金澤榮漢詩(shī)創(chuàng)作研究
發(fā)布時(shí)間：2018-08-26 13:07
【摘要】：在兩千多年的朝鮮封建社會(huì)的漢文學(xué)史上,金澤榮(1850—1927年)是點(diǎn)綴詩(shī)壇最后一頁(yè)的詩(shī)人和文學(xué)批評(píng)家。他一生創(chuàng)作了相當(dāng)數(shù)量的詩(shī)歌、散文等作品,并留下了卷幀浩繁的史學(xué)著述。他的詩(shī)歌內(nèi)容廣博,主要涉及詠史、愛國(guó)、憂民、山水等方面,這些詩(shī)歌或歌頌祖國(guó)悠久的歷史與文化,或以中國(guó)古人古事為題材諷諫時(shí)政,或表達(dá)作者對(duì)歷史、對(duì)時(shí)空無(wú)限的感慨,或針砭時(shí)弊的反映民生,或抒發(fā)對(duì)祖國(guó)山山水水的熱愛。探究金澤榮的漢詩(shī),不但有助于我們了解詩(shī)人生活的時(shí)代及當(dāng)時(shí)朝鮮半島歷史的實(shí)況,更為重要的是,通過對(duì)金澤榮漢詩(shī)創(chuàng)作的系統(tǒng)研究,我們可以看到中國(guó)與朝鮮半島在文化上久已存在的交流與互動(dòng),尤其可以考察李朝19世紀(jì)末至20世紀(jì)初整個(gè)朝鮮半島與中國(guó)在近代文明沖擊下對(duì)西方文明的接受情況,并將有助于推動(dòng)未來(lái)中國(guó)與朝鮮半島國(guó)家的友好發(fā)展。 金澤榮所處時(shí)代,朝鮮半島正經(jīng)歷著暴風(fēng)疾雨般的變化與不尋常的動(dòng)蕩：不同階級(jí)之間的矛盾與統(tǒng)治階級(jí)兩班內(nèi)部矛盾的日趨激化,社會(huì)的政治、經(jīng)濟(jì)都處于極度混亂之中。朝鮮人民正經(jīng)歷著歷史上罕見的民族受難期,朝鮮半島和中國(guó)大陸一直籠罩在大國(guó)競(jìng)相角逐的陰霾之下,大國(guó)因素對(duì)于一個(gè)國(guó)家內(nèi)政、外交的影響從來(lái)沒有像在19世紀(jì)末的朝鮮半島那樣深刻。這種處境也直接影響著金澤榮的生活與創(chuàng)作。身為一介文人,金澤榮也有著強(qiáng)烈的報(bào)國(guó)之心,他用一身為文的實(shí)踐履行了自己“以文報(bào)國(guó)”的理想,他以漢詩(shī)為戰(zhàn)斗檄文,為正處于危難之時(shí)的祖國(guó)吶喊�？梢哉f(shuō),動(dòng)蕩不安的國(guó)內(nèi)外環(huán)境推動(dòng)并豐富了金澤榮漢詩(shī)內(nèi)容的創(chuàng)作。此外,李朝后半期文學(xué)創(chuàng)作領(lǐng)域的輝煌成就、實(shí)學(xué)思想的復(fù)興、民族文學(xué)的蓬勃發(fā)展以及中朝友人的頻繁交流、對(duì)西方文明的汲取與學(xué)習(xí),無(wú)疑也為金澤榮漢詩(shī)創(chuàng)作提供了得天獨(dú)厚的文化語(yǔ)境。 本文采用古典文學(xué)詩(shī)歌批評(píng)理論方法、比較文學(xué)研究方法并結(jié)合接受美學(xué)、影響學(xué)等文學(xué)理論,以金澤榮漢詩(shī)創(chuàng)作為研究中心,闡述金澤榮漢詩(shī)創(chuàng)作特殊的時(shí)代背景及其對(duì)詩(shī)人的人生抉擇——“以文報(bào)國(guó)”與逃亡中國(guó)的影響,探究金澤榮對(duì)中國(guó)詩(shī)歌理論的接受及其詩(shī)論的時(shí)代精神,系統(tǒng)深入地研究金澤榮漢詩(shī)的主題思想意蘊(yùn)及其漢詩(shī)創(chuàng)作之藝術(shù)特色。歸納起來(lái)本文主要有以下幾方面的創(chuàng)新： 1、系統(tǒng)地分析了金澤榮的詩(shī)歌創(chuàng)作理念與意義,闡述了他對(duì)中國(guó)詩(shī)論的接受與繼承,批判與發(fā)揚(yáng)。迄今為止,尚未有人對(duì)金澤榮的詩(shī)歌理論體系做出全面細(xì)致的研究,本論文填補(bǔ)了金澤榮詩(shī)論研究的空白。 2、詳細(xì)論述了金澤榮在漢詩(shī)藝術(shù)上對(duì)地名、色彩的選擇,對(duì)山、梅等意象的運(yùn)用,并由此透視一位歷經(jīng)坎坷的詩(shī)人的內(nèi)心世界與高潔情操。 3、發(fā)掘了金澤榮詩(shī)歌主題意蘊(yùn),他的詠史、愛國(guó)、憂民、山水等都是極為優(yōu)秀的漢詩(shī)作品,通過對(duì)不同主題的書寫,多角度地反映了詩(shī)人對(duì)國(guó)家、對(duì)民族的熱愛與擔(dān)憂。 4、通過金澤榮詩(shī)歌中新詞語(yǔ)的使用、意象密度的降低、對(duì)仗的弱化等現(xiàn)象的關(guān)注,突出了金澤榮是位從古代到近代轉(zhuǎn)型期進(jìn)步詩(shī)人的特殊地位。 筆者深感要全面地把握金澤榮所有文本,并對(duì)其進(jìn)行系統(tǒng)地研究絕非易事。因此,本文只選擇金澤榮漢詩(shī)文本作為研究對(duì)象,力求突破以往單一研究模式,主要運(yùn)用比較文學(xué)的研究方法進(jìn)行更深層次的系統(tǒng)研究,從而多維度、多視角地考察金澤榮漢詩(shī)創(chuàng)作。筆者相信本論文的研究成果能為中朝文學(xué)比較研究提供一個(gè)良好的案例,亦能為朝鮮漢文研究領(lǐng)域增添新鮮的內(nèi)容。
[Abstract]:Jin Zerong (1850-1927) was the last poet and literary critic in the history of Chinese literature in the feudal society of Korea for more than 2,000 years. He created a considerable number of poems, essays and other works in his life, and left behind voluminous historical works. His poems are rich in content, mainly involving history, patriotism, concern for the people, landscape and so on. On the other hand, these poems either praise the long history and culture of the motherland, or satirize the current politics with the theme of ancient Chinese events, or express the author's feelings about history, the infinite space-time, or criticize the evils of the times to reflect the people's livelihood, or express