【摘要】：明治以來(lái),大量的海軍軍歌在日本爭(zhēng)奪海上霸權(quán)的過(guò)程中,發(fā)揮了不可替代的作用。通過(guò)對(duì)甲午戰(zhàn)爭(zhēng)、日俄戰(zhàn)爭(zhēng)及侵華戰(zhàn)爭(zhēng)和太平洋戰(zhàn)爭(zhēng)三個(gè)階段,軍歌發(fā)展歷程的探討,可以發(fā)現(xiàn),海軍軍歌如吹鼓手、傳聲筒和精神鴉片般,為日本的對(duì)外侵略張目、助威。不能因?yàn)槟承┸姼璧男杀容^動(dòng)聽,就忘記在它們的宣揚(yáng)、鼓動(dòng)下,日本給世界及其本國(guó)所帶來(lái)的災(zāi)難。
[Abstract]:Since Meiji, a large number of naval songs have played an irreplaceable role in Japan's struggle for maritime hegemony. Through the discussion of the three stages of the Sino-Japanese War, the Japanese-Russian War, the invasion of China and the Pacific War, we can find that the naval military songs, such as drummers, loudspeakers and spiritual opium, are important to Japan's foreign aggression. The melodies of some military songs should not forget the disaster that Japan has brought to the world and to its own country because of their preaching and encouragement.
【作者單位】： 南開大學(xué)外國(guó)語(yǔ)學(xué)院;
【基金】：國(guó)家社會(huì)科學(xué)基金項(xiàng)目(15BSS011) 天津社會(huì)科學(xué)基金項(xiàng)目(TJSL16-001)
【分類號(hào)】：K313.4
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本文編號(hào)：2400065