本文選題：湯亭亭　切入點：華裔形象　出處：《重慶大學》2013年碩士論文

【摘要】：湯亭亭作為當代美籍華裔作家的代表性人物，她的第一部自傳體作品《女勇士》一經(jīng)發(fā)表就引起了極大的反響和討論。隨后她又轉換視角，推出了《中國佬》，來書寫華裔男性在美國的奮斗歷史。湯亭亭曾坦言這兩部作品幾乎掏空了她的家族史，所以她改變策略開始創(chuàng)作《孫行者》——她的第一部小說。 湯亭亭的三部主要作品《女勇士》、《中國佬》、《孫行者》可以看作是對整個華裔歷史的重構以及她對美國主流文化中對中國的刻板印象的挑戰(zhàn)，并且奠定了她在美國當代文壇的地位。在這三部作品中，湯亭亭從多個維度呈現(xiàn)出了一個她想象中的中國。但是華裔作家由于其自身的特殊性，在凝視中國這個“他者”的同時，自己實際上也是其中的一員，所以其筆下的中國形象既異于中國主流文化所塑造的本土形象，也異于美國主流文化所塑造的異域形象。 在比較文學的范疇中研究異域形象有著重要的意義，研究外國文學作品中的中國形象不僅可以促進我們對其價值觀的認知，也促進了我們對自身的反思。 本論文通過理論分析與文本細讀相結合的方式，從比較文學的異域形象學出發(fā)，系統(tǒng)地對湯亭亭的三部作品作深入的分析，研究其筆下的華裔形象。通過研究本論文認為湯亭亭三部作品中的華裔形象有著遞進式的轉變，《女勇士》一書中所塑造的形象主要專注于探討“我是誰”的問題，《中國佬》一書則跳脫出自我，轉而探討生活在美國的華裔一族“他們是誰”的問題，，而在《孫行者》中，湯亭亭又將自我歸入“他們”之列，開始解答“我們是誰”的困惑。通過進一步的研究，本論文也發(fā)掘出了影響湯亭亭筆下華裔形象形成的個人原因及歷史文化原因。 論文共分六個部分。第一部分主要介紹湯亭亭及其作品的研究現(xiàn)狀，與本論文的研究目的和意義，并介紹論文中所用到的理論基礎。正文第一章主要分析湯亭亭作品中呈現(xiàn)出的多維度的中國形象：現(xiàn)實中的虛構形象,舊中國時期的女性形象,中國佬作為美國拓荒者的形象,以及新時期的華裔美國人形象。第二章綜合湯亭亭的三部作品，整體地分析了湯亭亭筆下華裔形象的轉變。第三章通過分析來研究湯亭亭所構建的華裔形象形成的個人原因。第四章則將重點放在影響湯亭亭筆下華裔形象的歷史和文化原因。最后一章通過前文的分析得出結論，湯亭亭在不用時期所塑造出的一批批華裔形象以及這些形象的轉變過程明確地論證了湯亭亭對追尋身份認同的努力，經(jīng)歷了困惑和懷疑期，最終確定自己華裔美國人的身份的歸屬。
[Abstract]:As a representative figure of contemporary Chinese-American writers, Kingston's first autobiographical work, Women Warriors, has aroused great repercussions and discussions since it was published. Then she changed her perspective. "the Chinaman" was released to write about the struggle history of Chinese men in the United States. Kingston admitted that the two works had almost emptied her family history, so she changed her strategy and began to write "Sun walker", her first novel. The three main works of Maxine Hong Kingston, "Women Warriors", "Chinaman" and "Sun walker" can be seen as a challenge to the reconstruction of the whole Chinese history and her stereotypical impression of China in the mainstream American culture. And established her position in the contemporary American literary world. In these three works, Maxine Hong Kingston presents an imaginary China from many dimensions. But Chinese writers have their own particularities. While gazing at China as the "other person", he is actually one of them, so the Chinese image in his works is different from the local image created by the mainstream Chinese culture and the foreign image created by the mainstream culture of the United States. It is of great significance to study foreign images in the category of comparative literature. The study of Chinese images in foreign literature works can not only promote our cognition of their values, but also promote our reflection on ourselves. Through the combination of theoretical analysis and text reading, this paper makes a deep analysis of Kingston's three works from the perspective of foreign image science of comparative literature. Through the study of the Chinese image in Kingston's three works, the author thinks that the Chinese image in Kingston's three works has a progressive change. The image created in the female Warrior mainly focuses on the question of "who I am". "the Chinaman," a book that jumps out of me, Turning to the question of who they are among Chinese Americans living in the United States, Maxine Hong Kingston classifies himself as "they" and begins to answer the question of "who are we," through further research. This thesis also explores the personal reasons and historical and cultural reasons that influence the formation of the Chinese image in Kingston's writings. The thesis is divided into six parts. The first part mainly introduces the research status of Kingston and his works, and the purpose and significance of this paper. The first chapter mainly analyzes the multi-dimensional Chinese image in Kingston's works: the fictional image in reality, the female image in the old China period, the image of the Chinaman as the pioneer of the United States. And the image of Chinese Americans in the new era. Chapter two synthesizes the three works of Kingston, The third chapter studies the personal reasons for the formation of the Chinese image of Kingston. Chapter four focuses on the calendar that influences the Chinese image in Kingston's writings. Historical and cultural reasons. The last chapter draws a conclusion from the previous analysis, The batch of Chinese-American images created by Kingston in the non-use period and the transformation process of these images clearly demonstrate that Kingston's efforts to pursue identity have gone through a period of confusion and doubt. Finally determine the identity of their own Chinese Americans.
【學位授予單位】：重慶大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：I712.074

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相關期刊論文 前2條

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2 劉卓;馬強;;游走于虛構與現(xiàn)實間的敘事策略——湯亭亭《中國佬》的新歷史主義解讀[J];山東外語教學;2007年05期

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