his love for the mountains and rivers of the motherland. More importantly, through a systematic study of Kanazawa Rong's Chinese poetry, we can see the long-standing cultural exchanges and interactions between China and the Korean Peninsula, especially the impact of the entire Korean Peninsula and China on Western civilization from the end of the 19th century to the beginning of the 20th century under the impact of modern civilization. The acceptance will help to promote the friendly development of China and Korean Peninsula countries in the future.
In Kim Ze-jung's era, the Korean Peninsula is experiencing stormy changes and unusual turbulence: contradictions between different classes and the intensification of internal contradictions between the ruling classes, social politics and economy are in extreme chaos. The Korean people are experiencing a rare period of national suffering in history, the Korean Peninsula and China. The mainland has been enveloped in the shadow of the great powers'competition. The great powers' influence on a country's internal affairs and diplomacy has never been as profound as that on the Korean Peninsula at the end of the 19th century. In practice, he fulfilled his ideal of "serving the country by means of literature". He used Chinese poetry as a battle cry for his motherland in times of crisis. It can be said that the turbulent domestic and foreign environment promoted and enriched Jin Zerong's creation of Chinese poetry. In addition, the brilliant achievements in the field of literary creation in the latter half of the Li Dynasty, the revival of practical thinking, national literature. The flourishing development and frequent exchanges between Chinese and Korean friends have undoubtedly provided a unique cultural context for Jin Zerong's Chinese poetry creation.
This paper, based on classical literary criticism, Comparative Literary research, reception aesthetics, influence theory and other literary theories, takes Jin Zerong's poetry creation as the research center, expounds the special background of Jin Zerong's poetry creation and its influence on the poet's life choice - "serving the country by writing" and fleeing China, and explores Jin Ze's poetry creation. Rong's acceptance of the theory of Chinese poetry and the spirit of the times of his poetic theory systematically and thoroughly studied the thematic implications of Kanazawa's poetry and the artistic features of his Chinese poetry creation.
1. Systematic analysis of Jin Zerong's poetic creation concept and significance, expounded his acceptance and inheritance of Chinese poetics, criticism and development.
2. Discusses in detail Jin Zerong's choice of place names and colors in Chinese poetry and his use of images such as mountains and plums, thus revealing the inner world and noble sentiment of a poet who has experienced ups and downs.
3. The theme of Jin Zerong's poems is explored. His poems of history, patriotism, concern for the people, mountains and rivers are all excellent Chinese poems. Through the writing of different themes, the poets'love and worry for the country and the nation are reflected from many angles.
