論師陀的《果園城記》
發(fā)布時間：2018-11-15 18:09
【摘要】：師陀,是中國現(xiàn)代文學史上一位作品豐富且極具特色的作家,其小說集《果園城記》則集中體現(xiàn)了作家的藝術追求與藝術成就。作家具有創(chuàng)建性的以“城”為主體,從城內(nèi)各人的視角出發(fā),觀照至整個果園城。在中國現(xiàn)代文學史上,獨立為城列傳的作者是極少的,文學史上我們所熟知的像魯迅的“魯鎮(zhèn)”系列文章亦是為后來人所收集整理,而非作者自覺結集。至于《果園城記》則是師陀自覺以“城”為主體而作的一本完整的集子。這所具有的價值,無疑是值得被文學史銘記的。師陀少年離鄉(xiāng),前往北平,后流連于上海。作家相當一部分作品都是在“他鄉(xiāng)”創(chuàng)作“故鄉(xiāng)”�！豆麍@城記》全書以作家心理意義上的故鄉(xiāng)小城“果園城”這個地域空間命名。以果園城人與他們所屬的城內(nèi)空間為點,通過對果園城人眾生相和果園城景致的描繪,勾連筑造出整個果園城,形成一個完整的敘事空間,繪制出果園城的完整面目與風貌。整個《果園城記》中,蘊著作家個人濃烈的情感,文字總是輕柔的。小說以回憶與現(xiàn)實穿插的手法、多重的視角、交叉的敘事對這座中原美麗的、凋敝的、冷漠的小城進行了細致的描述。作者筆下的果園城不單是果園城,而是中國的所有的小城,它的腐朽與落后正是整個中國的腐朽與落后。而它的城民的愚昧、無奈、痛苦與掙扎,也恰是全中國小城居民的投射。故事中的人物在時光的更迭中沉浮著,則映射出了全中國的人們在時代中的沉浮。這樣具有獨特審美追求與復雜情感的作品,使文本在具體的象征層面之外,更有了民族文化反思的意味。本文以1946年5月作為文藝復興叢書第一輯,由上海出版公司出版的《果園城記》為敘述對象。文學史上,對作家?guī)熗舆@本耗時八年,傾心而作小說集所具備的藝術特色與藝術成就的評價不一而足。而在本文中,對《果園城記》無論藝術或生活方面的表述,也將必然有著作為筆者“我”個人的認知維度與情感傾向。本論文分為四個章節(jié),第一章從空間書寫形態(tài)出發(fā),基于果園城在參與文本敘事時所呈現(xiàn)出來的結構與形態(tài),對文本敘事所存在的自足空間進行了細致描繪。第二章則聚焦于《果園城記》文本中所隱含的敘事策略,立足于敘事角度、敘事人稱與敘事姿態(tài),對作家的藝術技巧進行了剖析。第三章則從個體生命的存在出發(fā),就文本中所出現(xiàn)的人物進行群體化的分類,對女性、知識分子、跋涉者、小人物等各自的生存景致進行了細致的分析。表現(xiàn)了作家試圖從個體命運中折射出群體乃至更為深層的國民命運,并引發(fā)讀者反思的訴求。第四章則就《果園城記》的藝術特色與成就進行了簡析,從作家個人的創(chuàng)作心態(tài)與藝術追求出發(fā)對《果園城記》所展示出的迷人風貌做出較為詳盡的挖掘,以期對《果園城記》的藝術特色與藝術成就做出細致而客觀的評介。
[Abstract]:Shi Tuo is a writer with rich and characteristic works in the history of modern Chinese literature. His collection Orchard City embodies the writer's artistic pursuit and achievement. The writer takes the city as the main body and looks at the whole Orchard City from the angle of view of the people in the city. In the history of modern Chinese literature, there are very few independent writers in the history of modern Chinese literature. In the history of literature, we are familiar with a series of articles such as Lu Xun's "Lu Town", which are collected by later generations, but not consciously collected by the authors. As for Orchard City, it is a complete collection made by Shi Tuo. The value of this is undoubtedly worth remembering in the history of literature. Shi Tuo left his hometown, went to Peiping, and then lingered in Shanghai. Quite a part of the works of writers are composed in "hometown". The Book of Orchard City is named after the regional space of "Orchard City" in the psychological sense of the writer's hometown, "Orchard City". Taking Orchard City people and their own inner space as the point, through the description of Orchard City people and Orchard City scenery, the whole Orchard City is constructed, forming a complete narrative space and drawing the complete face and style of Orchard City. Throughout Orchard City, there is a strong personal feelings of the writer, the text is always soft. The novel describes the beautiful, desolate and indifferent town of the Central Plains with the techniques of recollection and reality, multiple perspectives and cross-narration. The Orchard City described by the author is not only the Orchard City, but also all the small cities in China. Its decay and backwardness are the decay and backwardness of the whole China. The folly, helplessness, pain and struggle of its people are also the projection of the whole Chinese small city residents. The characters in the story rise and fall in the change of time, reflecting the ups and downs of the whole Chinese people in the times. This kind of works with unique aesthetic pursuit and complex emotion makes the text have the meaning of reflection of national culture in addition to the specific symbolic level. In this paper, Orchard City, published by Shanghai Publishing Company, as the first edition of the Renaissance series in May 1946, is described. In the history of literature, the author Shi Tuo, who took eight years and devoted himself to the collection of novels, has been appraising the artistic characteristics and achievements. In this paper, the description of Orchard City, whether in art or life, will inevitably have the cognitive dimension and emotional tendency as the author's "I". This paper is divided into four chapters. The first chapter describes the self-contained space of text narration based on the structure and form of Orchard City. The second chapter focuses on the narrative strategy implied in Orchard City, based on the narrative angle, narrative person and narrative posture, and analyzes the artistic skills of the writer. The third chapter starts from the existence of individual life, classifies the characters in the text into groups, and makes a detailed analysis of the survival scenes of women, intellectuals, postscript participants, small figures and so on. It shows that the writer tries to reflect the group and even deeper national destiny from the individual fate, and causes the readers to reflect on their demands. The fourth chapter briefly analyzes the artistic characteristics and achievements of Orchard City, from the writer's personal creative mentality and artistic pursuit of the Orchard City to show a more detailed exploration of the charming style. In order to make a detailed and objective review of the artistic characteristics and achievements of Orchard City.
