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文學(xué)地理學(xué)視域下《推銷員之死》中景觀表征的悲劇內(nèi)涵

發(fā)布時(shí)間:2021-08-17 01:12
  阿瑟·米勒作為20世紀(jì)蜚聲劇壇的戲劇大師,在當(dāng)代美國(guó)戲劇界執(zhí)牛耳長(zhǎng)達(dá)數(shù)年,其作品大多關(guān)注戰(zhàn)后美國(guó)資本主義發(fā)展帶來(lái)的諸多社會(huì)問題。《推銷員之死》是米勒最著名的悲劇作品,也是戰(zhàn)后美國(guó)劇壇的扛鼎之作。在創(chuàng)作《推銷員之死》時(shí),正值資本主義景觀社會(huì)的發(fā)展時(shí)期,米勒聚焦被城市景觀所包圍的普通群眾的生存發(fā)展問題,巧妙地將戲劇中主人公威利·洛曼一家的悲劇性命運(yùn)與景觀的在場(chǎng)直接聯(lián)系起來(lái)。景觀不僅是戲劇發(fā)生的幾何空間,還是戲劇主題的重要表征媒介!锻其N員之死》是一部由景觀引發(fā)的故事,威利·洛曼一家的一生都與其所在區(qū)域的棱角分明的公寓景觀、一維封閉的房屋景觀以及寸草不生的后花園景觀有著緊密的聯(lián)系。鑒于此,本文聚焦戲劇中的三大景觀,運(yùn)用文學(xué)地理學(xué)理論,通過(guò)分析景觀作為當(dāng)代資本主義生產(chǎn)方式的視覺映像對(duì)社群關(guān)系、家庭關(guān)系以及人與自然關(guān)系所建構(gòu)的在場(chǎng)性影響與意義,揭示戲劇中景觀的悲劇內(nèi)涵,從而闡釋洛曼一家生存困境的深層機(jī)理,以期引發(fā)人們對(duì)當(dāng)今景觀社會(huì)的重要思考。論文主要包括引言、正文和結(jié)論三個(gè)部分。引言部分討論了文學(xué)地理學(xué)的發(fā)展機(jī)遇;剖析了米勒對(duì)當(dāng)代城市景觀與人的生存關(guān)系的極大關(guān)注,以及《推銷員之死》的創(chuàng)作背景和主... 

【文章來(lái)源】:浙江師范大學(xué)浙江省

【文章頁(yè)數(shù)】:98 頁(yè)

【學(xué)位級(jí)別】:碩士

【文章目錄】:
ACKNOWLEDGEMENTS
ABSTRACT
摘要
Introduction
Chapter One Literature Review
    1.1 Research on Death of a Salesman
        1.1.1 Research Abroad
        1.1.2 Research at Home
        1.1.3 Significance of This Thesis
    1.2 Relevant Theories on Literary Geography
Chapter Two Tragic Connotations Represented by the Angular-shaped Apartment
    2.1 Unreal Living State of Loman Willy
        2.1.1 Desperate Striving for Material Consumption
        2.1.2 Outdated Occupational Principle of "Personality Wins the Day"
    2.2 The Materialized Social Relationship
        2.2.1 The Materialized Employment Relationship between Willy and Howard
        2.2.2 The Materialized Peer Relationship between Biff and Bernard
Chapter Three Tragic Connotations of the One-dimensional Enclosed House
    3.1 Distorted Personality and Perception of the Lomans
        3.1.1 Twisting of the Lomans' Personality
        3.1.2 Deprivation of the Lomans' Place-sense
    3.2 The Alienated Family Relationship
        3.2.1 The Dysfunctional Husband-wife Relationship
        3.2.2 The Strained Father-son Relationship
Chapter Four Tragic Connotations of the Barren Backyard Garden
    4.1 Absolute Worship of Commerce and Building Industry
        4.1.1 Immersion in Business World
        4.1.2 Addiction to House Construction
    4.2 The Reductionist Man-nature Relationship
        4.2.1 The Poor Environment around the Neighborhood
        4.2.2 The Barrenness of the Lomans' Backyard Garden
Conclusion
Works Cited
攻讀學(xué)位期間發(fā)表的學(xué)術(shù)論文



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