本文選題：燕行錄　切入點(diǎn)：中朝關(guān)系　出處：《魯東大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：《燕行錄》是由元、明、清時(shí)期朝鮮來華使節(jié)所作，其中記錄了使節(jié)在途中所見所聞，內(nèi)容清晰、真實(shí)，現(xiàn)場(chǎng)感十足。元朝時(shí)稱為《賓王錄》，明朝稱為《朝天錄》，清朝稱為《燕行錄》。本文雖然研究的是明朝時(shí)期的作品，但因資料出自韓國(guó)東國(guó)大學(xué)出版社，學(xué)者林基中所作的《燕行錄全集》，因此也統(tǒng)稱為燕行錄。燕行錄是世界現(xiàn)存文獻(xiàn)中具有獨(dú)特意義和高度研究?jī)r(jià)值的文獻(xiàn)資料，內(nèi)中有眾多可研究之處。本文主要研究明朝使節(jié)路過登州時(shí)所作詩(shī)歌，將其按內(nèi)容特點(diǎn)分為詠史詩(shī)，仙道詩(shī)，寫景詩(shī)，唱和詩(shī)等類型。采用分類研究的方法，對(duì)《燕行錄全集》中登州詩(shī)歌資料進(jìn)行整理研究，按照以下幾個(gè)章節(jié)進(jìn)行論述。 第一部分為中朝關(guān)系概述。這一章節(jié)介紹了歷史上中朝政治文化方面的交流，突出了登州獨(dú)特的地位。同時(shí)也介紹了燕行使團(tuán)的情況，以及各個(gè)使團(tuán)在登州創(chuàng)作的詩(shī)歌作品總覽。這一章節(jié)讓讀者對(duì)燕行使團(tuán)以及登州作品有了初步的認(rèn)識(shí)，，也為后來的章節(jié)分類奠定了基礎(chǔ)。 第二部分為登州詩(shī)歌中詠史詩(shī)的研究。古登州不僅作為一個(gè)戰(zhàn)略要地，更是有著博大精深的文化傳統(tǒng)。這深深觸動(dòng)了燕行使者，關(guān)于詠史題材的作品不在少數(shù)。本章研究詠史詩(shī)創(chuàng)作的主題思想，創(chuàng)作心理，與中國(guó)詩(shī)歌的差異之處及其原因分析。 第三部分為仙道詩(shī)研究。古登州因其地域特點(diǎn)，仙道傳統(tǒng)由來已久。以仙道為題材的詩(shī)歌作品自然而生。本章節(jié)研究在仙道傳說背景下的仙道詩(shī)創(chuàng)作分類，以及燕行詩(shī)人的情感寄托。 第四部分為寫景詩(shī)研究。寫景詩(shī)在燕行登州詩(shī)歌中所占的比例也是極高。登州因其絕美自然景觀，吸引中外文人。這里介紹登州美景同時(shí)也道出登州海市詩(shī)歌的影響。研究在此背景下，登州寫景詩(shī)的意境追求。燕行登州詩(shī)人對(duì)中國(guó)古典文學(xué)有深刻的見解，創(chuàng)作技巧也十分精湛。集句、化用之作層出，都一一呈現(xiàn)于寫景創(chuàng)作之中，本章對(duì)此做詳細(xì)介紹。 第五部分為唱和詩(shī)歌研究。唱和詩(shī)是登州詩(shī)歌中的一大特色，其中記載大量燕行使者與當(dāng)?shù)毓賳T彼此唱和作品，尤以惜別唱和最為動(dòng)情。本文主要研究唱和作品中的送別唱和部分，感受其中的友誼與哀傷。 葛兆光先生說：1895年之后的中國(guó)“已經(jīng)不能完全封閉起來寫了”，因?yàn)椤皬拇酥袊?guó)不再是一個(gè)獨(dú)立的或者孤立的中國(guó)，它已經(jīng)被整編到整個(gè)世界的大歷史里面去了，它的任何變化都跟外面有關(guān)系，這就迫使我們要關(guān)注外域、關(guān)注周邊”，而且“你不說明外面，你就說明不了中國(guó)”。研究言行錄中的詩(shī)歌作品，以此來反觀中國(guó)古代詩(shī)歌文化，不僅能拓展我們的研究視野，也對(duì)中韓友好關(guān)系發(fā)展具有重要意義。
[Abstract]:"Yan Xing Lu" was made by Korean envoys to China during the Yuan, Ming and Qing dynasties, which recorded what the envoys had seen and heard on the way, and the contents were clear and true. The sense of the scene is full. In the Yuan Dynasty, it was called "the record of King Bin", in the Ming Dynasty it was called "the record of the Emperor of Heaven", and in the Qing Dynasty it was called "the record of Yan Xing". Although this article is devoted to the works of the Ming Dynasty, the materials are from the Dongguo University Press of South Korea. The complete Collection of Yanxinglu by Lin Chi-chung, a scholar, is also called Yanxing.The Yanxinglu is a unique and highly valuable document in the world's existing literature. This paper mainly studies the poems written by envoys passing through Dengzhou in the Ming Dynasty. According to the characteristics of the contents, the poems are divided into three types: epic poems, fairy poems, landscape poems, singing poems, and so on. This paper makes a research on the poetry materials of Dengzhou in the complete works of Yan Xing Lu, and discusses them according to the following chapters. The first part is an overview of China-DPRK relations. This chapter introduces the historical exchanges between China and North Korea in political and cultural aspects, highlighting the unique position of Dengzhou. At the same time, it also introduces the situation of Yan's delegation. This chapter provides readers with a preliminary understanding of Yan's work and the works of Dengzhou, and lays the foundation for the later classification of chapters. The second part is the study of poetry poems in Dengzhou. Gudenzhou is not only a strategic place, but also has a broad and profound cultural tradition. There are not a few works on historical themes. This chapter studies the theme of epic writing, creative psychology, and the differences between Chinese poetry and their causes. The third part is the study of immortal Taoist poetry. Because of its regional characteristics, the tradition of fairy Taoism has a long history. The poetic works with the subject matter of fairy Dao are born naturally. This chapter studies the classification of the creation of fairy Taoist poems in the background of fairy Taoism legends. And Yan Xing poet's emotional sustenance. Part 4th is the study of writing landscape poems. The proportion of writing landscape poems in Yan Xing Dengzhou's poems is also very high. This is an introduction to the beauty of Dengzhou and the influence of the poetry of Dengzhou. Under this background, the artistic conception of writing landscape poetry in Dengzhou is studied. The poet of Yan Xing Dengzhou has profound views on Chinese classical literature. The creation skill is also very consummate. The collection sentence, the use works layer by layer, all present in the writing scene creation, this chapter makes the detailed introduction to this. The 5th part is a study of singing and poetry, which is a major feature of Dengzhou's poetry, which records a large number of Yan exercisers and local officials singing with each other. This paper mainly studies the farewell singing part in the singing works, and feels the friendship and sadness in it. Mr. Ge Zhaoguang said: after 1895, China "can no longer be completely closed to writing," because "from then on China is no longer an independent or isolated China, and it has been integrated into the great history of the whole world." Any change in it has something to do with the outside, which forces us to pay attention to the outer lands and the periphery "and" and "if you don't state the outside, you can't explain China." study the poems in the book of words and deeds, so as to reflect the ancient Chinese poetic culture. Not only can we broaden our research horizons, but also the development of friendly relations between China and South Korea is of great significance.
【學(xué)位授予單位】：魯東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：I312.072

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