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  本文選題：文學(xué)場　切入點：紙質(zhì)文學(xué)　出處：《廈門大學(xué)》2001年碩士論文

【摘要】： 把網(wǎng)絡(luò)文學(xué)納入文學(xué)史與傳媒史的連續(xù)進(jìn)程中，嘗試從傳媒演進(jìn)與文學(xué)文化資本稀缺性的歷史關(guān)聯(lián)入手，分析傳媒變革中文學(xué)生態(tài)的演化規(guī)律，進(jìn)而對網(wǎng)絡(luò)背景下文學(xué)走向的可能性進(jìn)行慎重的描述與估價，是本文的主干思路。 本文認(rèn)為，傳播是文學(xué)實現(xiàn)社會化、職業(yè)化的重要形式，也是功利滲透、權(quán)力介入的主要路徑。在傳播的過程中，作家個人的美學(xué)空間不可避免地要向社會敞開，其地位、聲譽等功利因素開始展開，以資本、權(quán)力運動為核心的文學(xué)場域被塑造成型，接受文化政策、受眾心理、批評導(dǎo)向、傳媒技術(shù)等諸多世俗力量的審視、制約成為文學(xué)介入社會并從中獲得生存根基不得不付出的代價。一般來講，在傳媒工業(yè)化之前，書面文學(xué)教育不普及，文本的生產(chǎn)、傳播技術(shù)落后，成本昂貴，文學(xué)文化資本在整個話語系統(tǒng)的產(chǎn)出中呈現(xiàn)出高度的稀缺性，因而體現(xiàn)出神話般的價值，被世俗權(quán)力招安后，成為一種由權(quán)力配置并在相當(dāng)程度上為權(quán)力服務(wù)的獨特的職業(yè)話語類型，獲得了政府的政策扶持和資金保障。伴隨著傳媒工業(yè)化進(jìn)程的日益深入，，文學(xué)文化資本的稀缺性程度降低，遭受大眾傳媒?jīng)_擊的文學(xué)被世俗權(quán)力疏離后，進(jìn)入市場運作自負(fù)盈虧，因其對市場邏輯的先天性排斥，生存境況十分艱難。 網(wǎng)絡(luò)傳媒進(jìn)一步把文學(xué)推進(jìn)市場，文學(xué)的生存境遇似乎更加雪上加霜：文本質(zhì)量蕪雜、侵權(quán)、盜版等問題不僅顛覆了文學(xué)的神圣價值，而且對文學(xué)活動的內(nèi)驅(qū)力形成威脅。關(guān)注文學(xué)在網(wǎng)絡(luò)背景下的際遇，要求恢復(fù)逐漸被市場運作和科技理性吞噬了的人文精神，成為理論界的一種強大呼聲。本文認(rèn)為，肇始于大眾傳媒并在網(wǎng)絡(luò)時代加劇了的文學(xué)危機，是文學(xué)恢復(fù)自身定位不可避免的陣痛。充分的市場化、民間化是文學(xué)自律的前提，也是文學(xué)發(fā)展的大勢所趨。 當(dāng)前，網(wǎng)上文學(xué)與網(wǎng)下文學(xué)的對立與沖突是網(wǎng)絡(luò)傳媒與傳統(tǒng)傳媒的暫時分離形成的，也是文學(xué)的市場運作機制與計劃運作機制互相排異的反應(yīng)。網(wǎng)絡(luò)傳媒與傳統(tǒng)傳媒、網(wǎng)上文學(xué)與網(wǎng)下文學(xué)、市場運作與計劃運作由分離排異走向協(xié)調(diào)整合的趨勢初露端倪，新的文學(xué)格局即將形成。
[Abstract]:The network literature into the continuous process of literary history and the history of the media, to historical evolution and Literary Culture Association from the media capital scarcity of analysis of evolution of media reform Chinese students state, and then described carefully and valuation about the possibility of literature under network background, is the main idea of this paper.
This paper argues that communication is an important form of literature to realize socialization, occupation, and utilitarian penetration, the main path of power intervention. In the process of communication, the writer's personal aesthetic space is inevitable to open to the society, its status, reputation and other utilitarian factors began to spread to the capital, and the field of literary power movement the core is shaped, accept the cultural policy, audience psychology, criticism guidance, review the media technology and other secular power, which becomes the literature and get involved in social survival foundation had to pay from it. In general, in the media before industrialization, written literature education, text production, communication technology backward. The cost is expensive, literary and cultural capital showing a scarcity of height in the whole discourse and the output of the system, which reflects the mythical value by the secular power amnesty, become a kind of power The configuration and service for power to a certain extent, the unique occupation type of speech, the government's policy support and funding. Along with the media industrialization deepening, literary and cultural capital scarcity degree is reduced, the impact of the mass media from literature by secular power alienation, to enter the market operation of self financing, rejection because of the congenital of the logic of the market, survival situation is very difficult.
To further promote the market network media literature, literary life seems more text quality is miscellaneous, one disaster after another infringement, piracy and other issues not only subvert the sacred value of literature, and the literary activities of the internal driving force of the formation of threat. In the context of network literature on fortune, demanding the return of humanistic spirit gradually by the market operation and technical rationality swallow, become a powerful voice in theory. This paper argues that originated from the mass media in the network era and aggravates the crisis of literature, literature is to restore their own positioning the inevitable pain. The market fully, is the premise of folk literature is the self-discipline of literature development, represent the general trend.
At present, online conflict and literature, and the net is temporarily formed network media and traditional media separation, literature is the market operation mechanism and operation mechanism of each plan rejection reaction. The network media and traditional media, online literature and network literature, market operation and operation plan from rejection to coordination the trend of integration of the horizon, the new literary pattern will be formed.

【學(xué)位授予單位】：廈門大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2001
【分類號】：I02

【引證文獻(xiàn)】

中國期刊全文數(shù)據(jù)庫 前1條

1 張恒軍;;文學(xué)在“比特”時代的生存[J];赤峰學(xué)院學(xué)報(漢文哲學(xué)社會科學(xué)版);2012年10期

中國博士學(xué)位論文全文數(shù)據(jù)庫 前1條

1 羅生全;符號權(quán)力支配下的課程文化資本運作研究[D];西南大學(xué);2008年

本文編號：1724434