《四個四重奏》中時間和救贖意象研究
發(fā)布時間:2024-02-28 15:54
托馬斯·斯特爾納斯·艾略特(1888-1965)是20世紀(jì)后象征主義代表詩人。1948年,艾略特憑借《四個四重奏》獲得諾貝爾文學(xué)獎。本文以解析《四個四重奏》中的意象為基礎(chǔ),多角度分析詩歌主題,揭示詩人對人類時間和命運的冥想。本論文由七個部分組成,即緒論、五章主體部分和總結(jié)。緒論簡要介紹了艾略特的生平和作品,概括了論文的框架。第一章為國內(nèi)外研究現(xiàn)狀。劃分了國外和國內(nèi)《四個四重奏》的研究階段,簡要梳理了國外和國內(nèi)關(guān)于《四個四重奏》的重要研究成果。第二章為論文的理論依據(jù),介紹了艾略特的客觀對應(yīng)物理論和非個性化理論。闡述了象征主義和意象派的概念及對艾略特詩歌創(chuàng)作的影響。第三、四、五章為論文的核心內(nèi)容。第三章和第四章相輔相成,分別解析了反映時間主題的意象和救贖主題的意象。第五章補充解析了《四個四重奏》中的其他意象,使得本文中意象的解析更加全面。第三章中反映時間主題的意象包括短暫時間的意象和永恒時間的意象。玫瑰花和河流的意象象征人類短暫的生命時間。玫瑰園的意象和海洋的意象是永恒時間的象征。玫瑰園中“旋轉(zhuǎn)世界的靜止點”是永恒時間與現(xiàn)實時間的交叉點,代表了現(xiàn)在、過去和未來的融合與統(tǒng)一。海洋的意象象征了...
【文章頁數(shù)】:73 頁
【學(xué)位級別】:碩士
【文章目錄】:
摘要
abstract
Introduction
0.1 A Brief Introduction to T.S.Eliot
0.2 A Brief Introduction to Four Quartets
0.3 Thesis Statement
Chapter One Literature Review
1.1 Foreign Research
1.2 Domestic Research
Chapter Two Theoretical Foundation
2.1 T.S.Eliot’s Poetic Theory
2.1.1 The Objective Correlative Theory
2.1.2 The De-Personalization Theory
2.2 Symbolism and Imagery
2.2.1 The Notion of Symbolism
2.2.2 The Notion of Imagery
Chapter Three The Imageries Reflect the Theme of Time
3.1 The Imageries of Transitory Time
3.1.1 The Imagery of Rose
3.1.2 The Imagery of River
3.2 The Imageries of Eternal Time
3.2.1 The Imagery of the Rose Garden
3.2.2 The Imagery of Sea
Chapter Four The Imageries Reflect the Theme of Redemption
4.1 The Imagery of Fire
4.1.1 The Imagery of Bonfire
4.1.2 Fire of Destruction and Rebirth
4.1.3 Fire and Rose
4.2 The Imageries of Religious Figures
4.2.1 The Imagery of Adam
4.2.2 The Imagery of Jesus
4.2.3 The Imagery of the Virgin Mary
Chapter Five Other Imageries in Four Quartets
5.1 Defamiliarized Imageries
5.1.1 The Imagery of Bird
5.1.2 The Imagery of Yew Tree
5.1.3 The Imagery of Axle
5.2 Imageries from Mythology
5.2.1 The Imagery of Chimera
5.2.2 The Imagery of Nessus
Conclusion
Bibliography
攻讀碩士學(xué)位期間所發(fā)表的學(xué)術(shù)論文
Acknowledgements
本文編號:3913776
【文章頁數(shù)】:73 頁
【學(xué)位級別】:碩士
【文章目錄】:
摘要
abstract
Introduction
0.1 A Brief Introduction to T.S.Eliot
0.2 A Brief Introduction to Four Quartets
0.3 Thesis Statement
Chapter One Literature Review
1.1 Foreign Research
1.2 Domestic Research
Chapter Two Theoretical Foundation
2.1 T.S.Eliot’s Poetic Theory
2.1.1 The Objective Correlative Theory
2.1.2 The De-Personalization Theory
2.2 Symbolism and Imagery
2.2.1 The Notion of Symbolism
2.2.2 The Notion of Imagery
Chapter Three The Imageries Reflect the Theme of Time
3.1 The Imageries of Transitory Time
3.1.1 The Imagery of Rose
3.1.2 The Imagery of River
3.2 The Imageries of Eternal Time
3.2.1 The Imagery of the Rose Garden
3.2.2 The Imagery of Sea
Chapter Four The Imageries Reflect the Theme of Redemption
4.1 The Imagery of Fire
4.1.1 The Imagery of Bonfire
4.1.2 Fire of Destruction and Rebirth
4.1.3 Fire and Rose
4.2 The Imageries of Religious Figures
4.2.1 The Imagery of Adam
4.2.2 The Imagery of Jesus
4.2.3 The Imagery of the Virgin Mary
Chapter Five Other Imageries in Four Quartets
5.1 Defamiliarized Imageries
5.1.1 The Imagery of Bird
5.1.2 The Imagery of Yew Tree
5.1.3 The Imagery of Axle
5.2 Imageries from Mythology
5.2.1 The Imagery of Chimera
5.2.2 The Imagery of Nessus
Conclusion
Bibliography
攻讀碩士學(xué)位期間所發(fā)表的學(xué)術(shù)論文
Acknowledgements
本文編號:3913776
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