【摘要】：本文運(yùn)用比較文學(xué)研究中的平行研究,對(duì)日本作家三島由紀(jì)夫和中國作家白先勇進(jìn)行比較研究,分析探討了二人的文學(xué)創(chuàng)作中各自的文化承接以及在這種承接中體現(xiàn)的文學(xué)審美特點(diǎn)的異同。全文主要由三個(gè)部分組成:第一部分:白先勇和三島由紀(jì)夫各自的性格和作品體現(xiàn)出的陰柔和陽剛的審美特點(diǎn),他們對(duì)各自國家傳統(tǒng)文化的繼承和對(duì)西方文學(xué)的借鑒吸收,兩人的陰柔和陽剛的審美特征讓他們對(duì)中西文化的學(xué)習(xí)具有不同的選擇,白先勇對(duì)中國傳統(tǒng)古典名著的繼承、對(duì)西方現(xiàn)代文學(xué)方法的借鑒;三島由紀(jì)夫?qū)θ毡竟诺湮膶W(xué)的承接、對(duì)希臘古典主義的吸收。第二部分:白先勇與三島由紀(jì)夫?qū)徝捞卣鞯南嗤帯，F(xiàn)代日本文學(xué)受傳統(tǒng)日本文化影響,白先勇和三島由紀(jì)夫繼承各自的傳統(tǒng),在他們的作品中都具有意境美的審美特點(diǎn);在展示人物居住環(huán)境與中西交融時(shí)代特征,兩個(gè)人的作品都具有復(fù)古的審美特點(diǎn);各自的家庭背景和對(duì)傳統(tǒng)文學(xué)的吸收,讓兩人的作品人物都有著高貴美。第三部分:在白先勇和三島由紀(jì)夫?qū)徝捞卣鞯牟町惿?白先勇作品有著悲劇美,時(shí)代背景下個(gè)人命運(yùn)的悲劇性;白先勇作品中還呈現(xiàn)出人道主義的關(guān)懷,對(duì)人物的深刻同情,使人物在不幸遭遇中依舊展示出濃厚的溫情,具有人情美。三島由紀(jì)夫的審美特點(diǎn)呈現(xiàn)出矛盾性,其審美特點(diǎn)具有鮮明的善與惡、美與丑的強(qiáng)烈對(duì)比;三島由紀(jì)夫的審美特點(diǎn)還具有暴力性,以對(duì)立的雙方相互沖突甚至毀滅來展示出殘酷美。
[Abstract]:This paper makes a comparative study of Japanese writer Yukio Mishima and Chinese writer Bai Xianyong by using parallel research in comparative literature. This paper analyzes and discusses the similarities and differences of their respective cultural undertaking in their literary creation and the aesthetic characteristics of literature embodied in this undertaking. The thesis is composed of three parts: the first part: Bai Xianyong and Miyashima Yukio's characters and works embody the feminine and masculine aesthetic characteristics, they inherit the traditional culture of their respective countries and absorb the western literature. The aesthetic characteristics of the two men's feminine and masculine make them have different choices on the study of Chinese and Western culture. Bai Xianyong's inheritance of Chinese traditional classical masterpieces and his reference to modern western literary methods, as well as Miyashima's acceptance of Japanese classical literature, The absorption of Greek classicism The second part: the similarities between Bai Xianyong and Miyashima Yukio. Modern Japanese literature is influenced by traditional Japanese culture. Bai Xianyong and Yukio Miyashima inherit their own traditions and have aesthetic characteristics of artistic conception in their works. Both people's works have the aesthetic characteristics of retro times, and their respective family background and the absorption of traditional literature make the characters of their works both noble and beautiful. The third part: on the difference of aesthetic characteristics between Bai Xianyong and Miyashima Yukio, Bai Xianyong's works have tragic beauty and tragic fate under the background of the times, and Bai Xianyong's works also show humanitarian concern and deep sympathy for the characters. So that the characters in the unfortunate encounter still show a strong warmth, with human beauty. The aesthetic characteristics of Mijima Yukio are contradictory, with distinct good and evil, strong contrast between beauty and ugliness. The cruel beauty is demonstrated by the conflict and even destruction of the opposing sides.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I106-03

【參考文獻(xiàn)】

相關(guān)期刊論文 前8條

1 魏高修;;永恒與虛幻——《金閣寺》中三島由紀(jì)夫的終極美學(xué)[J];南京理工大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2010年05期

2 祝昊;;頹廢的純潔與美——三島由紀(jì)夫怪異美學(xué)管窺與探由[J];商丘師范學(xué)院學(xué)報(bào);2010年10期

3 胡備;李欣;;三島由紀(jì)夫在中國的接受與研究[J];河北工程大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2009年04期

4 馬志英;;論白先勇《臺(tái)北人》的悲劇意識(shí)[J];西北第二民族學(xué)院學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);2006年01期

5 邱紫華;日本和歌的美學(xué)特征[J];華中師范大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版);2004年02期

6 王玲寧,高萬年;悲涼而絕望的歌──張愛玲、白先勇小說的生命悲劇意識(shí)淺論[J];天中學(xué)刊;2001年03期

7 趙順宏,劉俊峰;白先勇創(chuàng)作國際研討會(huì)綜述[J];華文文學(xué);2001年01期

8 周祖謙;王國維“有我之境”美學(xué)特征辨析[J];河北師范大學(xué)學(xué)報(bào)(哲學(xué)社會(huì)科學(xué)版);1998年01期

，

本文編號(hào)：2153373