【學位授予單位】：廣西師范學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42
本文編號：2334051
[Abstract]:Shi Tuo is a writer with rich and characteristic works in the history of modern Chinese literature. His collection Orchard City embodies the writer's artistic pursuit and achievement. The writer takes the city as the main body and looks at the whole Orchard City from the angle of view of the people in the city. In the history of modern Chinese literature, there are very few independent writers in the history of modern Chinese literature. In the history of literature, we are familiar with a series of articles such as Lu Xun's "Lu Town", which are collected by later generations, but not consciously collected by the authors. As for Orchard City, it is a complete collection made by Shi Tuo. The value of this is undoubtedly worth remembering in the history of literature. Shi Tuo left his hometown, went to Peiping, and then lingered in Shanghai. Quite a part of the works of writers are composed in "hometown". The Book of Orchard City is named after the regional space of "Orchard City" in the psychological sense of the writer's hometown, "Orchard City". Taking Orchard City people and their own inner space as the point, through the description of Orchard City people and Orchard City scenery, the whole Orchard City is constructed, forming a complete narrative space and drawing the complete face and style of Orchard City. Throughout Orchard City, there is a strong personal feelings of the writer, the text is always soft. The novel describes the beautiful, desolate and indifferent town of the Central Plains with the techniques of recollection and reality, multiple perspectives and cross-narration. The Orchard City described by the author is not only the Orchard City, but also all the small cities in China. Its decay and backwardness are the decay and backwardness of the whole China. The folly, helplessness, pain and struggle of its people are also the projection of the whole Chinese small city residents. The characters in the story rise and fall in the change of time, reflecting the ups and downs of the whole Chinese people in the times. This kind of works with unique aesthetic pursuit and complex emotion makes the text have the meaning of reflection of national culture in addition to the specific symbolic level. In this paper, Orchard City, published by Shanghai Publishing Company, as the first edition of the Renaissance series in May 1946, is described. In the history of literature, the author Shi Tuo, who took eight years and devoted himself to the collection of novels, has been appraising the artistic characteristics and achievements. In this paper, the description of Orchard City, whether in art or life, will inevitably have the cognitive dimension and emotional tendency as the author's "I". This paper is divided into four chapters. The first chapter describes the self-contained space of text narration based on the structure and form of Orchard City. The second chapter focuses on the narrative strategy implied in Orchard City, based on the narrative angle, narrative person and narrative posture, and analyzes the artistic skills of the writer. The third chapter starts from the existence of individual life, classifies the characters in the text into groups, and makes a detailed analysis of the survival scenes of women, intellectuals, postscript participants, small figures and so on. It shows that the writer tries to reflect the group and even deeper national destiny from the individual fate, and causes the readers to reflect on their demands. The fourth chapter briefly analyzes the artistic characteristics and achievements of Orchard City, from the writer's personal creative mentality and artistic pursuit of the Orchard City to show a more detailed exploration of the charming style. In order to make a detailed and objective review of the artistic characteristics and achievements of Orchard City.
【學位授予單位】：廣西師范學院
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42
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