中國(guó)民間美術(shù)元素—剪紙?jiān)阢~版畫(huà)創(chuàng)作中的應(yīng)用
發(fā)布時(shí)間：2018-03-14 16:24
本文選題：民間美術(shù)元素 切入點(diǎn)：剪紙?jiān)煨?/strong> 出處：《內(nèi)蒙古師范大學(xué)》2014年碩士論文 論文類型：學(xué)位論文
【摘要】：藝術(shù)源于生活而高于生活，中華五千年的歷史文化，以極其廣泛的包容性孕育了我國(guó)多樣的藝術(shù)文化，作為我國(guó)土生土長(zhǎng)的民間藝術(shù)對(duì)我國(guó)現(xiàn)代藝術(shù)的影響是毋庸置疑的，，民間美術(shù)扎根于鄉(xiāng)土，充滿著樸實(shí)、純真的情感，其無(wú)限的藝術(shù)魅力和生命力是現(xiàn)代藝術(shù)發(fā)展的必不可少的營(yíng)養(yǎng)源。作為中國(guó)的銅版畫(huà)藝術(shù)，雖然是一個(gè)年輕的生命體，但是在我產(chǎn)生的200多年發(fā)展過(guò)程中中民間美術(shù)從未間斷對(duì)其的營(yíng)養(yǎng)滋補(bǔ)。民間剪紙作為民間美術(shù)必不可少的一部分，無(wú)窮的藝術(shù)魅力讓我們代代相傳。民間剪紙?jiān)丶八囆g(shù)造型從不同角度反應(yīng)了當(dāng)時(shí)人們現(xiàn)實(shí)生活中的政治、經(jīng)濟(jì)、文化；特別是普通民眾對(duì)美好生活的向往。中國(guó)人趨吉避兇的民俗觀念和美好追求，往往通過(guò)從生活中尋求可以借助和隱喻的物象來(lái)表現(xiàn)。當(dāng)代版畫(huà)藝術(shù)發(fā)展之路要想有長(zhǎng)久而旺盛的生命力，必然要走本土文化的民族之路。自己嘗試性的走一條富有民族化的審美藝術(shù)創(chuàng)作之路，民間剪紙?jiān)丶八囆g(shù)造型轉(zhuǎn)化為畫(huà)富有黑白灰的立體造型的現(xiàn)代銅版畫(huà)，并不是簡(jiǎn)單語(yǔ)言上的把剪紙?jiān)睾驮煨陀勉~版畫(huà)的藝術(shù)效果來(lái)表現(xiàn)。如果這樣就失去了銅版畫(huà)藝術(shù)的固有特征，當(dāng)代銅版畫(huà)的藝術(shù)創(chuàng)作應(yīng)該從銅版畫(huà)本身發(fā)展的規(guī)律出發(fā)，在作品的表現(xiàn)形式及內(nèi)涵上進(jìn)一步的拓展。所以藝術(shù)跟藝術(shù)恰到好處的轉(zhuǎn)換是本文的難點(diǎn)。
[Abstract]:Art originates from life and is higher than life. The history and culture of China for five thousand years have given birth to various kinds of art culture in our country with extremely extensive inclusiveness. As a native folk art of our country, the influence of folk art on modern art of our country is beyond doubt. Folk art is rooted in the local land, full of simple and pure feelings, its infinite artistic charm and vitality is an indispensable source of nutrition for the development of modern art. As the art of copperplate painting in China, although it is a young living body, But in my 200 years of development, folk art has never stopped nourishing it. Folk paper-cut is an indispensable part of folk art. The infinite artistic charm lets us pass on from generation to generation. The folk paper-cut element and the artistic modelling have reflected the politics, the economy, the culture in the real life of people at that time from different angles; In particular, the ordinary people's yearning for a better life. The Chinese people's folklore concept and pursuit of good fortune and avoiding evil, It is often expressed by looking for objects that can be used and metaphorically in life. If the development of contemporary print art is to have a long and vigorous vitality, We must take the national road of local culture. We will try to take a path full of national aesthetic art creation. The folk paper-cut elements and artistic modeling will be transformed into modern copperplate with black and white gray three-dimensional modeling. It is not simple language to express paper-cut elements and shapes with the artistic effect of copperplate. If this loses the inherent characteristics of the art of copperplate, the artistic creation of contemporary copperplate should start from the law of the development of the copperplate itself. Therefore, the transformation between art and art is the difficulty of this paper.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J217
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 孫莉;;探析中國(guó)南方與北方民間剪紙藝術(shù)的差異及成因[J];華章;2010年20期
本文編號(hào)：1611995
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