【摘要】：弗蘭納里·奧康納(1925-1964)是美國(guó)二戰(zhàn)后杰出的女作家,她被公認(rèn)為繼�？思{后著名的南方作家,并且與第二代南方女作家如卡森·麥卡勒斯,尤多拉·韋爾蒂和凱瑟琳·安·波特等齊名。在短暫的一生里,她創(chuàng)作了兩部長(zhǎng)篇小說(shuō)《智血》(1952)、《暴力奪取》(1960)和三十一篇短篇小說(shuō),部分收錄在《好人難尋》(1955)以及死后才被整理出版收錄了全部短篇小說(shuō)的《奧康納小說(shuō)全集》(1965)。作為二戰(zhàn)后美國(guó)文學(xué)史上非常獨(dú)特的女作家,她的作品受到了許多評(píng)論家和讀者的喜愛(ài)。 南方性,宗教性和女性身份是奧康納身上三個(gè)獨(dú)特的標(biāo)志。自從作品出版以來(lái),就引發(fā)了國(guó)內(nèi)外評(píng)論家多層面的解讀。而這些解讀主要集中在她的宗教性、神學(xué)立場(chǎng),哥特式風(fēng)格和女性主義上。由于國(guó)內(nèi)很少有論文研究她對(duì)南方女性身份認(rèn)同危機(jī)的關(guān)心,所以本文主要從她女性作家的身份考慮,通過(guò)對(duì)作品的分析,來(lái)闡述奧康納作品中女性身份危機(jī)的不同表現(xiàn)及所處的困境,來(lái)表現(xiàn)奧康納作為女性作家對(duì)南方女性身份危機(jī)的關(guān)心。 本文的第一章分析了奧康納小說(shuō)中常見(jiàn)的女性模式,她們是被懲罰的母親們。其中一類(lèi)是極具男性氣質(zhì)的女性,還有一類(lèi)是永遠(yuǎn)活在過(guò)去不能接受現(xiàn)實(shí)的女性,她們?cè)跁r(shí)代的變遷中無(wú)法正確的自我定位,無(wú)法形成完整的自我身份,她們的悲劇結(jié)局是必然的。 第二章分析奧康納筆下叛逆的女兒們。她們受過(guò)很高的教育,是新生的一代,她們初受女性意識(shí)覺(jué)醒的啟發(fā),極力想擺脫傳統(tǒng)身份賦予的枷鎖,卻由于自身局限性,在現(xiàn)實(shí)生活中顯得不倫不類(lèi)。母親和女兒們殊途同歸的命運(yùn)暗示了她們?cè)跇?gòu)建完整的自我身份時(shí)要有很長(zhǎng)的路要走。 第三章探討了這些經(jīng)歷身份危機(jī)的女性們陷入的生存困境。她們?cè)谧晕疑矸莸臉?gòu)建過(guò)程中受到來(lái)自自己的質(zhì)疑,也受到來(lái)自外界男權(quán)社會(huì)的沖突。在和男權(quán)社會(huì)抗?fàn)幍倪^(guò)程中,她們異變成理想的他者,自我的他者,最終走向無(wú)法解脫的困境。 奧康納以一種不帶浪漫色彩的感受關(guān)注著南方女性,她用獨(dú)特的視角挑戰(zhàn)著南方傳統(tǒng)的價(jià)值觀,即使被指責(zé)為“厭女”患者,她始終嘗試著為現(xiàn)代女性提供一種救贖方式,如何構(gòu)建身份認(rèn)同,成為真實(shí)而完整的人,始終是她最關(guān)心的問(wèn)題。
[Abstract]:Flannery O'Connor (1925 / 1964) is an outstanding American female writer after World War II. She is recognized as a famous southern writer after Faulkner, and with the second generation of southern writers such as Carson McCullers, Eudora Welty and Catherine Anne Porter are well-known. In her short life, she wrote two novels, "intellectual Blood" (1952), "seizure of violence" (1960), and 31 short stories. Part of it is published in the hard to find the good Man (1955) and the full Collection of O'Connor 's novels (1965), which was published only after his death. As a very unique female writer in the history of American literature after World War II, her works are loved by many critics and readers. Southern, religious and female identity are three unique symbols of O'Connor 's body. Since the publication of the work, it has triggered the multi-level interpretation of critics at home and abroad. These interpretations focus on her religious, theological, Gothic style and feminism. Since there are few papers in China to study her concern about the crisis of female identity in the South, this paper mainly considers the identity of her female writers, and through the analysis of her works, In order to show O'Connor 's concern as a female writer for the crisis of female identity in southern China, this paper expounds the different manifestations and difficulties of the female identity crisis in O'Connor 's works. The first chapter of this paper analyzes the common patterns of women in O'Connor 's novels, who are punished mothers. One of them is a very masculine woman, and the other is a woman who will always live in the past and cannot accept the reality of the past. In the vicissitudes of the times, they cannot correctly define themselves and form a complete self-identity. Their tragic endings are inevitable. The second chapter analyzes O'Connor 's rebellious daughters. They have been highly educated and are the new generation. Inspired by the awakening of female consciousness, they try hard to get rid of the shackles given by traditional identity, but because of their own limitations, they appear to be incoherent in real life. The fate of mothers and daughters implies that they have a long way to go in building a complete self-identity. The third chapter discusses the survival dilemma of these women who have experienced the identity crisis. They are questioned by themselves in the process of self-identity construction and conflict from outside patriarchal society. In the process of fighting against the patriarchal society, they become the ideal other, the self-other, and finally go to the difficult position that cannot be extricated. O'Connor follows women in the South with a feeling that is not romantic. She challenges the traditional values of the South from a unique perspective, even though she is accused of being a "misogyny" and has always tried to provide a way of redemption for modern women. How to construct identity and become a real and complete person has always been her most concerned issue.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：I712.074

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