本文選題：清代　切入點(diǎn)：兒童圖像　出處：《陜西師范大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：清朝是一個(gè)由少數(shù)民族所統(tǒng)治的封建君主制王朝,因此這一時(shí)期繪畫風(fēng)格不僅會(huì)有前代的遺風(fēng),更是會(huì)因?yàn)楦某瘬Q代而獨(dú)具創(chuàng)作的風(fēng)格,這種風(fēng)格與個(gè)性借藝術(shù)表現(xiàn)出自己的獨(dú)特的主張與創(chuàng)作激情時(shí),自然就會(huì)產(chǎn)生獨(dú)屬于這一特定時(shí)期的創(chuàng)作風(fēng)格與特點(diǎn)。清朝的建立是經(jīng)過很長(zhǎng)時(shí)間的艱苦卓絕的戰(zhàn)爭(zhēng)之后的,戰(zhàn)后的人們珍惜太平的日子,政治局勢(shì)相對(duì)穩(wěn)定,加之中國(guó)傳統(tǒng)的觀念便是提倡和尊崇多子多孫,同時(shí)也是戰(zhàn)后添丁的需要,建立清王朝以來清朝政治局勢(shì)相對(duì)穩(wěn)定的狀況下,貴族統(tǒng)治者們以及老百姓都希望實(shí)現(xiàn)人丁興旺的愿望,實(shí)現(xiàn)多子多福的家庭生活環(huán)境。以上的這些條件都為為兒童題材類型的繪畫的產(chǎn)生奠定了堅(jiān)實(shí)的基礎(chǔ),這類型兒童題材繪畫出現(xiàn)的形式多樣,內(nèi)容豐富,由此深刻地反映了當(dāng)時(shí)的社會(huì)狀況和時(shí)代的審美趨勢(shì)。 中國(guó)人物畫史上兒童題材繪畫有著悠久的歷史。早在戰(zhàn)國(guó)時(shí)期,兒童題材繪畫已經(jīng)產(chǎn)生和萌芽,在魏晉時(shí)期得到長(zhǎng)足的發(fā)展。本文主要以清代兒童繪畫為主要研究對(duì)象,結(jié)合中國(guó)人物畫發(fā)展史的深厚底蘊(yùn)探究清代人物畫中兒童題材圖像的淵源及發(fā)展,對(duì)清代這一特定時(shí)期中的人物畫進(jìn)行研究。人物畫中兒童題材自宋朝以后就處出現(xiàn)了衰落,所以本文所要搜集的對(duì)象資料較為分散,比較難以收集。本文的主要任務(wù)是探究清代人物畫中兒童圖像的藝術(shù)特點(diǎn),并加以具體分析。同時(shí)研究一些具有時(shí)代影響力的畫家及其作品,結(jié)合他們繪畫上的獨(dú)特風(fēng)格,完整梳理這一特定時(shí)期兒童繪畫題材的特點(diǎn)。 兒童題材繪畫在中國(guó)人物畫史上有著悠久的歷史。早在戰(zhàn)國(guó)時(shí)期,兒童題材繪畫已經(jīng)產(chǎn)生和萌芽,在魏晉時(shí)期得到長(zhǎng)足的發(fā)展,當(dāng)然,在唐代兒童題材繪畫也有著繁榮的景象,并且興盛在宋朝,可以說兒童類型題材繪畫在中國(guó)人物畫壇上已經(jīng)有兩千多年的歷史,由此可見兒童題材繪畫在傳統(tǒng)繪畫中有著重要的地位。然而令人惋惜的一個(gè)現(xiàn)象是,歷經(jīng)幾千年的兒童題材繪畫在整個(gè)畫史中并不是很受重視,其中的原因是多種多樣的,因此產(chǎn)生歷年的中國(guó)人物繪畫史有關(guān)于兒童題材繪畫的內(nèi)容是少之又少。這種偏重的現(xiàn)象在我們中國(guó)人物畫史上是值得關(guān)注和研究的。 本文主要內(nèi)容分為以下幾個(gè)部分： 導(dǎo)言部分主要對(duì)當(dāng)前兒童題材類型繪畫研究的一些主要成果進(jìn)行歸納和總結(jié),并提出自身的而所要的獨(dú)特的方向以及先前此類研究的一些不足和缺陷的地方。 第一章對(duì)兒童題材繪畫進(jìn)行主要的概述并對(duì)其范疇作了較為系統(tǒng)的研究,得出清代兒童題材繪畫品種豐富,特色鮮明,其次還闡述了兒童題材繪畫當(dāng)時(shí)的時(shí)間背景,分別從它的政治、經(jīng)濟(jì)、文化思想方面做簡(jiǎn)要的介紹。 第二章對(duì)兒童題材繪畫的種類作了大概的闡釋,主要把題材來劃分,兒童題材繪畫類型繪畫分為宮廷類型的兒童題材繪畫,文人類型繪畫以及民間繪畫又細(xì)分為紙卷畫和版畫。 第三章主要論述兒童題材圖像中的藝術(shù)特性其藝術(shù)特征顯著的體現(xiàn)在題材的民俗性特征,構(gòu)圖等的程式性特征以及造型人物的等的多樣性。 第四章主要對(duì)兒童題材類型繪畫圖像語(yǔ)言分析與藝術(shù)風(fēng)格分析,圖形語(yǔ)言分析包括構(gòu)圖、色彩、造型、題材分析,以及清代兒童圖像藝術(shù)風(fēng)格分析。文人畫的寫意性,宮廷畫的繼承性以及娃娃畫的象征性。 第五章最后論述兒童題材繪畫研究的現(xiàn)實(shí)意義。
[Abstract]:The Qing Dynasty is a minority ruled by a feudal monarchy Dynasty, so the painting style of this period will not only have the legacy of the previous generation, it is because of the unique creative style change dynasties, the art style and personality by showing their own unique ideas and creative passion, will naturally produce creative style and the characteristics unique to the specific period of the Qing Dynasty was established. After a long time of the war of the extremely hard and bitter war, cherish the people live in peace, the political situation is relatively stable, and the traditional concept of China is advocated and respected fertility, but also the childbirth needs, since the establishment of the Qing Dynasty the Qing Dynasty political situation a relatively stable situation, noble rulers and people all hope to achieve a desire to achieve multi Fu family living environment. These conditions above All of them laid a solid foundation for the production of children's theme painting. This type of children's theme painting has various forms and rich contents, which profoundly reflects the social situation and the aesthetic trend of the times.
