《河灣》中的敘事時(shí)間解讀
發(fā)布時(shí)間：2018-08-01 13:01
【摘要】：2001年諾貝爾文學(xué)獎(jiǎng)得主維·蘇·奈保爾是一位來(lái)自西印度群島特立尼達(dá)的印裔移民作家，與印度、特立尼達(dá)、英國(guó)乃至歐洲等多國(guó)文化息息相關(guān)，他是一個(gè)文學(xué)世界的漂流者。奈保爾的作品主要表現(xiàn)殖民宗主國(guó)對(duì)第三世界，尤其是非洲國(guó)家的控制和破壞，以及異質(zhì)文化間的沖突和融合。其代表作《河灣》是一部關(guān)于非洲的充滿悲觀情緒的小說(shuō),凸現(xiàn)了一個(gè)古老大陸在本土化與普遍化之間的艱難處境。在小說(shuō)《河灣》中作者揭示了第三世界的動(dòng)蕩與落后以及非洲人民的無(wú)奈與迷茫這一主題。 本論文以熱奈特的敘事學(xué)理論為依據(jù)來(lái)研究奈保爾小說(shuō)《河灣》中的敘事時(shí)間。與現(xiàn)代批評(píng)理論緊密相連,敘事時(shí)間理論在西方文學(xué)批評(píng)界中扮演著越來(lái)越重要的角色。作為敘事學(xué)的代表人物，在對(duì)文學(xué)文本進(jìn)行分析時(shí)，熱奈特獨(dú)辟蹊徑，對(duì)敘事的深層進(jìn)行剖析和研究，以挖掘文本的深層特質(zhì)。其中，他的敘事學(xué)理論對(duì)文學(xué)文本的敘事時(shí)間特征做了大量研究，專門提出了一套敘事時(shí)間概念，抓住文本敘事時(shí)間特征，分析時(shí)序、時(shí)距、頻率，探討敘事節(jié)奏。作為現(xiàn)代主義的代表作家之一，奈保爾在《河灣》中打破了傳統(tǒng)的線性敘述模式，展示了一套體現(xiàn)時(shí)空的新系統(tǒng)。時(shí)間是一部小說(shuō)的關(guān)鍵部分，在小說(shuō)中有著舉足輕重的作用。敘事時(shí)間不僅僅可以影響故事的發(fā)展過(guò)程，限定一部小說(shuō)的起點(diǎn)、高潮和結(jié)尾，而且敘事時(shí)間的合理布局更是文本的一大閃光點(diǎn)。奈保爾試圖讓讀者在時(shí)空的變化交替中理解他的作品。因此，本文從敘事時(shí)間著手分析，以此來(lái)探討奈保爾是如何通過(guò)這些敘事技巧來(lái)揭示其主題的。 論文共分五大部分。 第一部分是對(duì)奈保爾及其小說(shuō)《河灣》的簡(jiǎn)單介紹。第二部分回顧了過(guò)去五十多年中外評(píng)論家對(duì)奈保爾以及《河灣》的評(píng)論。從而闡明了本篇論文的選題意義。第三部分主要介紹本篇論文所運(yùn)用的理論。首先簡(jiǎn)單介紹了敘事學(xué)的概念，然后介紹了熱奈特的敘事時(shí)間理論。 第四部分是論文的主體部分。首先是對(duì)文本的非線性敘事時(shí)間進(jìn)行探討。預(yù)敘和倒敘穿插于過(guò)去、現(xiàn)在、未來(lái)的敘述當(dāng)中，，這種非線性的時(shí)序既能真實(shí)再現(xiàn)個(gè)人的內(nèi)心思想，又把個(gè)人的心路歷程滲透于過(guò)去、現(xiàn)在、未來(lái)的敘事中。其次，分析文本的敘事時(shí)距。省略、停頓、概要、場(chǎng)景的巧妙安排使小說(shuō)在節(jié)奏上張弛有度，而且將小說(shuō)的主旨表達(dá)得淋漓盡致。最后，是對(duì)敘事頻率的解讀。單一敘事、重復(fù)敘事和反復(fù)敘事的靈活使用使故事的場(chǎng)面更顯清晰，從而更深刻地感受小說(shuō)所蘊(yùn)含的主題意義。奈保爾所采用的獨(dú)特的敘事方式不僅有助于對(duì)小說(shuō)人物與主題的理解，而且在小說(shuō)的建構(gòu)中始終保持著自己對(duì)于第三世界尤其非洲及其人民的態(tài)度，從而帶給讀者無(wú)限的思考與感悟。 第五部分是基于以上分析的結(jié)論。論文通過(guò)以上分析得出了小說(shuō)《河灣》的主題——第三世界的動(dòng)蕩與落后與非洲人民的迷茫和無(wú)奈。奈保爾的文字一直深入“黑暗世界”的內(nèi)部，通過(guò)對(duì)時(shí)序、時(shí)距、頻率的分析與解讀,讀者無(wú)法回避他提出的問(wèn)題：第三世界的落后和衰敗，除了昔日西方的殖民掠奪之外，是否還有其自身的原因？這些區(qū)域現(xiàn)今的自我殖民狀態(tài)，究竟應(yīng)該由誰(shuí)來(lái)負(fù)責(zé)？
[Abstract]:Vee Sue Naipaul, the winner of the 2001 Nobel prize for literature, is a Indian immigrant writer from Trinidad of the West Indies. It is closely related to many cultures such as India, Trinidad, Britain and even Europe. He is a drifter in a literary world. Naipaul's works are mainly the colonies of the colonies of the third world, especially the African countries. The control and destruction of the family, as well as the conflict and integration between different cultures. His masterpiece, the river is a novel of pessimism about Africa, highlights the difficult situation between the localization and universality of an ancient continent. In the novel < River > the author reveals the turbulence and backwardness of the third world and the helplessness of the African people. And the subject of confusion.
