加茲達(dá)諾夫創(chuàng)作中的自傳性和存在主義
發(fā)布時間：2018-09-14 14:32
【摘要】：加茲達(dá)諾夫(1903-1971)作為俄羅斯僑民文學(xué)“第一浪潮”中的杰出作家,他的創(chuàng)作被視為是俄僑文學(xué)中珍貴的文化遺產(chǎn)。處在俄羅斯和西歐文學(xué)傳統(tǒng)交叉點(diǎn)上的加茲達(dá)諾夫,不僅繼承和發(fā)展了俄羅斯文學(xué)的優(yōu)良傳統(tǒng),還吸收和運(yùn)用了法國文學(xué)的精華。因此,評論家稱其為“布寧唯一的學(xué)生”、“俄羅斯的加繆”、陀思妥耶夫斯基、果戈理、契訶夫的追隨者等。加茲達(dá)諾夫在移民后開始了自己的創(chuàng)作生涯。1926年發(fā)表了他的處女作《未來旅館》,隨后陸續(xù)在雜志上發(fā)表短篇小說。1929年,第一部長篇小說《克萊爾家之夜》問世。加茲達(dá)諾夫用自己的方式在作品中向讀者展示了俄國革命、國內(nèi)戰(zhàn)爭、二戰(zhàn)以及在巴黎的僑民生活等等。俄羅斯文學(xué)界對于加茲達(dá)諾夫創(chuàng)作的研究始于20世紀(jì)90年代。至今,已有大量系統(tǒng)的分析和研究,在俄羅斯國內(nèi)已經(jīng)形成了“加茲達(dá)諾夫?qū)W”。遺憾的是我國讀者對于加茲達(dá)諾夫知之甚少。目前僅有少數(shù)學(xué)者發(fā)表了關(guān)于其創(chuàng)作的研究成果,而且對于加茲達(dá)諾夫的詩學(xué)特征和審美意識還缺乏深入系統(tǒng)的研究。與加茲達(dá)諾夫在俄羅斯文學(xué)進(jìn)程中的重要性及其作品被廣泛閱讀的情況相比,其創(chuàng)作在中國的研究還不能令人滿意,因此,我們認(rèn)為有必要深入系統(tǒng)地研究他的創(chuàng)作特色,以便對俄羅斯僑民文學(xué)有更好的了解。本論文主要采用比較分析法和系統(tǒng)歸納法對加茲達(dá)諾夫創(chuàng)作中最重要的兩個特點(diǎn)——自傳性和存在主義意識進(jìn)行了研究。論文立足于加茲達(dá)諾夫?qū)Χ砹_斯文學(xué)和西歐文學(xué)的繼承,在閱讀和分析了大量不同學(xué)者的研究成果和其他文獻(xiàn)資料的基礎(chǔ)上,將加茲達(dá)諾夫及他的作品放在20世紀(jì)的時代大背景之下,對其生平和創(chuàng)作進(jìn)行研究,從兩個角度深入地分析了這兩個創(chuàng)作特征。經(jīng)研究得出了如下結(jié)論:加茲達(dá)諾夫的創(chuàng)作是博采眾長的結(jié)果,也是俄法兩國社會文化和文學(xué)熏陶的產(chǎn)物。在他的作品中不僅能看到對陀思妥耶夫斯基、契訶夫、屠格涅夫等俄羅斯經(jīng)典作家的繼承,還能發(fā)現(xiàn)法國文學(xué)中意識流、存在主義等諸多流派的創(chuàng)作手法。自傳性是加茲達(dá)諾夫作品中最重要的敘事手法之一。作家生活中發(fā)生的重大事件在其作品中都有體現(xiàn)。將作家的個人成長經(jīng)歷和創(chuàng)作結(jié)合起來,可以發(fā)現(xiàn),作品的情節(jié)并不是完完全全與現(xiàn)實生活相一致,紀(jì)實性和虛構(gòu)的手法巧妙地結(jié)合在一起。存在主義在加茲達(dá)諾夫的審美意識中占據(jù)重要地位。俄羅斯和法國的存在主義都對它產(chǎn)生了一定的影響。一方面,加茲達(dá)諾夫的存在主義意識與法國作家加繆、馬塞爾等不乏相似之處;另一方面,加茲達(dá)諾夫繼承了陀思妥耶夫斯基和契訶夫的存在主義思想。
[Abstract]:As an outstanding writer in the first wave of the Russian diaspora literature, Garz Danov (1903-1971) is regarded as a precious cultural heritage in the literature of Russian expatriates. At the intersection of Russian and Western European literary tradition, Garz Danov not only inherits and develops the fine tradition of Russian literature, but also absorbs and uses the essence of French literature. Critics call it the only student of Bunin, Camus of Russia, Dostoevsky, Gogol, Chekhov's followers, etc. Garz Danov began his career after emigration. In 1926, he published his first novel, Hotel of the Future, and then published a short story in a magazine. In 1929, the first novel, Clare's Home Night, was published. In his own way, Garz Danov shows readers the Russian Revolution, the Civil War, World War II, and expatriate life in Paris. The study of Garz Danov's creation in Russian literary circles began in the 1990 s. So far, a large number of systematic analysis and research, in Russia has formed a "Garz Danov study." Unfortunately, our readers know very little about Garz Danov. At present, only a few scholars have published the research results on his creation, and there is a lack of deep and systematic research on the poetic characteristics and aesthetic consciousness of Garz Danov. Compared with the importance of Garz Danov in the process of Russian literature and the extensive reading of his works, the study of his creation in China is not satisfactory. Therefore, we think it is necessary to study his creative characteristics in depth and systematically. In order to have a better understanding of the literature of the Russian diaspora. In this paper, comparative analysis and systematic induction are used to study the two most important characteristics of Garz Danov's creation: autobiographical and existential consciousness. Based on the inheritance of Russian literature and Western European literature by Garz Danov, this paper has read and analyzed the research results and other literature materials of a large number of different scholars. Under the background of the 20th century, Garz Danov and his works are studied on his life and creation, and the two creative characteristics are deeply analyzed from two angles. The conclusion is as follows: the creation of Garz Danov is the result of extensive learning, and it is also the product of the social culture and literature of Russia and France. In his works, we can not only see the inheritance of Dostoevsky, Chekhov, Turgenev and other classical Russian writers, but also discover the stream of consciousness and existentialism in French literature. Autobiographical is