生活在兩種文化碰撞交融之間的華裔美國作家本身有著非常獨(dú)特的文化身份,他們在不同文化之間不斷協(xié)商自己的身份認(rèn)同,也正因?yàn)榇?他們的視角和寫作本質(zhì)上體現(xiàn)了文化間性。由此,本論文把華裔美國文學(xué)置于跨文化文學(xué)中來探討。湯婷婷、譚恩美和任璧蓮是華裔美國文學(xué)領(lǐng)域中的杰出代表,她們的作品都取得了巨大成功。本論文選取了湯婷婷的《女勇士》(1976),譚恩美的《喜福會》(1989),任璧蓮的《典型的美國人》(1991)和《莫娜在希望之鄉(xiāng)》(1996)展開文本分析。后殖民研究理論和跨文化研究理論組成了本論文的跨學(xué)科理論框架�；谠摾碚摽蚣芟碌奈谋痉治�,本論文試圖考察和分析華裔美國女作家作品中的文化身份演變,包括兩層:一是華裔美國女作家作品中主要人物的文化身份演變,二是通過這些代表作品反映出來的華裔美國女作家自身的文化身份演變。本論文的論點(diǎn)是華裔美國女作家作品中的文化身份演變大致都經(jīng)歷了從單一身份認(rèn)同到雙文化身份認(rèn)同。此外,湯婷婷和任璧蓮的作品還進(jìn)一步探尋了跨文化身份認(rèn)同,其中,任璧蓮和她的作品最具代表性。華裔美國女作家擺脫固定單一的文化身份認(rèn)同的束縛,步步演進(jìn),繼而開始認(rèn)識和接受文化身份的流動性、靈活性和...

【文章頁數(shù)】：109 頁

【學(xué)位級別】：碩士

【文章目錄】：
Acknowledgements
摘要
Abstract
Introduction
    1. Research Background
    2. Research Methodology
    3. Research Significance
    4. Thesis Structure
Chapter 1 Literature Review
    1.1 Studies on Chinese American Women Writers’ Works
    1.2 Studies on Cultural Identity in Chinese American Writers’ Works
Chapter 2 Theoretic Foundation
    2.1 Stuart Hall’s Cultural Identity Theory
    2.2 Homi Bhabha’s Theory of Cultural Hybridity
    2.3 Young Yun Kim’s Intercultural Identity/Personhood
Chapter 3 Identity of Being either Chinese or American
    3.1 Amy Tan’s The Joy Luck Club
        3.1.1 Chinese Mothers Holding onto Chinese Roots
        3.1.2 American Daughters Struggling in Their Lives
    3.2 Maxine Hong Kingston’s The Woman Warrior
        3.2.1 Chinese Mother Narrating the Old World
        3.2.2 American Daughter Caught in Between
    3.3 Gish Jen’s Typical American
        3.3.1 The New Immigrants: Ralph, Theresa, and Helen
        3.3.2 Turning into “Typical American”
Chapter 4 Identity of Being both Chinese and American
    4.1 Amy Tan’s The Joy Luck Club
        4.1.1 Mothers-Daughters’ Reconciliation
        4.1.2 Daughters Reclaiming Chinese Roots
    4.2 Maxine Hong Kingston’s The Woman Warrior
        4.2.1 Daughter Translating Chinese Stories into American Culture
        4.2.2 Mother-Daughter Co-Storytelling
    4.3 Gish Jen’s Typical American
        4.3.1 Family Thing: “The Chinese Yankees”
        4.3.2 Awakening: Childhood in China
Chapter 5 Identity of Becoming Increasingly Intercultural
    5.1 Maxine Hong Kingston’s The Woman Warrior
        5.1.1 Multicultural Integration: The Earth’s Dances
        5.1.2 “Home” beyond Culture: The Citizen of the Planet
    5.2 Gish Jen’s Mona in the Promised Land
        5.2.1 Crossing Boundary: Switching and Choosing One’s Identity
        5.2.2 Becoming instead of Being: Multicultural Hybridity
Chapter 6 Writers’ Evolving Process of Identity-Seeking
    6.1 Amy Tan’s “Chinese Characters and American Circumstances”
    6.2 Maxine Hong Kingston’s “We Belong to the Planet Now”
    6.3 Gish Jen’s “Possibilities despite the Limits”
Conclusion
References



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