【摘要】：從人類有意識(shí)的造物到今天成熟的藝術(shù)實(shí)踐，都受到了自然界極大的啟示和影響。從古至今，大自然既是藝術(shù)設(shè)計(jì)活動(dòng)永恒的靈感來源，又是從不喪失魅力的藝術(shù)表現(xiàn)對(duì)象。自然界中多樣化的形態(tài)、色彩、肌理等各種元素一直在影響著藝術(shù)設(shè)計(jì)的發(fā)展，同時(shí)自然界也一直受到藝術(shù)設(shè)計(jì)界及藝術(shù)理論界的高度重視。對(duì)于自然元素的學(xué)習(xí)和探討，一直都是藝術(shù)設(shè)計(jì)領(lǐng)域的重要課題。而自然形態(tài)語言作為從豐富多彩的自然元素中破繭而出的重要藝術(shù)表現(xiàn)形式，從人類石器時(shí)代的原始圖騰到今天能夠在各個(gè)設(shè)計(jì)領(lǐng)域都得以巧妙應(yīng)用，證明了其一直在人類的藝術(shù)創(chuàng)造活動(dòng)中扮演著舉足輕重的角色。 陶瓷設(shè)計(jì)藝術(shù)中的自然形態(tài)語言來自于對(duì)自然形態(tài)、結(jié)構(gòu)的類比應(yīng)用，，是受大自然啟示的結(jié)果。無論是在原始陶瓷造型、傳統(tǒng)陶瓷造型還是現(xiàn)代陶瓷造型中我們都能看到大量仿生陶瓷造型的影子。這種融合了大量自然形態(tài)語言，以“仿形象生”為主要藝術(shù)表現(xiàn)形式的陶瓷造型一直受到人們的普遍歡迎。作為陶瓷造型的重要參考，自然形態(tài)語言在過去、現(xiàn)在、以及將來仍然會(huì)在陶瓷設(shè)計(jì)藝術(shù)中表現(xiàn)出強(qiáng)大的生命力。 本文的主要研究內(nèi)容是基于陶瓷設(shè)計(jì)藝術(shù)中的自然形態(tài)語言內(nèi)涵、形式及其沿革的研究，輔之以對(duì)我國陶瓷設(shè)計(jì)藝術(shù)中的自然形態(tài)語言與西方陶瓷設(shè)計(jì)藝術(shù)中的自然形態(tài)語言的比較、相互作用、影響與乃至相互滲透的分析過程，提出對(duì)于我國現(xiàn)當(dāng)代陶瓷設(shè)計(jì)藝術(shù)中的自然形態(tài)語言的看法和建議，以期從理論和實(shí)踐角度更加了解陶瓷設(shè)計(jì)藝術(shù)中的自然形態(tài)語言并使之對(duì)于了解陶瓷文化的沿革，指導(dǎo)陶瓷設(shè)計(jì)制作的發(fā)展方面起到積極作用。
[Abstract]:From the conscious creation of human beings to the mature artistic practice today, it has been greatly inspired and influenced by nature. From ancient times to the present, nature is not only the eternal source of inspiration for artistic design activities, but also the object of artistic expression that never loses its charm. The diversity of forms, colors, texture and other elements in nature has been affecting the development of art design, at the same time, the nature has been paid great attention to by the art design and art theorists. The study and discussion of natural elements has always been an important subject in the field of art design. And natural form language, as an important artistic expression form of breaking cocoon from rich and colorful natural elements, has been skillfully applied in every field of design from the primitive totem of human stone age to today. It has proved that it has been playing a pivotal role in human artistic creation. The language of natural form in the art of ceramic design comes from the analogical application of natural form and structure, which is the result of the revelation of nature. We can see a large number of bionic ceramic shapes in the original ceramic modeling, the traditional ceramic modeling and the modern ceramic modeling. This kind of ceramic modeling, which combines a large number of natural form languages and takes "imitating image" as the main artistic expression form, has been widely welcomed by people all the time. As an important reference for ceramic modeling, natural form language has shown great vitality in ceramic design art in the past, present and future. The main research content of this paper is based on the study of the connotation, form and evolution of natural form language in ceramic design art. It is supplemented by the analysis process of the comparison, interaction, influence and even mutual penetration between the natural form language in the ceramic design art of our country and the natural form language in the western ceramic design art. This paper puts forward the views and suggestions on the natural form language in the modern and contemporary ceramic design art of our country, in order to understand the natural form language in the ceramic design art more theoretically and practically, and to make it understand the evolution of the ceramic culture. To guide the development of ceramic design and production plays a positive role.
【學(xué)位授予單位】：沈陽理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J527

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

1 喬繼濤;;盛世話青瓷——隋唐五代青瓷的窯系和工藝傳統(tǒng)研究[J];安徽文學(xué)(下半月);2008年09期

2 周峰;石晚霞;;包裝設(shè)計(jì)發(fā)展的新趨勢[J];安徽文學(xué)(下半月);2010年01期

3 王秋雷;李興華;;論中國古代陶之“四德”觀——讀唐代歐陽詹《陶器銘》(并序)有感[J];安徽文學(xué)(下半月);2010年05期

4 黃曉;;淺析室內(nèi)設(shè)計(jì)的裝飾性和實(shí)用性[J];安徽文學(xué)(下半月);2010年08期

5 姬豐碩;;淺析教育與室內(nèi)設(shè)計(jì)[J];安徽文學(xué)(下半月);2010年08期

6 萬雄飛;;遼寧阜新關(guān)山遼墓出土瓷器的窯口與年代[J];邊疆考古研究;2009年00期

7 崔劍鋒;劉爽;彭善國;吳小紅;;赤峰北部遼代窯址出土陶瓷殘片及窯具的成分分析[J];邊疆考古研究;2009年00期

8 魯瑜;胡s

本文編號(hào)：2309113