場(chǎng)所精神在中山岐江公園的表現(xiàn)
發(fā)布時(shí)間:2018-11-16 19:45
【摘要】:隨著現(xiàn)代城市商業(yè)化、社會(huì)化、信息化發(fā)展進(jìn)程的加快,場(chǎng)所精神的缺失日益嚴(yán)重,這一現(xiàn)象已經(jīng)成為景觀環(huán)境中最普遍、引起大眾關(guān)注的問(wèn)題,場(chǎng)所精神在城市景觀設(shè)計(jì)中的表達(dá)也就顯得十分重要,場(chǎng)所精神作為城市景觀設(shè)計(jì)的靈魂,它與情感化設(shè)計(jì)和人性化設(shè)計(jì)有著共同的含義。 場(chǎng)所精神最早應(yīng)用在建筑理論研究,它的本質(zhì)意義是嘗試在技術(shù)的時(shí)代從更廣泛的視角,重新去認(rèn)識(shí)建筑存在的本質(zhì)。場(chǎng)所精神是建筑現(xiàn)象學(xué)的核心內(nèi)容,屬于建筑現(xiàn)象學(xué)范疇,在環(huán)境藝術(shù)設(shè)計(jì)當(dāng)中,場(chǎng)所以及場(chǎng)所精神則屬于設(shè)計(jì)方法學(xué)中的一種,同時(shí)又與環(huán)境心理學(xué)有著密不可分的關(guān)系。隨著現(xiàn)代設(shè)計(jì)理念的逐漸發(fā)展和研究,場(chǎng)所精神被運(yùn)用在建筑的外部空間環(huán)境、城市環(huán)境、城市景觀設(shè)計(jì)、城市規(guī)劃等領(lǐng)域中。 二次世界大戰(zhàn)后,人們對(duì)于人性化設(shè)計(jì)越發(fā)重視和關(guān)注,而“以人為本”的設(shè)計(jì)理念則漸漸植入了設(shè)計(jì)師們的心中。設(shè)計(jì)來(lái)源于生活,人是生活的主體,場(chǎng)所精神表達(dá)的核心是關(guān)注人們處在環(huán)境中的情感,處理好人與周圍環(huán)境的關(guān)系,從而使人與環(huán)境和諧共生。 隨著現(xiàn)代主義建筑的不斷發(fā)展和興起,我們生活的環(huán)境日益國(guó)際化、現(xiàn)代化,這種趨勢(shì)代表了一種進(jìn)步的同時(shí),我們生活的景觀環(huán)境也因此表現(xiàn)出個(gè)性的缺乏,盲目地追求國(guó)際化、現(xiàn)代化的設(shè)計(jì),導(dǎo)致場(chǎng)所精神漸漸消失、環(huán)境缺乏歸屬感,因而變得精神空虛,人們忽略了“景觀需要人去解讀、去呵護(hù)、去設(shè)計(jì),使其更美更人性化、更有文化品味! 在如今體驗(yàn)至上、注重精神需求和情感交流的時(shí)代,城市景觀設(shè)計(jì)已經(jīng)不僅僅是滿足人們對(duì)環(huán)境的功能需求,更重要的是讓人們?cè)谛哪恐薪⑵饒?chǎng)所感。本論文通過(guò)對(duì)中山岐江公園景觀規(guī)劃的設(shè)計(jì)案例,分析場(chǎng)所精神的設(shè)計(jì)形式和影響要素,闡述了場(chǎng)所精神在中山岐江公園的表現(xiàn),提出城市景觀場(chǎng)所精神表現(xiàn)的建議,總結(jié)歸納場(chǎng)所精神不僅僅是良好的場(chǎng)所環(huán)境應(yīng)該具備的特性和氛圍,同時(shí)也是城市景觀設(shè)計(jì)不斷追求、努力發(fā)展的方向和目標(biāo)。
[Abstract]:With the commercialization and socialization of modern cities, the acceleration of information development process and the increasingly serious lack of place spirit, this phenomenon has become the most common problem in the landscape environment, which has aroused public concern. The expression of place spirit in urban landscape design is also very important. As the soul of urban landscape design, place spirit has the same meaning with emotional design and humanized design. The spirit of place was first applied in the study of architectural theory. Its essential meaning is to try to re-understand the essence of architectural existence from a broader perspective in the era of technology. Place spirit is the core content of architectural phenomenology and belongs to the category of architectural phenomenology. In environmental art design, place and place spirit belong to one kind of design methodology, at the same time, they are closely related to environmental psychology. With the gradual development and research of modern design concept, the spirit of place has been applied in the field of external space environment, urban landscape design, urban planning and so on. After World War II, people pay more and more attention to humanized design, and the "people-oriented" design concept is gradually implanted in the hearts of designers. The design originates from the life, the human is the main body of the life, the core of the place spirit expression is to pay attention to people's emotion in the environment, to deal with the relationship between the people and the surrounding environment, thus makes the human and the environment harmonious symbiosis. With the continuous development and rise of modernist architecture, our living environment is becoming more and more international and modernized. This trend represents a kind of progress, meanwhile, the landscape environment of our life also shows the lack of personality. The blind pursuit of internationalization and modern design has led to the gradual disappearance of the spirit of the place, the lack of a sense of belonging in the environment, and the spiritual emptiness of the environment. People have neglected that "the landscape needs to be interpreted, cared for, designed to make it more beautiful and more human," More cultural taste. " In the age of experiencing supreme, paying attention to spiritual needs and emotional communication, urban landscape design is not only to meet the functional needs of the environment, but also to establish a sense of place in people's minds. Through the design case of Zhongshan Gijiang Park landscape planning, this paper analyzes the design form and influencing factors of the place spirit, expounds the expression of the place spirit in Zhongshan Gijiang Park, and puts forward some suggestions on the expression of the city landscape place spirit. Summing up and summarizing the spirit of place is not only the characteristic and atmosphere that a good place environment should possess, but also the direction and goal of the continuous pursuit and development of urban landscape design.
