分裂的自我與存在的困境:多麗絲·萊辛之《野草在歌唱》的萊恩式解讀
發(fā)布時(shí)間:2024-03-26 01:34
多麗絲·萊辛是當(dāng)代世界上最重要的作家之一,以多產(chǎn)、風(fēng)格獨(dú)特多變和極富探索精神享譽(yù)文壇。萊辛于2007年榮獲諾貝爾文學(xué)獎(jiǎng),是108年來(lái)諾貝爾文學(xué)獎(jiǎng)獲獎(jiǎng)得主中第11位女性作家,也是年事最高的獲獎(jiǎng)?wù)摺?評(píng)論家們總認(rèn)為很難將萊辛歸類(lèi),因?yàn)樗傇谒麄冊(cè)噲D為她貼上某種標(biāo)簽時(shí)迅速轉(zhuǎn)身,以新的見(jiàn)解去應(yīng)對(duì)變化的世界。萊辛的作品形式多樣、題材廣泛,在其漫長(zhǎng)的寫(xiě)作生涯中大膽涉足了許多20世紀(jì)最重要的意識(shí)潮流和社會(huì)問(wèn)題。然而,作為一位極具社會(huì)情懷的作家,萊辛始終對(duì)人類(lèi)的生存問(wèn)題賦予極大關(guān)注。 萊辛在作品中不斷探討現(xiàn)代人在現(xiàn)代社會(huì)中面臨的深刻的精神危機(jī)。她認(rèn)為人類(lèi)應(yīng)該勇于直面生活,在日趨分裂的社會(huì)生活中努力尋找整一性,減少“既定規(guī)則”對(duì)自身的傷害。而異化和瘋狂,作為這種努力趨于失敗的悲慘后果,則反復(fù)出現(xiàn)在其作品之中。出版于1950年的處女作《野草在歌唱》是萊辛一部極具代表性的作品。小說(shuō)描寫(xiě)了南非一個(gè)破敗農(nóng)場(chǎng)里女主人瑪麗·特納被黑人男仆摩西殺害的悲慘故事。評(píng)論家們普遍認(rèn)為該小說(shuō)第一次向西方讀者毫不掩飾地展現(xiàn)種族隔離制度下南部非洲的社會(huì)現(xiàn)狀,控訴了偽善的殖民統(tǒng)治。然而,萊辛本人卻并不贊同此類(lèi)評(píng)論。 出于對(duì)萊辛作品的...
【文章頁(yè)數(shù)】:99 頁(yè)
【學(xué)位級(jí)別】:碩士
【文章目錄】:
Acknowledgments
Abstract in English
Abstract in Chinese
Chapter One Introduction
1.1 A Brief Account of Doris Lessing and her Major Works
1.1.1 A Brief Introduction to Doris Lessing
1.1.2 Doris Lessing's Major Works
1.1.3 Doris Lessing's Critical Reception
1.2 A Brief Account of R.D. Laing
1.2.1 R.D. Laing and his Theory
1.2.2 R.D. Laing's Critical Reception
1.3 The Purpose of the Thesis
Chapter Two Literature Review
2.1 International Studies on The Grass Is Singing
2.1.1 International Studies on the Themes and Characters
2.1.2 International Studies on the Aesthetics and Narrative Techniques of The Grass Is Singing
2.1.3 International Studies on the Theoretical Approaches of Interpreting The Grass Is Singing
2.1.4 Critical Comments
2.2 Domestic Studies on The Grass Is Singing
2.2.1 Domestic Studies on The Grass Is Singing from Different Perspectives
2.2.2 Domestic Studies on The Grass Is Singing from the Psychological Perspective
2.2.3 Critical Comments
Chapter Three Theoretical Framework
3.1 R.D. Laing's Ideological Origins
3.1.1 Laing and Sigmund Freud
3.1.2 Laing and Existentialism
3.2 A General Survey of Laing's Theory on Schizophrenia
3.3 Major Inducements of Schizophrenia in Laing's Theory
3.3.1 External Factor: Society and Family
3.3.2 Internal Factors: "Ontological Insecurity"
3.3.3 Internal Factors: Split Self
Chapter Four Laing's Theory on Schizophrenia Embodied in The Grass Is Singing
4.1 Doris Lessing's The Grass Is Singing and R.D. Laing's Theory
4.1.1 Doris Lessing and R.D. Laing
4.1.2 A Brief Introduction to The Grass Is Singing
4.1.2.1 Critical Reception
4.1.2.2 The Title, the Tone, the Characters and the Plot
4.1.2.3 Lessing's Response to the Reviews of The Grass Is Singing
4.2 Mary's Tragedy in The Grass Is Singing and R.D. Laing's Theory
4.2.1 Correspondences between the Inducements of Mary's Tragedy and Laing's theory
4.2.1.1 External Factors of Mary's Tragedy: the Milieu
4.2.1.2 External Factors of Mary's Tragedy: her Family
4.2.2 Resonances between the Internal Factors of Mary's Mental Breakdown and Laing's Theory on Schizophrenia
