本文選題：荒誕　切入點(diǎn)：敘事　出處：《浙江師范大學(xué)》2003年碩士論文

【摘要】： 本文著眼于敘事文本中存在的荒誕敘事，從敘事學(xué)的角度，把荒誕納入審美的范疇，對(duì)荒誕敘事進(jìn)行研究。全文分為五部分： 前言。扼要介紹本選題的研究現(xiàn)狀和研究中存在的困難。二十世紀(jì)關(guān)于荒誕派戲劇的研究，學(xué)術(shù)界較為關(guān)注。但在敘事學(xué)領(lǐng)域，還沒(méi)有人對(duì)荒誕敘事進(jìn)行專(zhuān)門(mén)的研究�；恼Q敘事是從敘事學(xué)角度，以文學(xué)內(nèi)部研究為主導(dǎo)，同時(shí)兼顧荒誕產(chǎn)生的社會(huì)歷史、民族文化心理等方面的因素，進(jìn)行文化解讀。進(jìn)而指出，荒誕敘事的研究對(duì)敘事學(xué)研究領(lǐng)域的完備，具有重要的作用。 正論分三章： 第一章，荒誕。從詞源學(xué)的角度考察荒誕的各種界定，指出荒誕敘事中的“荒誕”一詞的含義，既不同于詞典中的含義，也不同于常用的含義。它是指事物或形式反常的、不合理的狀態(tài)，它背離自然的可能性，卻不背離內(nèi)在的可能性。主要討論：1．荒誕溯源；2．荒誕界定(荒誕與怪誕、丑以及滑稽的關(guān)系)；3．荒誕定位，荒誕是一個(gè)審美概念，它應(yīng)該和優(yōu)美、崇高、滑稽、悲劇等一樣，成為美學(xué)關(guān)注的范疇。 第二章，荒誕敘事。從荒誕敘事的文本層面、故事層面、話(huà)語(yǔ)層面對(duì)荒誕敘事進(jìn)行剖析，并歸納出荒誕敘事的特征。荒誕敘事的界定，荒誕敘事是指敘事文學(xué)中，以反常的不合理的形式或其它超 浙江師范大學(xué)碩士學(xué)位論文 現(xiàn)實(shí)主義的手段創(chuàng)造出荒誕的藝術(shù)內(nèi)容或藝術(shù)形象的敘事。它背離 自然的可能性，卻蘊(yùn)涵著豐富的內(nèi)在可能性。正是這種內(nèi)在的可能 性造成了荒誕敘事的藝術(shù)魅力�；恼Q敘事在揭露外部世界的反常與 病態(tài)，揭示精神世界的扭曲與貧乏方面，具有獨(dú)到的審美功能。 第三章，，荒誕敘事的審美意義。主要從陌生化的審美手段;多 層次的審美意蘊(yùn);反常合真的審美精神;悲喜交融的審美境界等四 個(gè)方面探討荒誕敘事的審美意義。荒誕敘事文本為讀者建構(gòu)了多重 意義世界，讀者在多重意義時(shí)空中挖掘著與自己切身相關(guān)的意義。 把讀者從意義世界帶入審美境界，感受到審美的震撼，這是荒誕敘 事蘊(yùn)涵的重大命題。荒誕敘事文本正是通過(guò)荒誕敘事，試圖熏染出 世人合乎現(xiàn)代社會(huì)的審美精神，這也是荒誕敘事深層的審美旨趣。 結(jié)語(yǔ)。荒誕敘事從審美高度把握和反映了人類(lèi)生存境遇的荒謬 性、不合理性，顛覆了人類(lèi)既有的審美話(huà)語(yǔ)結(jié)構(gòu)模式�；恼Q有著頑 強(qiáng)的生命力，它并不會(huì)隨著科學(xué)昌明時(shí)代的到來(lái)而趨于消餌，荒誕 敘事無(wú)疑是亮麗的審美弧線(xiàn)。因此，對(duì)荒誕敘事的研究，必將有著 深層的學(xué)術(shù)價(jià)值。
[Abstract]:This paper focuses on the absurd narration in the narrative text, and from the perspective of narratology, puts absurdity into the aesthetic category and studies the absurd narrative.The full text is divided into five parts:PrefaceThis paper briefly introduces the present research situation and the difficulties in the research.In the 20 ~ (th) century, the research on the absurd drama has been paid more attention by the academic circles.However, in the field of narratology, no one has made a special study on absurd narration.From the perspective of narratology, the absurd narration is guided by the internal study of literature, and takes into account the social and historical factors, national cultural psychology and other factors produced by the absurdity, so as to carry on the cultural interpretation.Furthermore, it is pointed out that the study of absurd narration plays an important role in the complete field of narratology.The theory is divided into three chapters:Chapter one, absurdity.From the perspective of etymology, this paper examines various definitions of absurdity and points out that the meaning of the word "absurd" in absurd narration is not only different from that in dictionaries, but also different from that in common use.It refers to the abnormal, unreasonable state of things or forms, which deviates from the possibility of nature, but not from the inherent possibility.The main discussion is about 1: 1.To the source of absurdity.The definition of absurdity (the relationship between absurdity and grotesque, ugliness and antics).Absurdity is an aesthetic concept, which should be regarded as a category of aesthetic concern like beauty, sublimity, comedy and tragedy.Chapter two, absurd narration.This paper analyzes the absurd narration from the aspects of text, story and discourse, and concludes the characteristics of absurd narrative.The definition of absurd narration. In narrative literature, it refers to the abnormal and unreasonable form or other superlatives.Master thesis of Zhejiang normal UniversityRealistic means create absurd artistic content or artistic image of the narrative.It deviates.The possibility of nature, however, contains a wealth of inherent possibilities.It is this inherent possibilitySex creates the artistic charm of absurd narration.Absurd narration in exposing the anomalies of the external World andMorbid, revealing the distortion and poverty of the spiritual world, has a unique aesthetic function.The third chapter, the aesthetic significance of absurd narration.Mainly from the aesthetic means of defamiliarization; manyLevel of aesthetic implication; abnormal true aesthetic spirit; tragic and ecstatic aesthetic realm, etc.The aesthetic significance of absurd narration is discussed in this paper.The absurd narrative text constructs many layers for the readerIn the world of meaning, the reader excavates the meaning related to himself in the space-time of multiple meanings.It is absurd to bring readers from the world of meaning to the realm of aesthetics and to feel the shock of aesthetics.An important proposition implied by events.It is through absurd narration that the absurd narrative text tries to edifyThe world conforms to the aesthetic spirit of modern society, which is also the deep aesthetic purport of absurd narration.ConclusionThe absurd narration grasps and reflects the absurdity of the human existence from the aesthetic height.Sex, irrationality, subverts the existing aesthetic discourse structure of human.Absurdity is obstinateStrong vitality, it will not with the arrival of scientific prosperity and tend to eliminate bait, absurdThere is no doubt that narrative is a beautiful aesthetic arc.Therefore, the study of absurd narration is bound to haveDeep academic value
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2003
【分類(lèi)號(hào)】：I044

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