【學(xué)位授予單位】:廣東工業(yè)大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:TU986.5
本文編號(hào):2336470
[Abstract]:With the commercialization and socialization of modern cities, the acceleration of information development process and the increasingly serious lack of place spirit, this phenomenon has become the most common problem in the landscape environment, which has aroused public concern. The expression of place spirit in urban landscape design is also very important. As the soul of urban landscape design, place spirit has the same meaning with emotional design and humanized design. The spirit of place was first applied in the study of architectural theory. Its essential meaning is to try to re-understand the essence of architectural existence from a broader perspective in the era of technology. Place spirit is the core content of architectural phenomenology and belongs to the category of architectural phenomenology. In environmental art design, place and place spirit belong to one kind of design methodology, at the same time, they are closely related to environmental psychology. With the gradual development and research of modern design concept, the spirit of place has been applied in the field of external space environment, urban landscape design, urban planning and so on. After World War II, people pay more and more attention to humanized design, and the "people-oriented" design concept is gradually implanted in the hearts of designers. The design originates from the life, the human is the main body of the life, the core of the place spirit expression is to pay attention to people's emotion in the environment, to deal with the relationship between the people and the surrounding environment, thus makes the human and the environment harmonious symbiosis. With the continuous development and rise of modernist architecture, our living environment is becoming more and more international and modernized. This trend represents a kind of progress, meanwhile, the landscape environment of our life also shows the lack of personality. The blind pursuit of internationalization and modern design has led to the gradual disappearance of the spirit of the place, the lack of a sense of belonging in the environment, and the spiritual emptiness of the environment. People have neglected that "the landscape needs to be interpreted, cared for, designed to make it more beautiful and more human," More cultural taste. " In the age of experiencing supreme, paying attention to spiritual needs and emotional communication, urban landscape design is not only to meet the functional needs of the environment, but also to establish a sense of place in people's minds. Through the design case of Zhongshan Gijiang Park landscape planning, this paper analyzes the design form and influencing factors of the place spirit, expounds the expression of the place spirit in Zhongshan Gijiang Park, and puts forward some suggestions on the expression of the city landscape place spirit. Summing up and summarizing the spirit of place is not only the characteristic and atmosphere that a good place environment should possess, but also the direction and goal of the continuous pursuit and development of urban landscape design.
【學(xué)位授予單位】:廣東工業(yè)大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:TU986.5
【引證文獻(xiàn)】
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1 尤長(zhǎng)俊;傅婭;;基于場(chǎng)所精神的文化廣場(chǎng)研究——以成都寬窄巷子為例[J];綠色科技;2016年13期
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1 張銘凱;福州下洋造船廠棕地景觀設(shè)計(jì)[D];福建農(nóng)林大學(xué);2017年
2 趙童心;工業(yè)遺址保護(hù)與利用的規(guī)劃策略研究[D];四川師范大學(xué);2016年
3 宿瑞艷;城市舊工業(yè)區(qū)景觀更新策略研究[D];重慶大學(xué);2016年
4 陰玉潔;城市設(shè)計(jì)中的場(chǎng)所精神營(yíng)造[D];太原理工大學(xué);2016年
5 馮楚珊;珠三角文化類公共建筑外環(huán)境景觀的研究及評(píng)價(jià)[D];仲愷農(nóng)業(yè)工程學(xué)院;2016年
6 陳慧君;鎮(zhèn)平縣工業(yè)園區(qū)玉龍公園規(guī)劃與設(shè)計(jì)[D];河南農(nóng)業(yè)大學(xué);2015年
7 錢秋榮;基于場(chǎng)所歷史的鷹潭虎嶺公園規(guī)劃[D];中南林業(yè)科技大學(xué);2015年
8 王穎如;地域文化在濱水景觀中的應(yīng)用研究[D];中南林業(yè)科技大學(xué);2014年
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