本文選題：托尼·莫里森 + 寵兒　； 參考：《遼寧師范大學》2013年碩士論文

【摘要】：托尼·莫里森是第一位獲得諾貝爾文學獎的黑人女作家。莫里森的獨特身份使她成為有著高度民族責任感的作家。作為莫里森最震撼人心，最成熟的代表作，《寵兒》現(xiàn)已成為當代文學史上不朽的經(jīng)典。莫里森具有高度民族責任感，在《寵兒》中，她用象征性的手法表達了她的民族意識、歷史意識、文化意識。這為用文化創(chuàng)傷角度解析《寵兒》提供了依據(jù)。 文化創(chuàng)傷理論由杰弗里·C.亞歷山大等學者提出。本文主要運用文化創(chuàng)傷理論中文化創(chuàng)傷建構(gòu)的四個關(guān)鍵問題來解讀莫里森在《寵兒》中如何將奴隸制建構(gòu)為黑人的文化創(chuàng)傷。 全文共分為五章。第一章包含三部分。首先簡要介紹作家、作品。其次對《寵兒》有關(guān)文章進行文獻綜述，通過總結(jié)、對比分析國內(nèi)外批評家、學者的觀點，提出文化創(chuàng)傷角度解析《寵兒》的可行性。最后關(guān)于文化創(chuàng)傷建構(gòu)的研究意義。第二章介紹文化創(chuàng)傷的理論基礎(chǔ)，并指出文化創(chuàng)傷建構(gòu)的四個關(guān)鍵問題，即痛苦的性質(zhì)是什么、受害者的性質(zhì)是什么、創(chuàng)傷受害者與廣大受眾之間有什么關(guān)系以及責任歸屬問題。第三章第四章基于以上四個問題，分析莫里森給出了哪些動人的答案并成功把奴隸制建構(gòu)為所有黑人的文化創(chuàng)傷。黑人雖然從法律上取得了自由，但是，種族主義仍然盛行。被解放的黑人們除了過著衣不蔽體，食不果腹的日子，還要忍受白人們的各種嘲笑與蔑視。奴隸制及其余韻對黑人心里造成的顛覆性的影響和傷害已經(jīng)超過了苦難本身，即便是在當今社會，壓在黑人心里深處的陰霾依然沒有消弭，壓在心里的塊壘也很難消解。借由建構(gòu)文化創(chuàng)傷，，使廣大受眾深信他們也因奴隸制而蒙受創(chuàng)傷，從而使集體成員辨認出創(chuàng)傷的緣由，分擔他人的苦難，并因此擔負起道德及社會責任。要重建黑人文化，美國黑人民族必須正視自己的民族的歷史，放棄內(nèi)化的白人標準，從自我異化的深遠中走出來。第五章結(jié)語部分，對全文內(nèi)容進行概括總結(jié)。
[Abstract]:Tony Morrison was the first black woman writer to win the Nobel Prize for Literature. Morrison's unique identity makes her a writer with a high sense of national responsibility. As Morrison's most impressive and mature masterpiece, beloved has become an immortal classic in the history of contemporary literature. Morrison has a high sense of national responsibility. In beloved, she symbolically expresses her national consciousness, historical consciousness and cultural consciousness. This provides a basis for the analysis of beloved from the perspective of cultural trauma. The theory of cultural trauma was developed by Jeffrey C. Alexander and other scholars put forward. This paper mainly uses the four key problems in the construction of cultural trauma in the theory of cultural trauma to explain how Morrison constructs slavery as a black cultural wound in beloved. The full text is divided into five chapters. Chapter one consists of three parts. First of all, a brief introduction to writers, works. Secondly, this paper summarizes the relevant articles of beloved, compares and analyzes the views of critics and scholars at home and abroad, and puts forward the feasibility of analyzing beloved from the perspective of cultural trauma. Finally, the significance of the research on the construction of cultural trauma. The second chapter introduces the theoretical basis of cultural trauma, and points out the four key problems in the construction of cultural trauma, namely, what is the nature of suffering, what is the nature of victims, What is the relationship between trauma victims and a wide audience and the attribution of responsibility? Based on the above four questions, the third chapter analyzes what touching answers Morrison gives and successfully constructs slavery as the cultural trauma of all black people. Despite the freedom of the law, racism still prevails. The liberated blacks, in addition to being clothed and fed, endured all sorts of ridicule and contempt from whites. The subversive influence and harm caused by slavery and its aftertaste to the black heart have exceeded the suffering itself. Even in today's society, the haze in the black heart has not been eliminated, and the block in the black heart is difficult to remove. By constructing cultural trauma, a broad audience is convinced that they are also traumatized by slavery, thereby enabling collective members to identify the causes of the trauma, share the suffering of others, and thus assume moral and social responsibility. In order to rebuild the black culture, the American black nation must face up to the history of its own nation, abandon the white standard of internalization, and come out from the profound self-alienation. The fifth chapter is the conclusion, which summarizes the content of the full text.
【學位授予單位】：遼寧師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I712.06

【參考文獻】

相關(guān)期刊論文 前1條

1 王玉括;;莫里森的文化立場闡釋[J];當代外國文學;2006年02期

本文編號：1942387