發(fā)布時間：2018-01-02 20:31

  本文關(guān)鍵詞：舞劇《紅樓夢》中“情緣”的比較　出處：《延邊大學》2017年碩士論文　論文類型：學位論文

  更多相關(guān)文章： 創(chuàng)造 肢體語言 舞蹈情感 藝術(shù)韻味

【摘要】：《紅樓夢》是中國古典文學四大名著之一,全小說中共有兩條敘說路線:第一條敘說的是賈史王薛四大家族的興衰演化,第二條敘說的是主人公賈寶玉的情感經(jīng)驗,并且通過這兩條路線來反映18世紀中國封建社會的切實面貌。它是一部表現(xiàn)人生哲理的小說,小說中塑造了三個重要的人物形象以及三人之間復(fù)雜的感情關(guān)系,三人之間的愛情既悲歡又動人。具體來說,它現(xiàn)如今表現(xiàn)在有以下三個點:一,是以機智、譏刺、辯論性的言語來表達錯綜復(fù)雜的感情糾葛;二,以含蓄的"留白"來委婉地表述愛情;三,以直白的文字來解讀和審視愛情,并且通過這些高超的語言技巧和表達方式,把紅樓夢中的愛情故事營造到了至純至真的境界。筆者認為,舞蹈作品與文學作品相互之間有著不可分離的親密聯(lián)絡(luò),它們都屬于藝術(shù)領(lǐng)域范圍,但表達方式卻大有不同。文學屬于語言藝術(shù),它是使用文字語言來創(chuàng)造和描寫人物形象,其中以散文、詩歌和小說為主要題材;而舞蹈則是表演性的藝術(shù),是通過肢體語匯來重新構(gòu)造人物形象,舞蹈一般都有音樂伴奏,表演者跟隨音樂的節(jié)奏來進行動作的編排從而表達人物的內(nèi)心情感。從產(chǎn)生的年代來看,舞蹈要比文字早,但隨著歷史的進步和藝術(shù)形式的多元化,諸多優(yōu)秀舞蹈作品的靈感,都來源于經(jīng)典的文學作品,進行改編并且再創(chuàng)造。舞蹈本身的特點就是,對小說身韻律動的另一種表現(xiàn)形式,它也配備了小說自身無法呈現(xiàn)的表達優(yōu)勢,但也存在著相應(yīng)的局限性。從手法表現(xiàn)來說,小說更加重視表現(xiàn)故事中的情節(jié)和人物的情感表露、人物個性,是具象表現(xiàn);但舞蹈是以人的肢體動作為傳達情感的紐帶,則著重于呈現(xiàn)出人物內(nèi)心的情感渲染和其中的美感意向,即抽象表現(xiàn)。舞蹈中的人物情感是以肢體言語來進行表達的,從而敘述創(chuàng)作者把內(nèi)心想要表達的情感融入到肢體語言當中,當然這種情感表達單靠肢體是不夠的,需要表演者內(nèi)外結(jié)合,用心去"說",最終達到與觀眾互相面對面的交流。在社會發(fā)展的不同階段,舞蹈所表現(xiàn)出的情感是具有差異的。例如:上世紀六七十年代編創(chuàng)的《紅色娘子軍》芭蕾舞的舞劇,由于不同編排者所刻畫出的人物形象大不相同,因此,觀眾對各個版本的反饋也大相徑庭。就好比是《紅樓夢》這本讓眾人都知道的小說來說,曹雪芹他試著通過特別的個人情感色彩的文學境界,來向人們敘說一個悲痛的愛情故事,而這里面所透露出來的藝術(shù)感染力和人生命運哲學,對于不同的讀者和觀看者來說都是新鮮的藝術(shù)體會,甚至可以說,每個人心中都藏著一個屬于自己的"紅樓夢"幻想。藝術(shù)的魄力也正是在于它多變的韻律和構(gòu)想空間的拓展,給人帶來一種美的享受。而用肢體語言來體現(xiàn)小說中的人物形象,這是小說無法達到的藝術(shù)境界,因而,舞劇以小說的內(nèi)容為藍本,以舞蹈為表現(xiàn)手法,把小說中的人物形象轉(zhuǎn)化為舞臺上的舞蹈形象,是文學與舞蹈兩種藝術(shù)的完美聯(lián)合,更是一種對"美"的再次創(chuàng)造。在文學與舞蹈的轉(zhuǎn)化過程中,舞蹈人物形象逐步與小說的人物交織在一起,互相透露、互相互補、互相對照,共同建構(gòu)了藝術(shù)之美的視覺藝術(shù)效果和視覺感官體驗。所有的藝術(shù)作品的最終的目的都是達到觀看者的認同和觀看者的藝術(shù)共鳴,現(xiàn)在大多數(shù)的舞蹈作品都源于生活和對自己生活的另一種解讀,好的藝術(shù)作品會讓大家所認識從而得到心靈上的共鳴和精神上的共鳴。本文從舞劇《紅樓夢》的創(chuàng)作入手,分析了趙明、林懷民、陳愛蓮這三版《紅樓夢》中賈寶玉和林黛玉的內(nèi)心情感表達方式,著重對比三個版本《紅樓夢》中"情緣"的表達。同時,研究由小說《紅樓夢》所衍生出的紅樓舞蹈,以此對三版《紅樓夢》中的肢體語言的情感進行比較,進而探究如何從文學作品中的語言情感中找到多維的舞蹈形象定位,如何通過對人物形象的再創(chuàng)造,來表達編排者對《紅樓夢》的另一種解讀。
[Abstract]:"A dream of Red Mansions" is one of the four major China classical literature masterpiece, the novel CPC has two routes: the first narrative narrative is the history of the rise and fall of the four families of Wang Jia Xue evolution, second narrative is the hero of Jia Baoyu's emotional experience, and through the two routes to reflect the practical features of feudal society in eighteenth Century China. It is a manifestation of the life philosophy of the novels, novels in the shape of the complicated relationship between the three important characters and three people, three people of the love between both the joys and sorrows and moving. Specifically, it is now displayed in the following three points: first, to wit, sarcasm, debate the words to express the feelings of disputes two, perplexing; with implication of "blank" to rhetoric of love; three, in plain text to read and look at love, and through these superb language skills and expression, put in a dream of Red Mansions Love story to create a pure realm. The author believes that dance works and literary works are inseparable with close contact, they all belong to the field of art, but the expression is different. The literature belongs to the art of language, it is the use of language to create and describe the characters, including in prose, poetry and novels as the main theme; and dance is a performing arts, is through body language to reconstruct the characters, generally have dance music accompaniment, the performers follow the rhythm of the music to the action arranged to express the inner feelings of the characters. From the perspective of time, dance than text early, but with