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詹姆斯·費(fèi)倫敘事倫理視角下《欲望三部曲》的研究

發(fā)布時(shí)間:2021-02-03 23:02
  西奧多·德萊塞(Theodore Dreiser,1871—1945)是美國(guó)二十世紀(jì)一位杰出的自然主義文學(xué)巨匠,他既是美國(guó)文壇的開拓者又是創(chuàng)新者,他的作品以寫實(shí)而著稱,并以大膽而誠(chéng)實(shí)的筆觸還原了美國(guó)社會(huì)的本來(lái)面目?v觀德萊塞的整個(gè)文學(xué)創(chuàng)作,我們不難發(fā)現(xiàn)倫理問題一直是其作品關(guān)注的焦點(diǎn),同時(shí)也深化了其作品的主題,因而將德萊塞的作品視為文學(xué)試驗(yàn)場(chǎng)來(lái)探討其中的倫理問題有著不可忽視的文學(xué)價(jià)值!队壳芬允攀兰o(jì)末芝加哥鐵路大亨查爾斯·基耶斯的生平為原型創(chuàng)作而成,是德萊塞的代表作之一,全篇共包括三卷,以其主人公法蘭克·阿吉龍·柯帕烏傳奇般的發(fā)家史以及幾乎與之并行的情愛史為主線大膽地揭露了十九世紀(jì)末二十世紀(jì)初處于轉(zhuǎn)型期的美國(guó)社會(huì)的方方面面,其中也散布了德萊塞關(guān)于社會(huì)轉(zhuǎn)型期所浮現(xiàn)的倫理道德問題的思考。誠(chéng)然,對(duì)于《欲望三部曲》中的倫理問題國(guó)內(nèi)外已有學(xué)者做出過研究,然而本文是立足于一個(gè)新的角度,以詹姆斯·費(fèi)倫的敘事倫理為理論基礎(chǔ),從《欲望三部曲》中節(jié)選三個(gè)與主題相關(guān)的問題進(jìn)行倫理探討,即探索敘事文本中各方的倫理是如何在敘事過程中建構(gòu)起來(lái)的,以此來(lái)為德萊塞作品的研究提供一個(gè)新的視角,并借此揭示德萊塞作... 

【文章來(lái)源】:江南大學(xué)江蘇省 211工程院校 教育部直屬院校

【文章頁(yè)數(shù)】:86 頁(yè)

