簡·奧斯汀是維多利亞時代英國著名女作家。她短暫的一生為后人留下了六部完整的小說,她的創(chuàng)作光環(huán)時至200多年后的今日在文學界仍舊閃爍光芒。2000年,BBC的“千年作家評選”活動中,奧斯汀緊隨莎士比亞之后,名列第二,而且,她是前十位里唯一的女性作家。出版于1815年12月的小說《愛瑪》被文學界認定為簡·奧斯汀的最為成熟的一部作品,被珍·哈特譽為是簡·奧斯汀創(chuàng)作力量和寫作技法的巔峰之作。但是,《愛瑪》出版之初受到了早期讀者的冷遇,對于愛瑪?shù)炔煌诟笝?quán)文學中所塑造的新女性形象更是頻遭質(zhì)疑。簡·奧斯汀似乎預見到這種結(jié)果,聲稱:“我將創(chuàng)造一個除了我自己,沒人會喜歡的女主人公”（ Austen, 1989: 187）。也正因此,“愛瑪,無疑地成為了我們民族的遺產(chǎn)”（Tanner, 1986:176）。長久以來,父權(quán)文化深深地植入女性思想中,社會將女性置于相對于男性的“他者”之地,女性話語也就一直處于相對主流話語的邊緣地位。因此,在這場與男性爭取平等權(quán)的斗爭中,女性話語權(quán)的爭奪是至關重要的一步。那么,在《愛瑪》中,簡·奧斯汀是怎樣解構(gòu)男權(quán)至上的神話,建構(gòu)女性話語權(quán)的?本文從時代背景,女性人物形象塑造... 

【文章來源】：廣西師范大學廣西壯族自治區(qū)

【文章頁數(shù)】：48 頁

【學位級別】：碩士

【文章目錄】：
中文摘要
Abstract in English
Chapter 1 Introduction
    1.1 Jane Austen and Her Works
    1.2 A Survey of Research on Emma
Chapter 2 Lacan’s Theory of the Mirror Stage and Austen’s Construction of Women’s Discourse Rights
    2.1 Traditional Women--- the Fantasy in the Mirror
        2.1.1 Conventional Women Reflected under the Mirror Images of Men
        2.1.2 Women Writers Reflected under the Mirror Images of Male Writers
    2.2 Disappearance of Fathers’Authority---Cognition of Patriarchal Phoniness in Emma
    2.3 Emma as the Real Self Mirror Image of Austen---Declaration of Self-Existence and Women Discourse Presence
Chaper 3 The Creation of Women Images
    3.1 Emma: Suppressing Men’s Discourse
        3.1.1 Emma vs Her Father
        3.1.2 Emma vs Other Men around Her
    3.2 Jane Fairfax: Revolting against Men’s Discourse in Silence
        3.2.1 Skillfully Evading Questions and Retorting upon Men by Her Short Lines
        3.2.2 Converting between Subject and Object, Jane Becoming the Absolute Center
    3.3 Harriet Smith: Reversing Men’s Discourse by Means of Twisting
        3.3.1 Harriet’s Background
        3.3.2 As an Assistant to Facilitate Emma to Subvert Men’s Discourse
        3.3.3 As a Standalone Individual to Invalidate Men’s Discourse
    3.4 Miss Bates and Mrs. Elton: Speaking Endlessly as Their mighty Weapon to Deconstruct Men’s Discourse
        3.4.1 Miss Bates, as “Other”of Others, Recounting Ceaselessly Her Happy Life
        3.4.2 Mrs. Elton: Boasting Incessantly Her Social Cachet to Make Alliances with Other Women
Chapter 4 Narrative Strategies to Claim Women’s Discourse Rights
    4.1 The Wide Use of Free Indirect Discourse
    4.2 The Narrator Provided with Multifarious Functions
    4.3 The Replacement of the Narrative Perspective
Chapter 5 Conclusion
Bibliography
Publications during the Postgraduate Program
Acknowledgements


【參考文獻】：
期刊論文
[1]性別、身份與敘事話語:西方女性主義敘事學的主流研究方法[J]. 唐偉勝.  天津外國語學院學報. 2007(03)
[2]敘事形式與性別政治——女性主義敘事學評析[J]. 申丹.  北京大學學報(哲學社會科學版). 2004(01)



本文編號：3641345