradiction with the paradox, exaggeration and deformation are common practices; in the Situational Irony Narrative level, test structure and style on the expression "to parody the authenticity of distinction". The third chapter focuses on the significance of Mo Yan's novel text behind the ironic meaning, in-depth study of irony and irony from the image theme perspective. In the aspect of image irony the deviation between images and characters, and consistent constitute a profound irony; irony in the theme of "war level" and "self", reflects the deep hole of Mo Yan see. In the fourth chapter, from the reading of the contract The angle, with < > and < > buxom joy of controversy as the starting point, the effect on the intention of the author, and also discussed the deep reasons, Mo Yan analysis of irony unfinished. The fifth chapter analyzes the reasons of irony in Mo Yan's novels from the irony subject. Mo Yan farmer, soldier, and the creation of the position of writer identity let the irony become a complex contradiction. At the same time the connotation of Mo Yan under the pseudonym was analyzed, through the reality of Mo Yan, the narrative style of Mo Yan and the characters in the works of Mo Yan, and reveals the famous people, profound and complicated relationship between the text and the people. In accordance with this article from the phenomenon to the nature of logic pay attention to the meaning behind the irony, irony, the study from the text within the spread to the outside the text from the text object permanence to the subjective, different angles for interpretation of the text, in order to offer some new ideas for the study of Mo Yan tribute.

【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42

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本文編號(hào)：1388779