本文關(guān)鍵詞：淺論上海雙年展與“海派藝術(shù)”文化的關(guān)系　出處：《華東師范大學(xué)》2004年碩士論文　論文類型：學(xué)位論文

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【摘要】：在國際當(dāng)代藝術(shù)的格局中，雙年展已成為一種國際化的當(dāng)代展覽制度的象征名詞，世界各地雙年展的活動(dòng)可以說是此起彼伏，你方唱罷我登場，在一陣雙年展的流行風(fēng)潮中，中國也有了自己的第一個(gè)雙年展——上海雙年展，作為落戶在上海的第一個(gè)國際雙年展，這種西方舶來的展覽形式一落戶上海便被深深的烙上了地緣文化的烙印，并與上海的地緣文化發(fā)生了融合與撞擊，從而使雙年展這種形式在上海具有了新的語境和文化精神。本文就著重論述了上海雙年展與上海的地緣文化——“海派藝術(shù)”文化之間的這種關(guān)聯(lián)。 本文在第一部分首先對(duì)上海雙年展的文化精神指向作了深入的剖析，對(duì)上海雙年展所呈現(xiàn)的多元化、融通性、國際化和開放化的文化性格作了論述和舉證。在第二部分中，本文對(duì)“海派藝術(shù)”所具有的文化性格做了概括的論述，并概括出它的顯著文化特征。在本文的重點(diǎn)部分第三部分中，在第一、二部分對(duì)上海雙年展和“海派藝術(shù)”內(nèi)在性格概括論證的基礎(chǔ)上，本文對(duì)兩者之間的關(guān)系做了詳細(xì)的論述，首先闡明了兩者在精神上契合的基點(diǎn)，包括經(jīng)濟(jì)的、文化的、社會(huì)的、人脈的，隨后從主題精神和文化精神兩個(gè)方面論述了兩者的關(guān)系。最后則是從地域文化身份的角度對(duì)上海雙年展的未來走向提出了自己的拷問。 筆者認(rèn)為通過對(duì)上海雙年展和“海派藝術(shù)”兩者之間關(guān)系的研究，對(duì)兩者內(nèi)在文化性格的挖掘具有了全新的視角，找到了兩者之間在文化精神上的眾多契合點(diǎn)，而更為重要的是，通過對(duì)兩者關(guān)系的研究，，不僅對(duì)“海派藝術(shù)”的文化含義與當(dāng)代走向進(jìn)行了反思，而且上海雙年展在全球化的藝術(shù)格局中未來的文化取向與價(jià)值判斷也引起了我們的思考。這也許對(duì)還將一屆屆走下去的上海雙年展具有更為重要的意義與價(jià)值。
[Abstract]:In the International Contemporary Art Biennale pattern, has become a symbol of the noun an international contemporary exhibition system, the Biennale activities around the world can be said as one falls, another rises, you Changba me play, in a biennial fashion, China also has its first biennial - Shanghai Biennale as in Shanghai, in the first International Biennale, the Western exhibition forms a settled in Shanghai has been deeply branded on the regional culture, and with the Shanghai regional culture has mixed and impact, so that the Biennale this form has a new context and cultural spirit in Shanghai in this paper. It focuses on the relation between Shanghai Biennale and Shanghai district culture "- Shanghai Art culture.
In the first part, culture and spirit of the Shanghai Biennale to in-depth analysis, diversification, the presentation of the Shanghai Biennale financing, internationalization and openness of the cultural character is discussed and the burden of proof. In the second part, this paper is to "Shanghai Art" cultural character summarized discusses and summarizes the significant cultural features of it. In the key part of the third part of this paper, based on the first, second part summarizes the argumentation of the Shanghai Biennale and Shanghai Art "intrinsic character, this paper discussed in detail the relationship between the two, first expounded the basis both mentally fit, including the economic, cultural, social, personal, and then from the two aspects of the theme of spiritual and cultural spirit discusses the relationship between them. Finally, from the geographical perspective of cultural identity of Shanghai Biennale in the future The direction made his own torture.
I believe that through the research on the relationship between Shanghai Biennale and Shanghai Art ", to excavate the cultural character of the two inner new perspective, found between the two in the cultural spirit of the many common points, and more importantly, through the research on the relationship between the two, not only the culture meaning of" Shanghai "art and contemporary trend of reflection, and the Shanghai Biennale in the global art pattern of future cultural orientation and the value judgment is caused by our thinking. This perhaps will have more important meaning and value of the session to go Shanghai Biennale.

【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2004
【分類號(hào)】：J120.9

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 趙曉婧;以品牌視角研究上海雙年展的都市文化傳播[D];華東師范大學(xué);2013年

本文編號(hào)：1391579