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  本文選題：《上�！�　切入點(diǎn)：橫光利一　出處：《四川外國語大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：橫光利一在日本文學(xué)史上是極富影響力的一位作家。他以創(chuàng)作新感覺派的作品而馳名文壇，其后又創(chuàng)作了許多被稱為新心理主義和純粹小說的作品，最后又自我標(biāo)榜“回歸日本傳統(tǒng)”，一生中經(jīng)歷了多次令人炫目的轉(zhuǎn)變，一度被稱為“文學(xué)之神”。然而20世紀(jì)30年代，隨著時(shí)局向戰(zhàn)爭的轉(zhuǎn)變，橫光利一逐漸走向軍國主義的道路，積極參加各種軍國主義活動(dòng)，戰(zhàn)后被指名為“戰(zhàn)爭責(zé)任人”、“文壇的戰(zhàn)犯”，受到各種嚴(yán)厲的批判。 《上海》是橫光利一的第一部長篇小說，也是其重要代表作之一，在這部以發(fā)生在中國上海的五卅慘案為素材的作品中，作者以奇異的語言和獨(dú)特的敘述結(jié)構(gòu)而引人注目，并描寫了不同國籍、不同職業(yè)、各種不同主張的眾多人物。但同時(shí)作品也體現(xiàn)了他的軍國主義的思想傾向。但是，在近年興起的“橫光利一熱”中，中國和日本的許多評(píng)論家、研究者都有意無意的回避這一點(diǎn)，而是將研究的重點(diǎn)放在語言特色和問題結(jié)構(gòu)等方面上。本論文運(yùn)用文體論等文學(xué)理論解讀《上�！愤@部作品，通過分析書中的人物形象，結(jié)合當(dāng)時(shí)日本的社會(huì)與文壇背景，探尋作者思想轉(zhuǎn)變的軌跡，揭示橫光利一為何最終會(huì)走向軍國主義的道路這一問題。 本論文共分為六個(gè)部分展開論述。首先對(duì)被稱為“文學(xué)之神”的橫光利一進(jìn)行簡單的介紹，列舉日本國內(nèi)外對(duì)《上�！愤@部作品的相關(guān)研究，并提出自己的研究問題點(diǎn)及意義。第一章圍繞橫光去上海的動(dòng)機(jī)及《上�！愤@部作品的改稿，對(duì)《上�！愤@部小說的創(chuàng)作進(jìn)行論述。第二章對(duì)作品中主要人物的人物像進(jìn)行具體的分析。第三章沿著主人公參木思想變動(dòng)的過程，通過對(duì)橫光內(nèi)心困惑的解讀，最終導(dǎo)出橫光逐漸向軍國主義道路墜落這一結(jié)論。第四章從三個(gè)方面對(duì)橫光利一為何會(huì)不斷走向軍國主義道路的原因進(jìn)行具體的闡述。最后對(duì)以上各部分進(jìn)行簡單總結(jié)，，為自己的論述畫上句號(hào)。
[Abstract]:Yokoguangli is a highly influential writer in the history of Japanese literature. He is famous for his works of the New sensationalism, and has since created many works called Neo-Psychialism and Pure Fiction. Finally, I flaunted "return to Japanese tradition" and experienced many dazzling changes in my life, once called the "god of literature." however, in the 1930s, as the current situation changed to war, Yokoguangli gradually went to the road of militarism and took an active part in all kinds of militaristic activities. After the war, he was named "war responsible person" and "war criminal in the literary world", which was severely criticized. "Shanghai" is Wang Guangli's first novel and one of his important masterpieces. In this work based on the May 30th tragedy in Shanghai, China, the author has attracted attention with strange language and unique narrative structure. It also describes many people of different nationalities, professions and opinions. But at the same time, his works also reflect his militaristic ideological tendencies. However, in the recent rise of "Yokoguangli," many critics in China and Japan, Researchers have consciously or unintentionally avoided this point, but have focused their research on language characteristics and problem structure. This paper uses literary theories such as stylistics to interpret Shanghai, and analyzes the characters in the book. Combined with the social and literary background of Japan at that time, this paper explores the track of the author's ideological transformation, and reveals why Yokoguangliyi eventually went to the path of militarism. This thesis is divided into six parts. First of all, a brief introduction is made to Yokoguang Liyi, known as "the God of Literature", and the relevant studies on Shanghai are listed at home and abroad in Japan. The first chapter focuses on the motivation of Yokoguang to go to Shanghai and the revised draft of Shanghai. The second chapter makes a concrete analysis of the figures of the main characters in the works. The third chapter is based on the process of the change of the protagonist's thought of Shen Mu, through the interpretation of the inner confusion of the transverse light. Finally, the conclusion that Yokoguang gradually falls to the road of militarism is derived. Chapter four concretely expounds the reasons why Yokoguangli has been moving to the road of militarism from three aspects. Finally, the author summarizes the above parts briefly. Draw a full stop on your argument.
【學(xué)位授予單位】：四川外國語大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I313.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 李雁南;;橫光利一《上�！分械哪Щ檬澜鏪J];解放軍外國語學(xué)院學(xué)報(bào);2006年02期

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