4.2.2.1 Mary's Childhood, Adulthood, and her "Ontological Insecurity"
4.2.2.2 Mary's Marriage and Split Self
4.2.2.3 Mary's Antipathy towards the Native and Psychic Split
4.2.2.4 Mary's Distorted Dreams and her Mental Breakdown
Chapter Five Conclusion
Bibliography
Appendix Ⅰ Papers and Books Published during My Postgraduate Program
Appendix Ⅱ Certificate of Honor
本文編號(hào):3939165
【文章頁(yè)數(shù)】:99 頁(yè)
【學(xué)位級(jí)別】:碩士
【文章目錄】:
Acknowledgments
Abstract in English
Abstract in Chinese
Chapter One Introduction
1.1 A Brief Account of Doris Lessing and her Major Works
1.1.1 A Brief Introduction to Doris Lessing
1.1.2 Doris Lessing's Major Works
1.1.3 Doris Lessing's Critical Reception
1.2 A Brief Account of R.D. Laing
1.2.1 R.D. Laing and his Theory
1.2.2 R.D. Laing's Critical Reception
1.3 The Purpose of the Thesis
Chapter Two Literature Review
2.1 International Studies on The Grass Is Singing
2.1.1 International Studies on the Themes and Characters
2.1.2 International Studies on the Aesthetics and Narrative Techniques of The Grass Is Singing
2.1.3 International Studies on the Theoretical Approaches of Interpreting The Grass Is Singing
2.1.4 Critical Comments
2.2 Domestic Studies on The Grass Is Singing
2.2.1 Domestic Studies on The Grass Is Singing from Different Perspectives
2.2.2 Domestic Studies on The Grass Is Singing from the Psychological Perspective
2.2.3 Critical Comments
Chapter Three Theoretical Framework
3.1 R.D. Laing's Ideological Origins
3.1.1 Laing and Sigmund Freud
3.1.2 Laing and Existentialism
3.2 A General Survey of Laing's Theory on Schizophrenia
3.3 Major Inducements of Schizophrenia in Laing's Theory
3.3.1 External Factor: Society and Family
3.3.2 Internal Factors: "Ontological Insecurity"
3.3.3 Internal Factors: Split Self
Chapter Four Laing's Theory on Schizophrenia Embodied in The Grass Is Singing
4.1 Doris Lessing's The Grass Is Singing and R.D. Laing's Theory
4.1.1 Doris Lessing and R.D. Laing
4.1.2 A Brief Introduction to The Grass Is Singing
4.1.2.1 Critical Reception
4.1.2.2 The Title, the Tone, the Characters and the Plot
4.1.2.3 Lessing's Response to the Reviews of The Grass Is Singing
4.2 Mary's Tragedy in The Grass Is Singing and R.D. Laing's Theory
4.2.1 Correspondences between the Inducements of Mary's Tragedy and Laing's theory
4.2.1.1 External Factors of Mary's Tragedy: the Milieu
4.2.1.2 External Factors of Mary's Tragedy: her Family
4.2.2 Resonances between the Internal Factors of Mary's Mental Breakdown and Laing's Theory on Schizophrenia
4.2.2.1 Mary's Childhood, Adulthood, and her "Ontological Insecurity"
4.2.2.2 Mary's Marriage and Split Self
4.2.2.3 Mary's Antipathy towards the Native and Psychic Split
4.2.2.4 Mary's Distorted Dreams and her Mental Breakdown
Chapter Five Conclusion
Bibliography
Appendix Ⅰ Papers and Books Published during My Postgraduate Program
Appendix Ⅱ Certificate of Honor
本文編號(hào):3939165
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