one of the most important narrative techniques in Garz Danov's works. The great events in the writer's life are reflected in his works. By combining the writer's personal experience with creation, it can be found that the plot of the work is not completely consistent with the real life, and the documentary and fictional techniques are skillfully combined. Existentialism plays an important role in Garz Danov's aesthetic consciousness. The existentialism of Russia and France had a certain influence on it. On the one hand, the existentialism of Danov is similar to that of the French writers Camus and Marcel; on the other hand, he inherits Dostoevsky and Chekhov's existentialism.
【學(xué)位授予單位】：四川外國語大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：I512.074
本文編號：2242981
[Abstract]:As an outstanding writer in the first wave of the Russian diaspora literature, Garz Danov (1903-1971) is regarded as a precious cultural heritage in the literature of Russian expatriates. At the intersection of Russian and Western European literary tradition, Garz Danov not only inherits and develops the fine tradition of Russian literature, but also absorbs and uses the essence of French literature. Critics call it the only student of Bunin, Camus of Russia, Dostoevsky, Gogol, Chekhov's followers, etc. Garz Danov began his career after emigration. In 1926, he published his first novel, Hotel of the Future, and then published a short story in a magazine. In 1929, the first novel, Clare's Home Night, was published. In his own way, Garz Danov shows readers the Russian Revolution, the Civil War, World War II, and expatriate life in Paris. The study of Garz Danov's creation in Russian literary circles began in the 1990 s. So far, a large number of systematic analysis and research, in Russia has formed a "Garz Danov study." Unfortunately, our readers know very little about Garz Danov. At present, only a few scholars have published the research results on his creation, and there is a lack of deep and systematic research on the poetic characteristics and aesthetic consciousness of Garz Danov. Compared with the importance of Garz Danov in the process of Russian literature and the extensive reading of his works, the study of his creation in China is not satisfactory. Therefore, we think it is necessary to study his creative characteristics in depth and systematically. In order to have a better understanding of the literature of the Russian diaspora. In this paper, comparative analysis and systematic induction are used to study the two most important characteristics of Garz Danov's creation: autobiographical and existential consciousness. Based on the inheritance of Russian literature and Western European literature by Garz Danov, this paper has read and analyzed the research results and other literature materials of a large number of different scholars. Under the background of the 20th century, Garz Danov and his works are studied on his life and creation, and the two creative characteristics are deeply analyzed from two angles. The conclusion is as follows: the creation of Garz Danov is the result of extensive learning, and it is also the product of the social culture and literature of Russia and France. In his works, we can not only see the inheritance of Dostoevsky, Chekhov, Turgenev and other classical Russian writers, but also discover the stream of consciousness and existentialism in French literature. Autobiographical is one of the most important narrative techniques in Garz Danov's works. The great events in the writer's life are reflected in his works. By combining the writer's personal experience with creation, it can be found that the plot of the work is not completely consistent with the real life, and the documentary and fictional techniques are skillfully combined. Existentialism plays an important role in Garz Danov's aesthetic consciousness. The existentialism of Russia and France had a certain influence on it. On the one hand, the existentialism of Danov is similar to that of the French writers Camus and Marcel; on the other hand, he inherits Dostoevsky and Chekhov's existentialism.
【學(xué)位授予單位】：四川外國語大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：I512.074
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