本文關(guān)鍵詞： 鳳凰紙?jiān)?工藝制作 民俗活動(dòng) 文化內(nèi)涵 傳承發(fā)展　出處：《重慶大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：湘西地區(qū)是一片神奇的土地，勤勞的湘西人民在這里用雙手創(chuàng)造了瑰麗多姿、名目繁多的民間傳統(tǒng)非物質(zhì)文化遺產(chǎn)，鳳凰紙?jiān)囆g(shù)就是其中一支優(yōu)秀的民間傳統(tǒng)手工技藝文化遺產(chǎn)。鳳凰紙?jiān)鷼v史悠久，技藝精湛，它依賴湘西地域文化活態(tài)背景而生存和發(fā)展，在湘西地區(qū)的喪俗、巫俗、歲時(shí)節(jié)慶、廟會(huì)等民俗活動(dòng)中以極具象征意義的物質(zhì)載體形式體現(xiàn)著湘西人民的信仰追求和價(jià)值觀念，具有深厚的文化內(nèi)涵和藝術(shù)價(jià)值。為此，本文在對(duì)鳳凰紙?jiān)M(jìn)行實(shí)地考察、記錄、整理歸納圖片的基礎(chǔ)之上，討論了鳳凰紙?jiān)纬珊桶l(fā)展的地域文化生態(tài)背景，分析了鳳凰紙?jiān)囆g(shù)的工藝流程及藝術(shù)特色，重點(diǎn)探究鳳凰紙?jiān)谙嫖髅袼谆顒?dòng)中的具體應(yīng)用情況，以及在具體的應(yīng)用過程中體現(xiàn)出的文化內(nèi)涵和象征意義，指出和思考了鳳凰紙?jiān)膫鞒鞋F(xiàn)狀及存在的問題并就其發(fā)展提出了合理性的建議。 主要研究?jī)?nèi)容及結(jié)果如下： 首先，從民俗文化生態(tài)觀的角度出發(fā)，介紹和討論了鳳凰紙?jiān)囆g(shù)形成和發(fā)展的背景。鳳凰紙?jiān)囆g(shù)植根于湘西地區(qū)，湘西地區(qū)的自然地理環(huán)境、社會(huì)歷史淵源以及民間宗教信仰等對(duì)鳳凰紙?jiān)囆g(shù)的形成和發(fā)展有非常大的影響。 其次，記錄了鳳凰紙?jiān)囆g(shù)的制作工藝及原材料，對(duì)鳳凰紙?jiān)囆g(shù)的藝術(shù)特征作了更加全面系統(tǒng)的歸納分析，整體呈現(xiàn)出造型多樣，紋飾豐富，色彩絢麗和材料輕便等藝術(shù)特色。 再次，將鳳凰紙?jiān)囆g(shù)置于湘西民俗環(huán)境大背景下，探究鳳凰紙?jiān)谙嫖鞯貐^(qū)的喪俗、巫俗、歲時(shí)節(jié)慶和廟會(huì)等民間民俗活動(dòng)中的具體運(yùn)用，以及鳳凰紙?jiān)诰唧w應(yīng)用過程中折射出的湘西人民的思想觀念，包括入土為安的喪葬觀念、淳樸原始的孝道觀念、樂觀豁達(dá)的生死觀念和世俗功利的價(jià)值觀念，體現(xiàn)出了鳳凰紙?jiān)囆g(shù)蘊(yùn)含著深厚的文化內(nèi)涵和象征意義。 最后，對(duì)鳳凰紙?jiān)膫鞒鞋F(xiàn)狀及存在的問題進(jìn)行了分析和思考，指出鳳凰紙?jiān)趥鞒泻桶l(fā)展過程中呈現(xiàn)出一定的局限性，面臨著工藝作品單一化、紙質(zhì)材料呈現(xiàn)局限性、供求市場(chǎng)萎縮化、傳承人老齡化等現(xiàn)狀問題，并且對(duì)鳳凰紙?jiān)默F(xiàn)代發(fā)展問題進(jìn)行了思考，提出了合理性的建議。
[Abstract]:Xiangxi region is a magical land, the hard-working people in Xiangxi created a magnificent and colorful folk tradition and intangible cultural heritage with their hands. Fenghuang Ziza Art is one of the outstanding folk traditional handicraft cultural heritage. It has a long history and exquisite skills. It depends on the living background of Xiangxi regional culture to survive and develop. In the funeral customs, witchcraft customs, festivals at the age, temple fairs and other folklore activities in the western Hunan region with a very symbolic form of material carrier to reflect the pursuit of faith and values of the people of Western Hunan. It has profound cultural connotation and artistic value. Therefore, this paper discusses the regional cultural ecological background of the formation and development of the Phoenix paper binding on the basis of the field investigation, recording and collation of the pictures. This paper analyzes the technological process and artistic characteristics of Phoenix paper binding art, and probes into the concrete application of Phoenix paper binding in the folk custom activities in western Hunan, as well as the cultural connotation and symbolic significance embodied in the concrete application process. This paper points out and ponders over the present situation and existing problems of the inheritance of Fenghuang Ziza and puts forward some reasonable suggestions for its development. The main contents and results are as follows: First of all, from the perspective of the ecological view of folklore culture, this paper introduces and discusses the background of the formation and development of Phoenix Ziza art, which is rooted in the natural geographical environment of Xiangxi region. Social and historical origins and folk religious beliefs have a great influence on the formation and development of Phoenix's paper-binding art. Secondly, the paper records the production process and raw materials of Phoenix paper-binding art, and makes a more comprehensive and systematic analysis of the artistic characteristics of Phoenix paper-binding art. Colorful and light materials and other artistic features. Thirdly, under the background of Xiangxi folklore environment, the paper probes into the concrete application of Phoenix Ziza in the folk folklore activities such as funeral customs, witchcraft customs, festivals and temple fairs in western Hunan. And the Fenghuang paper in the concrete application process reflects the people's ideology of Xiangxi, including the burial concept, simple and primitive concept of filial piety, optimistic and open-minded concept of life and death and secular utilitarian values. It embodies the deep cultural connotation and symbolic significance of the Phoenix paper-binding art. Finally, the paper analyzes and ponders the present situation and existing problems of Phoenix paper-binding, and points out that Phoenix paper-binding has some limitations in the process of inheritance and development, and it is faced with the singleness of the craft works. The paper material presents the limitation, the supply and demand market shrinks, inherits the person aging and so on the present situation question, and has carried on the ponder to the Phoenix paper binding modern development question, has put forward the reasonable suggestion.
【學(xué)位授予單位】：重慶大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J528.2

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本文編號(hào)：1466105