本文選題：藝術(shù)生產(chǎn) + 文學本質(zhì)　； 參考：《河北師范大學》2011年碩士論文

【摘要】：藝術(shù)生產(chǎn)理論是由馬克思最早提出的。藝術(shù)生產(chǎn)理論從生產(chǎn)的角度考察藝術(shù),將文學藝術(shù)作為一種特殊的精神生產(chǎn)。二十世紀八十年代我國理論界開始關(guān)注這一問題,一些學者從藝術(shù)生產(chǎn)的角度思考藝術(shù)本質(zhì)問題,試圖用藝術(shù)生產(chǎn)理論建構(gòu)我國當代形態(tài)馬克思主義文藝理論。藝術(shù)生產(chǎn)是一個有著豐富內(nèi)涵的理論系統(tǒng),涉及文學本質(zhì)觀、藝術(shù)生產(chǎn)商品化、文化產(chǎn)業(yè)問題等。 論文共分為三章。第一章對藝術(shù)生產(chǎn)理論追根溯源,即藝術(shù)生產(chǎn)理論:回到馬克思。對一種理論的理解首先應該回歸原典,這樣才能獲得最初的原意,從而做出正確的解釋。本著這種認識,筆者首先將馬克思對藝術(shù)生產(chǎn)理論的闡述進行梳理,進而準確把握藝術(shù)生產(chǎn)理論的原意。國內(nèi)學者對該理論的認識也是基于對馬克思原典的解讀,以此為出發(fā)點從不同角度闡釋對藝術(shù)生產(chǎn)理論的理解,這些努力為藝術(shù)生產(chǎn)理論在我國的發(fā)展奠定了基礎(chǔ)。第二章將藝術(shù)生產(chǎn)理論作為文學本質(zhì)的詮釋。自二十世紀八十年代以來文學本質(zhì)一元論時代被打破,多種文學本質(zhì)觀相繼出現(xiàn)。其中,藝術(shù)生產(chǎn)理論將藝術(shù)與生產(chǎn)實踐相結(jié)合,以動態(tài)的方式關(guān)注藝術(shù)。認為藝術(shù)是一種高度追求生命自由的精神生產(chǎn),最終滿足人們的審美需求。藝術(shù)生產(chǎn)理論從人的自由的生命表現(xiàn)出發(fā)理解文學藝術(shù),力求形成一種新的文學本質(zhì)觀。在此基礎(chǔ)上引發(fā)的藝術(shù)生產(chǎn)理論與反映論、意識形態(tài)論的討論,啟示人們從不同的角度思考藝術(shù)本質(zhì)問題。第三章主要考察社會主義市場經(jīng)濟下藝術(shù)生產(chǎn)理論的新發(fā)展。隨著市場經(jīng)濟的發(fā)展,藝術(shù)生產(chǎn)的各種新現(xiàn)象開始出現(xiàn),藝術(shù)生產(chǎn)的商品化、藝術(shù)生產(chǎn)和藝術(shù)消費的關(guān)系、藝術(shù)生產(chǎn)與文化產(chǎn)業(yè)等問題日益凸顯,這些問題都是與特定的社會歷史條件相關(guān)聯(lián)的,藝術(shù)生產(chǎn)的物質(zhì)屬性逐漸顯現(xiàn),藝術(shù)生產(chǎn)的主體性地位慢慢讓位于藝術(shù)消費,藝術(shù)的自律性轉(zhuǎn)向他律性,這些變化都是經(jīng)濟轉(zhuǎn)型期文學藝術(shù)呈現(xiàn)的新特點,這種轉(zhuǎn)變引發(fā)了藝術(shù)生產(chǎn)理論在市場經(jīng)濟下的新形式。藝術(shù)生產(chǎn)理論重視文學藝術(shù)作為實踐活動的特殊性,同時兼顧生產(chǎn)與消費的雙重關(guān)系思考文學藝術(shù)的規(guī)律及其社會本質(zhì),是一個有著強大闡釋空間的理論體系,對這一理論的科學闡釋,有助于回答現(xiàn)實提出的種種文學藝術(shù)問題,藝術(shù)生產(chǎn)理論因此是一個開放的未完成的體系。
[Abstract]:The theory of art production was first put forward by Marx. The theory of art production examines art from the angle of production and regards literature and art as a special kind of spiritual production. In the eighties of the 20th century, Chinese theorists began to pay attention to this problem. Some scholars think about the essence of art from the angle of art production, and try to construct Marxist literary theory of contemporary form with the theory of art production. Art production is a theoretical system with rich connotations, which involves the concept of literary essence, the commercialization of art production and the problems of cultural industry. The thesis is divided into three chapters. The first chapter goes back to the origin of the theory of art production, that is, the theory of art production: back to Marx. The understanding of a theory should first return to the original code in order to get the original intention and make the correct explanation. In the light of this understanding, the author firstly combed Marx's elaboration of art production theory, and then grasped the original meaning of art production theory. The domestic scholars' understanding of the theory is also based on the interpretation of the original book of Marx, which is the starting point to explain the understanding of the theory of art production from different angles. These efforts have laid a foundation for the development of the theory of art production in our country. The second chapter takes the theory of art production as the interpretation of the essence of literature. Since 1980's, the monism era of literary essence has been broken, and a variety of literary essence views have appeared one after another. Art production theory combines art with production practice and pays attention to art in a dynamic way. Art is a kind of spiritual production which highly pursues life freedom and meets people's aesthetic needs. The theory of art production starts from the human's free life expression to understand literature and art, and tries to form a new view of literary essence. On this basis, the discussion of the theory of art production and the theory of reflection, and the discussion of the theory of ideology, enlighten people to think about the essence of art from different angles. The third chapter mainly investigates the new development of art production theory under the socialist market economy. With the development of market economy, various new phenomena of art production begin to appear. The commercialization of art production, the relationship between art production and art consumption, and the problems of art production and cultural industry are becoming increasingly prominent. These problems are related to specific social and historical conditions, the material properties of art production gradually appear, the subjective position of art production gradually gives way to art consumption, and the self-discipline of art shifts to heteronomy. These changes are the new features of literature and art in the economic transition period, which has triggered a new form of art production theory under the market economy. The theory of art production attaches great importance to the particularity of literature and art as a practical activity, and at the same time takes into account the dual relationship between production and consumption. It is a theoretical system with strong space for interpretation, considering the law of literature and art and its social essence. The scientific explanation of this theory is helpful to answer all kinds of literary and artistic questions raised in reality, so the theory of art production is an open and unfinished system.
【學位授予單位】：河北師范大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J0

【引證文獻】

相關(guān)博士學位論文 前1條

1 凌玉建;論藝術(shù)生產(chǎn)的產(chǎn)業(yè)化轉(zhuǎn)向[D];北京大學;2012年

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本文編號：1893875