【學(xué)位級(jí)別】:碩士

【文章目錄】:
ACKNOWLEDGEMENTS
摘要
ABSTRACT
Chapter One INTRODUCTION
    1.1 Theodore Dreiser and Trilogy of Desire
        1.1.1 Life experience and literary achievements of Dreiser
        1.1.2 An introduction to Trilogy of Desire
    1.2 Literature Review
        1.2.1 Related studies at home
        1.2.2 Related studies abroad
    1.3 Theoretical Perspective:Phelan’s Theory of Narrative Ethics
    1.4 Significance and Layout of the Thesis
Chapter Two AN ETHICAL EXPLORATION OF THE CALAMITY OFCOWPERWOOD'S IMPRISONMENT BROUGHT BY EMBEZZLEMENT
    2.1 The Ethics of“the Told”:Firmly Sticking to New Life Philosophies
        2.1.1 Abiding by the rules of Social Darwinism
        2.1.2 Tirelessly pursuing egoism
        2.1.3 Complying with the money-worshiping social tendency
    2.2 The Ethics of“the Telling”:Critically Reflecting on New Life Philosophies
        2.2.1 The ethics of the narrator:containing both identification and criticism
        2.2.2 The ethics of the implied author:disclosing and animadverting the distorted capitalist social values
    2.3 The Ethics of“the Reading”:Evaluating Based on Reconstruction of the American Capitalist Values
        2.3.1 Reconstructing textual ethical principles according to the above three ethics
        2.3.2 Evaluating and reflecting on the capitalist social values
Chapter Three AN ETHICAL DEDUCTION OF COWPERWOOD'S COUNTLESS LOVE AFFAIRS
    3.1 The Ethics of“the Told”:Boldly Breaking the Barrier between Men and Women
        3.1.1 Adhering to male chauvinism
        3.1.2 Subverting traditional marriage morality
        3.1.3 Going after unconstrained sexuality
    3.2 The Ethics of“the Telling”:Contemplating Male-female Relationship under Transitional Social Circumstance
        3.2.1 The ethics of the narrator:defending Cowperwood's love affairs and justifying the position of mistress
        3.2.2 The ethics of the implied author:querying traditional moral values of marriage and calling for a liberated male-female relationship
    3.3 The Ethics of“the Reading”:Evaluating Based on Reconstruction of Male-female Relationship
        3.3.1 Reconstructing textual ethical principles according to the above three ethics
        3.3.2 Evaluating and reflecting on the male-female relationship
Chapter Four AN ETHICAL ANALYSIS OF THE FLOURISHING CONSUMING DESIRE IN METROPOLIS
    4.1 The Ethics of“the Told”:Being Faithful Practitioners of Various Consumption
        4.1.1 Sign consumption
        4.1.2 Conspicuous consumption
        4.1.3 Body consumption
    4.2 The Ethics of“the Telling”:Reflectively Thinking of Newly-rising Consumerism
        4.2.1 The ethics of the narrator:publicizing and lauding the consumption
        4.2.2 The ethics of the implied author:unswervingly being a backer of consumerism though with confusion
    4.3 The Ethics of“the Reading”:Evaluating Based on Reconstruction of Newly-rising Consumerism
        4.3.1 Reconstructing textual ethical principles according to the above three ethics
        4.3.2 Evaluating and reflecting on consumerism
Chapter Five CONCLUSION
WORKS CITED
附錄:作者在攻讀碩士學(xué)位期間發(fā)表的論文


【參考文獻(xiàn)】:
期刊論文
[1]倫理視野中的小說(shuō)視角[J]. 江守義.  外國(guó)文學(xué)研究. 2017(02)
[2]美國(guó)的巴爾扎克——論德萊塞從記者到小說(shuō)家的身份建構(gòu)[J]. 孫明麗.  文藝爭(zhēng)鳴. 2016(02)
[3]論《欲望三部曲》中的女性消費(fèi)[J]. 張俊萍,唐紅.  成都理工大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版). 2015(06)
[4]西奧多·德萊塞的城市底層敘事[J]. 張祥亭.  名作欣賞. 2015(21)
[5]欲望敘事與倫理回歸:德萊塞敘事倫理的雙重特征[J]. 車俊思,李冰.  東北師大學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版). 2014(06)
[6]芥川龍之介歷史小說(shuō)中利己主義的多樣性——以小說(shuō)《羅生門》和《鼻》為例[J]. 章明.  沈陽(yáng)農(nóng)業(yè)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版). 2013(05)
[7]在“邊緣處”敘事的德萊塞[J]. 張祥亭,楊吉風(fēng).  天津外國(guó)語(yǔ)大學(xué)學(xué)報(bào). 2012(05)
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[9]人性的異化:德萊塞小說(shuō)的欲望主題[J]. 祝小丁.  內(nèi)江師范學(xué)院學(xué)報(bào). 2010(01)
[10]德萊塞的“欲望三部曲”評(píng)析[J]. 劉宇.  理論導(dǎo)刊. 2008(12)

博士論文
[1]詹姆斯費(fèi)倫的修辭性敘事理論研究[D]. 尚必武.上海交通大學(xué) 2009

碩士論文
[1]論德萊塞“欲望三部曲”中的異化圖景[D]. 聶芬.湘潭大學(xué) 2015
[2]《欲望三部曲》的主題研究—女性人物視角[D]. 張瑩.外交學(xué)院 2012
[3]論“欲望三部曲”中美國(guó)夢(mèng)的幻滅[D]. 熊慧.湘潭大學(xué) 2009
[4]論德萊塞“欲望三部曲”中的消費(fèi)倫理觀[D]. 石黎.華中師范大學(xué) 2008



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