克里斯蒂娜·羅塞蒂是維多利亞時(shí)期倍受關(guān)注與討論的詩人之一。不僅是由于人們對(duì)她作為一個(gè)十九世紀(jì)重要的女詩人其作品中體現(xiàn)的女權(quán)主義思想發(fā)生興趣,而且還在于她詩歌的意義的多重性吸引了學(xué)者們從各種角度對(duì)她的作品進(jìn)行分析。 作為一個(gè)才華橫溢的拉斐爾前派詩人,她的詩歌作品倍受海外學(xué)者和批評(píng)家的青睞,他們用不同的文學(xué)理論對(duì)她的作品進(jìn)行分析和研究。然而,在中國她的詩歌卻沒有得到國內(nèi)學(xué)者應(yīng)有的重視。其原因一方面可能是由于她是在相對(duì)與世隔絕的孤獨(dú)情況中從事她的詩歌創(chuàng)作,并在教堂為那些墮落的女性提供幫助,這種生活方式似乎被認(rèn)為是難以理解的;另一方面,人們更愿意翻譯她的詩歌和淺嘗她的某些詩作,而不愿意去深刻理解其中的深意,因?yàn)樗脑姼柙谇楦猩线^于感性,在形式上和語言上又不加雕琢。但是,實(shí)際上她的詩歌未必像人們慣常所理解的那樣。我個(gè)人認(rèn)為她的詩歌是非常精煉和復(fù)雜的,其中包含了用以抒發(fā)和表現(xiàn)其強(qiáng)烈情感和對(duì)女性問題進(jìn)行探索的深思熟慮的措辭和結(jié)構(gòu)。無論是國外的批評(píng)家還是國內(nèi)的學(xué)者都不免對(duì)克里斯蒂娜詩歌簡(jiǎn)單語言形式下所隱藏的深刻主題在認(rèn)識(shí)上有所疏漏。而本文的目的就是試圖探尋女詩人愛情詩歌中所蘊(yùn)藏的某些被忽視深刻含義。 ...

【文章頁數(shù)】：81 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
摘要
ABSTRACT
1 INTRODUCTION
    1.1 THE LIFE AND WORKS OF CHRISTINA ROSSETTI
    1.2 A BRIEF INTRODUCTION OF VICTORIAN SOCIETY
    1.3 LITERATURE REVIEW ON THE POETRY OF CHRISTINA ROSSETTI
        1.3.1 Studies on Christina Worldwide
        1.3.2 Studies on Christina Nationwide
2 THEORETICAL FRAMEWORK
    2.1 PSYCHOANALYTIC FEMINISM
        2.1.1 Freud’s Psychological Theories
        2.1.2 Carl Gustav Jung’s Archetypal Theories
    2.2 SOCIALIST FEMINISM
        2.2.1 Virginia Woolf and Alice Walker
        2.2.2 A Brief Introduction of Androgyny
3 LOVE IN IMAGINATION IN THE EARLY LOVE POETRY
4 LOVE AND SORROW IN “MONNA INNOMINATA: A SONNET OF SONNETS”AND OTHER POEMS
    4.1 SONNET SEQUENCES IN VICTORIAN ERA
    4.2 “MONNA INNOMINATA: A SONNET OF SONNETS”
    4.3 Other Poems
5 “FALL”AND REDEMPTION OF VICTORIAN “EVES”
    5.1 THE REFLECTION OF THE CONDITION AND CONSCIOUSNESS OF THE “FALLEN”WOMEN AS INDIVIDUALS IN HER POEMS
        5.1.1 The “Falling”of Women
        5.1.2 Morals of the Female in the Poetry of Christina Rossetti
        5.1.3 The Call for the Awakening of the Female Consciousness
        5.1.4 The Accusation of Men
    5.2 THE ROOTS OF WOMAN PROBLEMS
        5.2.1 “The Prince’s Progress”
        5.2.2 “Goblin Market”
    5.3 THE SHATTERING OF THE FORMER ILLUSIONARY CONSOLATIONS
    5.4 RE-READING “GOBLIN MARKET”—THE CEREMONY OF WOMEN’S SELF-SALVATION
        5.4.1 Being a Woman as an Artist’s Redemption—the Realization of Individuation
        5.4.2 Being an Artist as a Woman’s Solution to the Social Problems
        5.4.3 The Archetype of Earth-Mother
    5.5 SCAPEGOATS AND MISOGYNY IN THE LOVE POETRY OF CHRISTINA ROSSETTI
6 CONCLUSIONS
REFERENCES
ACKNOWLEDGEMENTS



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