Chinese figure painting history children painting has a long history. As early as the Warring States period, children's paintings have been produced and budding, get considerable development in the Wei and Jin Dynasties. This paper mainly takes the children's painting as the main research object, combined with the development history of China painting heritage deep origin and development of Qing Dynasty painting on the theme of children the image of the Qing Dynasty in the period of the painting. The painting theme of children since the Song Dynasty later appeared in decline, so this paper will collect the data objects more scattered, difficult to collect. The main task of this paper is to explore the artistic characteristics of the Qing Dynasty painting of children's image, and make a concrete analysis at the same time. Some of the artists and their works with the times influence, combined with their unique style of painting, in the first period of children painting Characteristics.
Children painting has a long history in the history of portraiture. Chinese early in the Warring States period, children's paintings have been produced and budding, gained great development in the Wei and Jin Dynasties of course, also have a children's prosperity in the Tang Dynasty painting, and flourished in the Song Dynasty, can be said that children type painting has been more than two thousand years in the China figure painting in the history of the childrens painting plays an important role in traditional painting. However, a phenomenon is lamentable, after thousands of years of children painting in the painting is not very popular, the reason is various, so over the years Chinese figure painting history there is a children's theme of painting content is less and less. This phenomenon is more worthy of attention and study in our Chinese history of portraiture.
The main contents of this paper are divided into the following parts:
The introductory part mainly summarizes and summarizes some main achievements of the current research on children's theme painting, and puts forward the unique direction and some shortcomings and shortcomings of previous studies.
The first chapter of the childrens painting mainly overview and the category made a more systematic study, the Qing Dynasty children painting rich variety, distinctive features, and the children's paintings at the time of the time background, from the political, economic, cultural and ideological aspects will be briefly introduced.
The second chapter gives a general interpretation of the types of children's theme paintings, mainly dividing the themes. Children's theme painting types are divided into the palace type children's theme paintings, literati type paintings and folk paintings, which are also divided into scroll painting and engraving.
The third chapter mainly discusses the artistic characteristics of children's theme images, whose artistic characteristics are mainly reflected in the folklore characteristics of subjects, the stylized features of composition, and the diversity of modeling characters.
The fourth chapter is the analysis of the main types of theme on children's painting image and artistic style of language analysis, graphic language analysis including the composition, color, style, genre analysis, and image analysis. The Qing Dynasty children's artistic style of literati painting freehand brushwork, inherited palace paintings and symbolic doll painting.
The fifth chapter finally discusses the practical significance of the study of children's subject painting.

【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

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本文編號(hào)：1584658