本文選題：遠(yuǎn)藤周作 + 《沉默》��； 參考：《天津理工大學(xué)》2013年碩士論文

【摘要】：遠(yuǎn)藤周作是日本現(xiàn)代著名作家和基督教信徒，小說(shuō)《沉默》是遠(yuǎn)藤周作的代表作之一，也是研究遠(yuǎn)藤文學(xué)的重要作品。在日本文壇，該作品被贊譽(yù)為二十世紀(jì)日本文學(xué)的代表作之一。《沉默》中有兩個(gè)主要出場(chǎng)人物。一個(gè)是新來(lái)的神父羅德里格，另一個(gè)是信徒吉次郎。從某種意義上說(shuō)，這兩個(gè)人都是弱者。追蹤這二人的言行，了解其心理變化，可以充分揭示《沉默》的作品世界。 神父羅德里格起初篤信教義，堅(jiān)貞不渝。后來(lái)，在險(xiǎn)惡的形勢(shì)下，為拯救信眾決定棄教。他的棄教，實(shí)屬無(wú)奈之舉。然而，信徒吉次郎天性軟弱，膽小怕事。他曾經(jīng)不堪當(dāng)局的恐嚇，為保全自己的性命而放棄信仰，出賣(mài)過(guò)前任神父，變成可恥的叛徒，遭到了教友的鄙視和厭惡。后來(lái)，他又產(chǎn)生過(guò)悔過(guò)之心，但感到自己無(wú)論怎樣做都不再被人信任，，故而再次下狠心出賣(mài)了新來(lái)的神父。 該作品的主題之一，即是基督教徒心目中耶穌形象的變化。起初，羅德里格懷疑耶穌，不理解他的“沉默”。經(jīng)過(guò)激烈的思想斗爭(zhēng)，他決定棄教，此時(shí)，他心中的耶穌呈現(xiàn)出母性的形象。由此，他的內(nèi)心得以釋然。這種母性的耶穌，才使得基督教能夠被日本人所廣泛接受。作品試圖告訴讀者，其實(shí)宗教信仰不僅僅是一種形式，更重要是其精神實(shí)質(zhì)，那才是其核心內(nèi)容之所在。 遠(yuǎn)藤周作描寫(xiě)了兩個(gè)弱者，并不是為了探討宗教意義上的背叛問(wèn)題，而是對(duì)弱者表達(dá)了一種深深的同情，并給與積極的救贖。作者把目光投向了耶穌基督。小說(shuō)以信徒“踏繪”時(shí)的腳痛，表達(dá)了信徒遭受的殘酷迫害，強(qiáng)調(diào)了棄教者內(nèi)心的痛苦。以對(duì)耶穌之大愛(ài)的理解，打破了神的沉默，讓讀者感到神并沒(méi)有沉默，而是像慈母對(duì)自己的子女那樣，與棄教者作伴，一起感受痛苦。 小說(shuō)《沉默》不是純粹的歷史小說(shuō)，也不是單純的宗教小說(shuō)。她宣揚(yáng)了一種極大的人文關(guān)懷和舍己為人的終極之愛(ài)，具有一定的社會(huì)思想意義。十字架上的耶穌，被迫棄教的羅德里格，他們身上無(wú)處不彰顯出這種終極的愛(ài)。尤其是耶穌基督的十字架救贖，這在缺乏罪惡感的日本具有深刻的社會(huì)啟示意義。
[Abstract]:Endo Shusaku is a famous modern writer and Christian believer in Japan. The novel Silence is one of Endo Shusaku's masterpieces and an important work in the study of Yamato's literature. In Japanese literary circles, this work is praised as one of the representative works of Japanese literature in the 20th century. There are two main characters in Silence. One is the new priest Rodrigo, and the other is the believer Gittaro. In a sense, both men are weak. Tracking their words and deeds and understanding their psychological changes can fully reveal the world of Silence. Father Rodrigo believed in the doctrine at first and remained unswerving. Later, in a sinister situation, to save the faithful decided to abandon religion. His abandonment of religion was an act of helplessness. However, the worshippers, by nature, are weak and timid. He had given up his faith in order to save his life, betrayed his former priest, turned into a shameful traitor, and was despised and hated by his congregation. Later, he felt remorseful, but felt that he was no longer trusted in whatever he did, so he betrayed the new priest again. One of the themes of the work is the change in the image of Jesus in the eyes of Christians. At first, Rodrigo suspected Jesus and did not understand his "silence." After a fierce ideological struggle, he decided to abandon the religion, at which time Jesus in his heart presented the image of motherhood. As a result, his heart was relieved. This motherly Jesus made Christianity widely accepted by the Japanese. The works try to tell readers that religious belief is not only a form, but also its spiritual essence, which is its core content. Endo Shusaku describes the two weak, not to explore the religious betrayal, but to express a deep sympathy for the weak, and to give a positive redemption. The author looks to Jesus Christ. The novel expresses the cruel persecution of believers and emphasizes the inner pain of those who abandon religion. The understanding of Jesus' great love breaks the silence of God and makes the reader feel that God is not silent, but as a loving mother to her own children, companion with the deserters, suffering together. The novel Silence is not a pure historical novel, nor a simple religious novel. She propagandizes a great humanistic concern and the ultimate love of sacrificing oneself, which has certain social and ideological significance. Jesus on the cross, forced to abandon Rodrigo, showed this ultimate love everywhere. Especially the salvation of the cross of Jesus Christ, which has profound social enlightenment significance in the lack of guilt in Japan.
【學(xué)位授予單位】：天津理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：I313.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

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2 路邈;文學(xué)與神學(xué)之間——略論遠(yuǎn)藤周作的《沉默》和《深深的河》[J];日語(yǔ)學(xué)習(xí)與研究;2004年02期

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