作為一位致力于探索小說藝術(shù)的作家,弗拉基米爾·納博科夫賦予其成名作《洛麗塔》獨特的審美意義。在總結(jié)以往研究的基礎(chǔ)上,本文作者試圖將《洛麗塔》作為一部玄學偵探小說來研究,從一個新的角度來欣賞其價值。 本文從納博科夫獨具特色的現(xiàn)實觀和文學觀入手,應(yīng)用傳統(tǒng)偵探小說及玄學偵探小說的相關(guān)理論,分析納博科夫在《洛麗塔》這部小說中所套用的偵探小說模式及其反常規(guī)的特點,從主題,寫作技巧和敘事結(jié)構(gòu)等方面論證它是一部玄學偵探小說,最后探討了小說無結(jié)局所帶給偵探和讀者的挫敗感,并揭示其目的是為了揭示小說的虛構(gòu)性。 通過以上分析,筆者得出結(jié)論,認為在《洛麗塔》這部小說中,納博科夫借用偵探小說這一通俗體裁來完成其創(chuàng)作意愿,是為了揭露出小說僅僅是虛構(gòu),是作家以“游戲”方式觀察人生、探討小說藝術(shù)的途徑。

【文章頁數(shù)】：73 頁

【學位級別】：碩士

【文章目錄】：
Acknowledgements
Abstract(in English)
Abstract(in Chinese)
Introduction
Chapter One Vladimir Nabokov and Lolita
    1.1 Nabokov's Life and Works
    1.2 Nabokov's Concepts of Reality and Art of Fiction
    1.3 Lolita:An Embodiment of Nabokov's View on Pure Art
    1.4 Critical Reception of Lolita
Chapter Two Lolita and the Tradition of Detective Fiction
    2.1 The Formulaic Writing Mode of Detective Fiction
    2.2 Lolita in the Form of Detective Fiction
Chapter Three A Metaphysical Detective Story Following the Theme of Quest
    3.1 Metaphysical Detective Story as a Genre
    3.2 Lolita:the Missing Person Type
    3.3 The Quest Theme
Chapter Four Strategies of Metaphysical Detective Story in Lolita
    4.1 Parody
        4.1.1 Parody of Literary Genres
        4.1.2 Parody of Poe's Love Poem
        4.1.3 Parody of Freudianism and Psychoanalysis
    4.2 The Plot Construction
        4.2.1 Story-Within-Story
        4.2.2 Nonsolution
Chapter Five The Defeated Detection:Revelation of Fictionality of Fiction
    5.1 The Defeated Detective
    5.2 The Frustrated Reader
    5.3 The Absence of Narrative Closure
Conclusion
Notes
Bibliography



本文編號：3838787