This paper studies the narrative time in Naipaul's novel < River Bay > based on the narrative theory of Genet. It is closely connected with the theory of modern criticism. The theory of narrative time plays a more and more important role in the western literary criticism. As a representative of the narratology, he has a unique approach to the analysis of literary texts. The deep characteristics of the narrative are analyzed and studied in order to excavate the deep characteristics of the text. Among them, his narrative theory has done a lot of research on the narrative time characteristics of the literary text, and puts forward a set of narrative time concepts, seize the time characteristics of the text narrative, analyze the timing, time distance, frequency, and discuss the narrative rhythm as the representative of modernism. Naipaul, one of the writers, has broken the traditional linear narrative mode in the river, showing a new system of time and space. Time is the key part of a novel. It plays an important role in the novel. The narrative time can not only affect the development process of the story, limit the starting point, the climax and the end of a novel, but also describe the narrative time. The rational layout of the time is a great flash point in the text. Naipaul tries to make readers understand his works in the alternation of time and space. Therefore, this article begins with the analysis of the narrative time to explore how Naipaul reveals his theme through these narrative techniques.
The paper is divided into five parts.
The first part is a brief introduction to Naipaul and his novels, "River Bay >". The second part reviews the comments on Naipaul and the river bay by Chinese and foreign critics in the past fifty years. Thus, the significance of this thesis is clarified. The third part mainly introduces the theory used in this paper. The first, the concept of narratology is briefly introduced, and then the concept of narratology is briefly introduced. The narrative time theory of Genet is introduced.
The fourth part is the main part of the paper. First, the nonlinear narrative time of the text is discussed. Pre narration and flashback are interspersed in the past, now, and in the future, this nonlinear time series can not only reproduce the inner thoughts of the individual, but also infiltrate the personal experience in the past, the present, the future narration, and the analysis of the future. The narrative distance of the text. Omission, pause, summary, and the ingenious arrangement of the scene make the novel relax in rhythm, and express the theme of the novel incisively and vividly. Finally, it is the interpretation of the frequency of the narrative. The single narrative, the repeated narrative and the flexible use of repeated narration make the scene more clear and thus more deeply feel the novel. The unique theme of Naipaul's narrative means not only helps to understand the characters and themes of the novel, but also maintains his attitude towards the third world, especially Africa and its people in the construction of the novel, thus giving readers unlimited thinking and understanding.
