【摘要】：《林語堂美學(xué)思想探微》主要從美學(xué)的角度切入，以通讀林語堂 原著為基礎(chǔ)，通過綜合比較林語堂與梁啟超、王國維、魯迅、周作人、 胡適、辜鴻銘、梁實(shí)秋等現(xiàn)當(dāng)代文人思想的異同，歸納分析林語堂美 學(xué)思想的主要特征，同時(shí)也將林語堂美學(xué)思想與康德、克羅齊、白壁 德等西方美學(xué)思想進(jìn)行辨析，最后直覺領(lǐng)悟其美學(xué)思想的實(shí)質(zhì)，從而 深刻揭示林語堂在當(dāng)時(shí)被主流意識形態(tài)批判的社會歷史原因，并闡發(fā) 其“健全的思想”雖受挫于一時(shí)，卻對建構(gòu)“全球化”語境下的現(xiàn)當(dāng) 代思想文化具有一定的參考價(jià)值，并且有利于促進(jìn)整個(gè)社會的健全發(fā) 展。雖然林語堂并未寫過一部美學(xué)專著，但是其美學(xué)思想是豐富而深 刻的�！读终Z堂美學(xué)思想探微》考察了林語堂美學(xué)思想形成的歷史淵源、 理論淵源及其個(gè)人境遇和美學(xué)思想的產(chǎn)生，并從以下四個(gè)方面闡析了 其美學(xué)思想的內(nèi)容：人生美學(xué)的審美反思、自由自然的美學(xué)姿態(tài)、悠 閑幽默的審美情結(jié)、無偽的真我體驗(yàn)，最后評述其思想對于當(dāng)代美學(xué) 以及思想文化的多重啟示。科學(xué)合理的闡釋其思想，是重新接納這位 長期處于意識形態(tài)之外的“海外”學(xué)子的前提條件。林語堂美學(xué)思想 屬于世界，更加屬于中國。正如魯迅所說，我們要合理的“拿來”，并 且在此基礎(chǔ)上，我們要有所創(chuàng)新，，力圖向世界“送去”中國人的“思 想文化精品”。在“全球化”的時(shí)代，惟有以更開闊的心胸去挑選、鑒 別、發(fā)揮古今中外的一切思想文化遺產(chǎn)，才會促進(jìn)本民族的復(fù)興，并 為世界思想文化進(jìn)步添磚加瓦。在此意義上，林語堂應(yīng)當(dāng)在中國現(xiàn)代 文學(xué)史、美學(xué)史、思想史、文化史上占有一席之地。惟其如此，才會 將現(xiàn)代眾多知識分子的“百家爭鳴”擺在一個(gè)較大的歷史時(shí)空加以審 視、闡發(fā)，并且“為我所用”，推動當(dāng)代學(xué)術(shù)的發(fā)展。
[Abstract]:A probe into Lin Yutang's Aesthetic thoughts. It is based on a thorough reading of the original works of Lin Yutang. The similarities and differences between the thoughts of modern and contemporary scholars, such as Hu Shi, Gu Hongming, Liang Shiqiu, and so on, are summarized and analyzed. At the same time, the aesthetic thoughts of #china_person and Kant's, Croce's, are also analyzed. Babbitt and other western aesthetic thoughts were analyzed, and finally intuitively understood the essence of his aesthetic thought, thus profoundly revealing the social and historical reasons why Lin Yutang was criticized by the mainstream ideology at that time. And expound that its "sound thought" is frustrated in a moment, but it has certain reference value to construct the current generation thought culture in the context of "globalization". And is conducive to promoting the sound development of the whole society. Although Lin Yutang has not written an aesthetic monograph, his aesthetic thoughts are rich and deeply engraved. The origin of the theory, its personal circumstances and the emergence of aesthetic thought, and the content of its aesthetic thought are analyzed from the following four aspects: aesthetic reflection of life aesthetics, aesthetic posture of freedom and nature, and the following four aspects: the aesthetic reflection of life aesthetics, the aesthetic posture of freedom and nature, The aesthetic complex of leisurely humor, the true self experience without falsehood, and finally comments on the enlightenment of his thoughts to contemporary aesthetics and ideological culture. A scientific and rational interpretation of his thought is a prerequisite for readmission to this long-term "overseas" student who has been outside the ideology for a long time. Lin Yutang's aesthetic thought belongs to the world and even more to China. As Lu Xun said, we should reasonably "bring it", and on this basis, we should innovate and try to "send" the Chinese "thinking culture" to the world. In the era of "globalization", only by choosing, distinguishing, and giving play to all the ideological and cultural heritage of the ancient, modern and foreign countries can we promote the rejuvenation of our nation. And for the world's ideological and cultural progress. In this sense, Lin Yutang should have a place in the history of modern Chinese literature, aesthetic history, ideological history and cultural history. Only in this way will the "hundred schools of thought contend" of many modern intellectuals be viewed and elucidated in a larger historical time and space, and "for our own use." To promote the development of contemporary learning.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2004
【分類號】：I01

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 黃家城;;繪畫與書法的美學(xué)價(jià)值互現(xiàn)[J];社會科學(xué)家;2011年08期

相關(guān)碩士學(xué)位論文 前1條

1 韓志華;林語堂英譯《浮生六記》的審美再現(xiàn)[D];河北師范大學(xué);2007年

本文編號：2414475