發(fā)布時(shí)間：2018-04-02 23:17

  本文選題：音樂劇　切入點(diǎn)：《俄克拉荷馬》　出處：《山東師范大學(xué)》2007年碩士論文

【摘要】： 《俄克拉荷馬》是由百老匯著名的“黃金組合”理查德·羅杰斯和奧斯卡·漢默斯坦Ⅱ創(chuàng)作的一部杰出的音樂劇作品。它作為美國(guó)現(xiàn)代音樂劇的開端,在思想性、藝術(shù)性、娛樂性以及商業(yè)運(yùn)作上都有很大的創(chuàng)新和突破,取得了巨大的成就,是美國(guó)音樂劇史上一部重要而經(jīng)典的作品。它的成功,為20世紀(jì)甚至以后相當(dāng)長(zhǎng)的一個(gè)時(shí)期內(nèi)的美國(guó)音樂劇創(chuàng)作提供了可以借鑒的因素,對(duì)美國(guó)音樂劇的發(fā)展產(chǎn)生了重要的影響,帶來(lái)了美國(guó)音樂劇輝煌發(fā)展的黃金時(shí)代。 音樂劇《俄克拉荷馬》根據(jù)里格斯的戲劇《紫丁香盛開》改編而成。選用貼近大眾生活的現(xiàn)實(shí)主義題材,展現(xiàn)了美國(guó)西部俄克拉荷馬地區(qū)一群拓荒者質(zhì)樸、歡樂、狂放的生活和愛情故事。通過樸實(shí)、簡(jiǎn)潔的劇詩(shī)地表現(xiàn)出劇中人物的性格特征和內(nèi)心情感,體現(xiàn)了深刻的戲劇內(nèi)涵。美妙、質(zhì)樸的音樂以配合劇情的發(fā)展為主要目的,完全為戲劇服務(wù)。而舞蹈在音樂劇中的地位首次被提高,并與音樂、戲劇高度地融合,推動(dòng)了劇情的發(fā)展。在《俄克拉荷馬》中,音樂、戲劇、舞蹈、舞臺(tái)美術(shù)、服裝等要素完美地結(jié)合,由一種統(tǒng)一的構(gòu)想貫穿始終,使音樂劇更具有戲劇色彩。美國(guó)音樂劇由此完全擺脫了輕歌劇、音樂喜劇等舊模式,體現(xiàn)出一種典型的美國(guó)風(fēng)格和時(shí)代精神。美國(guó)音樂劇向前邁進(jìn)了一大步。 本文分四個(gè)章節(jié)對(duì)音樂劇《俄克拉荷馬》在戲劇與音樂上作了較為深入和細(xì)致的分析。通過對(duì)本劇戲劇風(fēng)格、音樂創(chuàng)作特征以及戲劇與音樂的高度融合幾個(gè)方面,展現(xiàn)了《俄克拉荷馬》的藝術(shù)成就和社會(huì)價(jià)值。第一章主要對(duì)本劇作了一個(gè)總體上的概述,包括對(duì)于音樂劇的解釋、美國(guó)音樂劇的來(lái)源及發(fā)展以及《俄克拉荷馬》創(chuàng)作者和創(chuàng)作概況的介紹。第二章通過劇情、人物性格及內(nèi)心的刻畫、作品所體現(xiàn)的戲劇內(nèi)涵以及劇詩(shī)風(fēng)格特征幾個(gè)方面,對(duì)本劇作了戲劇上的分析,總結(jié)了該劇在戲劇創(chuàng)作方面的主要特征和閃光點(diǎn)。第三章是對(duì)《俄克拉荷馬》音樂創(chuàng)作方面的分析。分別從音樂創(chuàng)作手法包括旋律、和聲、織體、節(jié)奏上以及具體唱段的分析,總結(jié)出較為典型的音樂創(chuàng)作手法及風(fēng)格特征。第四章從歌曲中音樂與劇詩(shī)、歌曲創(chuàng)作與戲劇的結(jié)合入手,論述了本劇的戲劇與音樂的高度融合。這也是本劇的一大特色。
[Abstract]:Oklahoma is an outstanding musical by Richard Rogers and Oscar Hammerstein II, Broadway's famous Golden combination.As the beginning of modern American musical, it has great innovation and breakthrough in ideological, artistic, entertaining and commercial operation, and has made great achievements. It is an important and classic work in the history of American musical.Its success provides a reference factor for the creation of American musicals in the 20th century and even for a long time thereafter. It has had an important impact on the development of American musicals and brought about the golden age of the brilliant development of American musicals.The musical Oklahoma is based on Riggs' play lilac blooming.The realistic theme of popular life shows the simple, happy and wild life and love story of a group of pioneers in the Oklahoma region of the western United States.The simple and concise drama poems show the characters' character and inner emotion, and embody the profound drama connotation.Beautiful, plain music to match the development of the plot as the main purpose, completely for the drama.For the first time, dance has been promoted in musicals, and is highly integrated with music and drama, which promotes the development of drama.In Oklahoma, the elements of music, drama, dance, stage art, clothing and so on are perfectly combined, with a unified idea running through all the time, making the musical more dramatic.Therefore, American musicals completely get rid of the old models such as operetta and musical comedy, and embody a typical American style and spirit of the times.American musicals have taken a big step forward.This paper analyzes the drama and music of the musical Oklahoma in four chapters.The artistic achievement and social value of Oklahoma are demonstrated through the drama style, music creation characteristics and the high fusion of drama and music.The first chapter gives a general overview of the play, including the explanation of the musical, the origin and development of American musical, and the introduction of the author and creation of Oklahoma.The second chapter analyzes the drama through the plot, the character and the inner character, the drama connotation and the style characteristic of the drama, summarizes the main characteristics and the bright spot of the play in the drama creation.The third chapter is the analysis of Oklahoma music creation.Based on the analysis of melody, harmony, texture, rhythm and specific choir, this paper summarizes the typical musical creation techniques and style characteristics.Chapter four begins with the combination of song music and drama poem, song creation and drama, and discusses the high fusion of drama and music.This is also a major feature of the play.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2007
【分類號(hào)】：J617.2;J833

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 紀(jì)明明;;《俄克拉荷馬》音樂特征研究[J];大舞臺(tái);2011年07期

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本文編號(hào)：1702554