【摘要】：當(dāng)代女性作家六六立足于中國社會(huì)當(dāng)下的基本狀況,帶著問題意識(shí)去思考當(dāng)下中國社會(huì)兩種現(xiàn)代性之間的矛盾,該矛盾是由啟蒙理性牽引下的經(jīng)濟(jì)發(fā)展、政治體制與人類文化和個(gè)體生活之間的矛盾。在改革開放三十多年后的今天,中國的物質(zhì)文明得到了迅猛發(fā)展。然而,一些新的社會(huì)矛盾也隨之凸現(xiàn)出來。在一個(gè)日益被功利主義、工具理性包裹的現(xiàn)代社會(huì),部分人群在追求物質(zhì)財(cái)富增加的同時(shí),也逐漸淪為勞動(dòng)工具開發(fā)的產(chǎn)物。六六緊扣當(dāng)代中國的時(shí)代特征,描寫在現(xiàn)代化浪潮沖刷之下的普通百姓的日常生活,展現(xiàn)了諸多社會(huì)現(xiàn)象與矛盾。本論文分為三章,內(nèi)容如下:第一章首先對“現(xiàn)代性”這一概念的生成歷史以及表意變遷作出論述。其次,探討社會(huì)現(xiàn)代性與審美現(xiàn)代性的內(nèi)涵與矛盾,展現(xiàn)現(xiàn)代性的核心內(nèi)容。同時(shí)結(jié)合六六的作品,歸納出六六創(chuàng)作時(shí)所體現(xiàn)的現(xiàn)代性意識(shí)。最后,結(jié)合六六生平分析其創(chuàng)作風(fēng)格所呈現(xiàn)的文學(xué)現(xiàn)代性特征中的大眾化。第二章研究六六小說中關(guān)于市民社會(huì)的現(xiàn)代性反思,從生存困境、傳統(tǒng)與現(xiàn)代的斷裂以及普通市民形象三個(gè)角度,深入探討六六小說在情節(jié)、環(huán)境和人物塑造中的現(xiàn)代性特征。第三章首先對六六小說中的方言、修辭、口語化等大眾化特點(diǎn)進(jìn)行歸納;其次,對其小說敘述的角度變換和敘事焦點(diǎn)所體現(xiàn)的大眾化特征進(jìn)行分析;最后從接受美學(xué)的角度剖析其大眾化的特點(diǎn)。
[Abstract]:Based on the basic situation of Chinese society, contemporary female writers think about the contradiction between the two modernizations of Chinese society with the consciousness of problems, which is the economic development led by enlightenment rationality. The contradiction between the political system and human culture and individual life. Today, more than 30 years after reform and opening up, China's material civilization has developed rapidly. However, some new social contradictions have also emerged. In a modern society which is increasingly wrapped in utilitarianism and instrumental rationality, some people pursue the increase of material wealth, but also gradually become the product of the development of labor tools. June 6 closely adheres to the characteristics of the times in contemporary China, describes the daily life of ordinary people under the erosion of modernization wave, and shows many social phenomena and contradictions. This paper is divided into three chapters, the contents are as follows: the first chapter discusses the generating history and ideographic changes of the concept of "modernization". Secondly, it discusses the connotation and contradiction between social modernization and aesthetic modernization, and shows the core content of modernization. At the same time, combined with the works of June 6, this paper sums up the modern consciousness embodied in the creation of June 6. Finally, combined with the life of June 6, this paper analyzes the popularization of literary modernization in his creative style. The second chapter studies the modern reflection on civil society in the 6 June novels, and probes into the modern characteristics of the 6 June novels in plot, environment and characterization from three angles: the predicament of existence, the break between tradition and modern and the image of ordinary citizens. The third chapter first sums up the popular characteristics of dialect, rhetoric, colloquial and so on in the June 6 novels. Secondly, it analyzes the transformation of the narrative angle of the novels and the popular characteristics embodied in the narrative focus. Finally, from the perspective of reception aesthetics, this paper analyzes the characteristics of its popularization.
【學(xué)位授予單位】：貴州師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I339.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 谷榮;;都市女性文學(xué)變遷評(píng)述——以蘇青、王海，

本文編號(hào)：2488153