the diversification of the progress of history and art forms, many outstanding works of dance inspiration come from classical literary works adapted and re creation of the dance itself is characteristic, In another form of novel rhythm rhythm expression, it is also equipped with its own advantages to present, but there are also limitations. From the corresponding performance practices, pay more attention to the novel plot performance in the story and the characters of emotions, personality, is a manifestation of people; but the dance is to the body movements to convey emotional ties, focuses on showing people's emotions and rendering the beauty intention, namely Abstract dance performance. The characters in the emotion is the body language of expression, and the narrative creators want to express the emotion into the heart to body language, of course, this is the expression of emotion not enough to rely solely on the body, to the performers of the intention to "say", eventually reach the audience with each other face-to-face. In different stages of social development, dance feelings is poor The same. For example: the last century 60s and 70s to create "Red Detachment > ballet ballet, which depicts the arrangement because of the different characters are not the same, therefore, also be quite different versions of audience feedback. It is" a dream of Red Mansions "this let people know the story, Cao Xueqin he try the special personal feelings and literary realm, to tell a sad love story, philosophical artistic appeal and the fate of life which revealed, for different readers and viewers who are experiencing new art, and even can be said that every one is hidden in a my own" dream of Red Mansions "fantasy. Art is also bold lies in expanding its changeful rhythm and space conception, bring a kind of beauty to enjoy. And to reflect the figures in the novel with body language, this is The novel cannot reach the realm of art, therefore, the content of the novel is modeled to dance, to dance for expression, the characters in the novel into the dance image on the stage, is the perfect combination of literature and art of dance two, is also a kind of "beauty" again created in the transformation process. Literature and dance, dance figures gradually with the characters of the novel are intertwined, mutually complementary to each other, said, compared with each other, constitute the artistic beauty of visual art and visual sensory experience. All the works of art are the ultimate purpose of reaching the viewer's identity and the viewer's artistic resonance now, most of the dance works are derived from life and another reading of her own life, good works of art will let you know in order to get the spiritual resonance and spiritual resonance. This article from the drama "a dream of Red Mansions" record Starting with the analysis of Zhao Ming, Lin Huaimin, Jia Baoyu and Lin Daiyu emotional expression of Chen Ailian the three version of "a dream of Red Mansions" in, mainly compare three versions of "a dream of Red Mansions" in "love" expression. At the same time, the research from the novel "a dream of Red Mansions" derived from the red to the three edition of this dance. "A dream of Red Mansions" in the body language of emotion were compared, and then explore how to find the location of multidimensional dance image in literary works from the language of emotion, to the re creation of the character image, to express their arrangement on another interpretation of "a dream of Red Mansions".

【學位授予單位】：延邊大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J723

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本文編號：1370820