4. Through the use of new words in Jin Zerong's poems, the decrease of image density and the weakening of antithesis, the special status of Jin Zerong as a progressive poet from ancient times to modern times is highlighted.
The author deeply feels that it is not easy to grasp all the texts of Jin Zerong comprehensively and study them systematically. Therefore, this paper only chooses Jin Zerong's Chinese poetry texts as the research object, and tries to break through the previous single research model, mainly using the research methods of comparative literature to conduct a deeper and systematic study, so as to make a multi-dimensional and multi-perspective study. The author believes that the research results of this paper can provide a good case for the comparative study of Chinese and Korean literature, and can also add fresh content to the study of Korean and Chinese.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2013
【分類號(hào)】：I312.072
本文編號(hào)：2204954
[Abstract]:Jin Zerong (1850-1927) was the last poet and literary critic in the history of Chinese literature in the feudal society of Korea for more than 2,000 years. He created a considerable number of poems, essays and other works in his life, and left behind voluminous historical works. His poems are rich in content, mainly involving history, patriotism, concern for the people, landscape and so on. On the other hand, these poems either praise the long history and culture of the motherland, or satirize the current politics with the theme of ancient Chinese events, or express the author's feelings about history, the infinite space-time, or criticize the evils of the times to reflect the people's livelihood, or express his love for the mountains and rivers of the motherland. More importantly, through a systematic study of Kanazawa Rong's Chinese poetry, we can see the long-standing cultural exchanges and interactions between China and the Korean Peninsula, especially the impact of the entire Korean Peninsula and China on Western civilization from the end of the 19th century to the beginning of the 20th century under the impact of modern civilization. The acceptance will help to promote the friendly development of China and Korean Peninsula countries in the future.
In Kim Ze-jung's era, the Korean Peninsula is experiencing stormy changes and unusual turbulence: contradictions between different classes and the intensification of internal contradictions between the ruling classes, social politics and economy are in extreme chaos. The Korean people are experiencing a rare period of national suffering in history, the Korean Peninsula and China. The mainland has been enveloped in the shadow of the great powers'competition. The great powers' influence on a country's internal affairs and diplomacy has never been as profound as that on the Korean Peninsula at the end of the 19th century. In practice, he fulfilled his ideal of "serving the country by means of literature". He used Chinese poetry as a battle cry for his motherland in times of crisis. It can be said that the turbulent domestic and foreign environment promoted and enriched Jin Zerong's creation of Chinese poetry. In addition, the brilliant achievements in the field of literary creation in the latter half of the Li Dynasty, the revival of practical thinking, national literature. The flourishing development and frequent exchanges between Chinese and Korean friends have undoubtedly provided a unique cultural context for Jin Zerong's Chinese poetry creation.
This paper, based on classical literary criticism, Comparative Literary research, reception aesthetics, influence theory and other literary theories, takes Jin Zerong's poetry creation as the research center, expounds the special background of Jin Zerong's poetry creation and its influence on the poet's life choice - "serving the country by writing" and fleeing China, and explores Jin Ze's poetry creation. Rong's acceptance of the theory of Chinese poetry and the spirit of the times of his poetic theory systematically and thoroughly studied the thematic implications of Kanazawa's poetry and the artistic features of his Chinese poetry creation.
1. Systematic analysis of Jin Zerong's poetic creation concept and significance, expounded his acceptance and inheritance of Chinese poetics, criticism and development.
2. Discusses in detail Jin Zerong's choice of place names and colors in Chinese poetry and his use of images such as mountains and plums, thus revealing the inner world and noble sentiment of a poet who has experienced ups and downs.
3. The theme of Jin Zerong's poems is explored. His poems of history, patriotism, concern for the people, mountains and rivers are all excellent Chinese poems. Through the writing of different themes, the poets'love and worry for the country and the nation are reflected from many angles.
4. Through the use of new words in Jin Zerong's poems, the decrease of image density and the weakening of antithesis, the special status of Jin Zerong as a progressive poet from ancient times to modern times is highlighted.
The author deeply feels that it is not easy to grasp all the texts of Jin Zerong comprehensively and study them systematically. Therefore, this paper only chooses Jin Zerong's Chinese poetry texts as the research object, and tries to break through the previous single research model, mainly using the research methods of comparative literature to conduct a deeper and systematic study, so as to make a multi-dimensional and multi-perspective study. The author believes that the research results of this paper can provide a good case for the comparative study of Chinese and Korean literature, and can also add fresh content to the study of Korean and Chinese.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2013
【分類號(hào)】：I312.072
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，本文編號(hào)：2204954
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