本文選題：瑪莎·施瓦茨 + 園林��； 參考：《中南林業(yè)科技大學》2014年碩士論文

【摘要】：瑪莎·施瓦茨女士是景觀園林設(shè)計當中,后現(xiàn)代主義設(shè)計風格的翹楚。關(guān)于她的設(shè)計作品與設(shè)計風格一直以來飽受爭議,這位勇敢地女士敢于大膽地挑戰(zhàn)傳統(tǒng)園林中的種種保守、陳舊的觀念,以獨樹一幟、通俗大眾的藝術(shù)品位為追求,建造了屬于瑪莎自己的景觀世界。本文的研究背景著眼于近年來隨著網(wǎng)絡(luò)等新媒體對瑪莎作品的廣泛宣傳,國內(nèi)外對于個性化、風格化的景觀推崇,瑪莎·施瓦茨的自成一派的景觀特色被景觀師們關(guān)注,特別是中國的設(shè)計師們近年頻繁出現(xiàn)對瑪莎園林、景觀的模仿,但這些淺顯的作品,并沒有從本質(zhì)上學習、運用到瑪莎·施瓦茨的景觀優(yōu)勢。 以研究瑪莎的色彩藝術(shù)韻律和表達手法為研究目的,本論文從明確研究背景、意義為基點出發(fā),通過五個章節(jié)層層推進進行分析。本文就瑪莎·施瓦茨作品中的色彩選擇、色彩構(gòu)成、色彩表現(xiàn)方法進行歸納、分析、總結(jié)規(guī)律,歸納瑪莎·施瓦茨在其生活背景、成長經(jīng)歷和時代性的藝術(shù)感染下,所形成的獨樹一幟的色彩規(guī)律。運用色彩構(gòu)成的中心原理,結(jié)合分析法、對比法的利用,透徹地認知、感悟瑪莎·施瓦茨的色彩實用藝術(shù),從而來理解其景觀世界中色彩感性語言。分析色彩風格形成所需要具備的文化、主題脈絡(luò),最終找尋其色彩世界的形式規(guī)律,對表現(xiàn)手法的集中應(yīng)用。 以此脈絡(luò)之下本文得到關(guān)于瑪莎施瓦茨的色彩藝術(shù)以下幾個結(jié)論： (1)瑪莎·施瓦茨的藝術(shù)精神和色彩風格的形成具有時代和生活背景之下誕生的現(xiàn)實化、通俗性的思想基礎(chǔ)。 (2)色域的選擇控制了瑪莎·施瓦茨景觀世界的色彩框架,利用色彩構(gòu)成的不同秩序豐富這個框架,以秩序來從根本上制約、表達景觀中的主次。 (3)園林色彩與基地、環(huán)境之間相互制約,與主題、風格之間相互襯托。 (4)色彩表現(xiàn)手法的總結(jié)與分類。 研究的成果將為國內(nèi)對于瑪莎·施瓦茨等后現(xiàn)代主義景觀師的色彩藝術(shù)表達語言有更為清晰的理解,不只是停留于表面的模仿,而能夠深層次地領(lǐng)悟色彩藝術(shù)的表現(xiàn)形式,從而為中國的新景觀設(shè)計創(chuàng)造新的思路。
[Abstract]:Ms Marsha Schwartz is the leader of post-modernist design in landscape architecture. About her design works and design style has been controversial, the brave lady dare to challenge the traditional garden of all kinds of conservative, outdated ideas, unique, popular artistic taste as the pursuit, Built Martha's own landscape world. The research background of this paper is focused on the extensive publicity of Martha's works in recent years by new media such as the Internet, the domestic and foreign praise for the individualized and stylized landscape, the unique landscape characteristics of Martha Schwartz being paid close attention to by landscape designers. Chinese designers, in particular, have frequently appeared in recent years to imitate Martha's gardens and landscapes, but these simple works have not been studied in essence and applied to Martha Schwartz's landscape advantages. In order to study Martha's color art prosody and expression technique, this paper starts from the clear research background and significance, and analyzes it through five chapters. This paper sums up, analyzes and summarizes the rules of color selection, color composition and color expression in Marsha Schwartz's works, and concludes Marsha Schwartz under the influence of his life background, growth experience and the artistic influence of the times. The formation of a unique color law. By using the central principle of color composition, combining the analysis method and the use of contrast method, Marsha Schwartz's practical art of color is thoroughly recognized and understood, so as to understand the perceptual language of color in his landscape world. This paper analyzes the culture and theme of the formation of color style, and finally finds out the formal law of the color world and the centralized application of the expression technique. In this context, this paper draws the following conclusions about Marsha Schwartz's color art: The formation of Marsha Schwartz's artistic spirit and color style has the realistic and universal ideological basis of birth under the background of the times and life. (2) the choice of color gamut controls the color frame of Martha Schwartz landscape world. It enriches the frame by using different order of color, restricts the order fundamentally, and expresses the primary and secondary of the landscape. Garden color and base, environment mutually restrict each other, and theme, style set off each other. 4) the summary and classification of color expression techniques. The results of the research will provide a clearer understanding of the expression language of color art by postmodernist landscape architects such as Martha Schwartz in China, not only in superficial imitation, but also in the form of expression of color art. So as to create new ideas for the new landscape design in China.
【學位授予單位】：中南林業(yè)科技大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：TU986

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