The fifth part is based on the conclusion of the above analysis. Through the above analysis, the theme of the novel < Hewan >: the turbulence and backwardness of the third world and the confusion and helplessness of the African people. Naipaul's writing has been deep inside the dark world, and the readers can not avoid him through the analysis and interpretation of the time series, time distance and frequency. The problem of the third world is the backwardness and decline of the world, in addition to the former western colonial plunder, is there any reason for itself? Who should be responsible for the present state of self colonization in these regions?
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I767.074
本文編號(hào)：2157663
[Abstract]:Vee Sue Naipaul, the winner of the 2001 Nobel prize for literature, is a Indian immigrant writer from Trinidad of the West Indies. It is closely related to many cultures such as India, Trinidad, Britain and even Europe. He is a drifter in a literary world. Naipaul's works are mainly the colonies of the colonies of the third world, especially the African countries. The control and destruction of the family, as well as the conflict and integration between different cultures. His masterpiece, the river is a novel of pessimism about Africa, highlights the difficult situation between the localization and universality of an ancient continent. In the novel < River > the author reveals the turbulence and backwardness of the third world and the helplessness of the African people. And the subject of confusion.
This paper studies the narrative time in Naipaul's novel < River Bay > based on the narrative theory of Genet. It is closely connected with the theory of modern criticism. The theory of narrative time plays a more and more important role in the western literary criticism. As a representative of the narratology, he has a unique approach to the analysis of literary texts. The deep characteristics of the narrative are analyzed and studied in order to excavate the deep characteristics of the text. Among them, his narrative theory has done a lot of research on the narrative time characteristics of the literary text, and puts forward a set of narrative time concepts, seize the time characteristics of the text narrative, analyze the timing, time distance, frequency, and discuss the narrative rhythm as the representative of modernism. Naipaul, one of the writers, has broken the traditional linear narrative mode in the river, showing a new system of time and space. Time is the key part of a novel. It plays an important role in the novel. The narrative time can not only affect the development process of the story, limit the starting point, the climax and the end of a novel, but also describe the narrative time. The rational layout of the time is a great flash point in the text. Naipaul tries to make readers understand his works in the alternation of time and space. Therefore, this article begins with the analysis of the narrative time to explore how Naipaul reveals his theme through these narrative techniques.
The paper is divided into five parts.
The first part is a brief introduction to Naipaul and his novels, "River Bay >". The second part reviews the comments on Naipaul and the river bay by Chinese and foreign critics in the past fifty years. Thus, the significance of this thesis is clarified. The third part mainly introduces the theory used in this paper. The first, the concept of narratology is briefly introduced, and then the concept of narratology is briefly introduced. The narrative time theory of Genet is introduced.
The fourth part is the main part of the paper. First, the nonlinear narrative time of the text is discussed. Pre narration and flashback are interspersed in the past, now, and in the future, this nonlinear time series can not only reproduce the inner thoughts of the individual, but also infiltrate the personal experience in the past, the present, the future narration, and the analysis of the future. The narrative distance of the text. Omission, pause, summary, and the ingenious arrangement of the scene make the novel relax in rhythm, and express the theme of the novel incisively and vividly. Finally, it is the interpretation of the frequency of the narrative. The single narrative, the repeated narrative and the flexible use of repeated narration make the scene more clear and thus more deeply feel the novel. The unique theme of Naipaul's narrative means not only helps to understand the characters and themes of the novel, but also maintains his attitude towards the third world, especially Africa and its people in the construction of the novel, thus giving readers unlimited thinking and understanding.
The fifth part is based on the conclusion of the above analysis. Through the above analysis, the theme of the novel < Hewan >: the turbulence and backwardness of the third world and the confusion and helplessness of the African people. Naipaul's writing has been deep inside the dark world, and the readers can not avoid him through the analysis and interpretation of the time series, time distance and frequency. The problem of the third world is the backwardness and decline of the world, in addition to the former western colonial plunder, is there any reason for itself? Who should be responsible for the present state of self colonization in these regions?
【學(xué)位授予單位】：西北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I767.074
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 石海峻;地域文化與想像的家園——兼談?dòng)《痊F(xiàn)當(dāng)代文學(xué)與印度僑民文學(xué)[J];外國(guó)文學(xué)評(píng)論;2001年03期
本文編號(hào)：2157663
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