發(fā)布時間：2018-03-12 14:17

  本文選題：《阿伽門儂》　切入點：埃斯庫羅斯　出處：《四川戲劇》2017年09期 　論文類型：期刊論文

【摘要】：在古希臘,血親之間的仇殺被視為極大的罪行。綜合古希臘悲劇《阿伽門儂》的核心戲劇行動(包括缺失的)進行考察,可知其深層結(jié)構,它隱約指向權力的合謀正是釀成一系列血親仇殺悲劇的深層原因�？梢哉f,克呂泰墨斯特拉殺夫為女復仇,實際上是對絕對父權的一種修正,同時也是對父權無節(jié)制權力的一種報復,或者說是一種本能的反抗。俄瑞斯忒亞殺母則象征男權的復位,是對父權中心的維護與再次確認。因此,克呂泰墨斯特拉的殺夫行動帶有一種強烈的"弒父"傾向,是對父權絕對權威的一種挑戰(zhàn)。
[Abstract]:In ancient Greece, vendetta between blood relatives was regarded as a great crime. After examining the core dramatic actions (including the missing ones) of the ancient Greek tragedy, Agamemnon, we can see its deep structure. Its vagueness points to the collusion of power, which is the underlying cause of a series of homophobic tragedies. It can be said that Klutermestra's murder of her husband for female revenge is in fact a revision of absolute paternity. At the same time, it is also a kind of revenge for the unrestrained power of the patriarchal power, or an instinctive resistance. Orestaia's killing of the mother symbolizes the restoration of male power, and it is the maintenance and reconfirmation of the patriarchal center. Klutermestra's husband killing has a strong patricide tendency and a challenge to the absolute authority of paternity.
【作者單位】： 西南大學文學院;
【分類號】：I545.073
，

本文編號：1601925