本文選題：復(fù)雅思潮　切入點(diǎn)：姜夔　出處：《江西師范大學(xué)》2008年碩士論文

【摘要】： 本論文以姜夔的音樂作品為藍(lán)本,在對(duì)南宋復(fù)雅思潮的背景及產(chǎn)生作了全面分析后,深入研究了基于南宋復(fù)雅思潮的姜夔音樂創(chuàng)作的特征及對(duì)整個(gè)南宋復(fù)雅思潮的推動(dòng)作用,由對(duì)姜夔的個(gè)人經(jīng)歷及音樂美學(xué)思想的闡述,著力分析了姜夔音樂創(chuàng)作與南宋復(fù)雅思潮的聯(lián)系,由此推論出姜夔音樂作品的“雅”“和”審美理念。并在最后結(jié)論性的得出姜夔在南宋復(fù)雅思潮過程中的社會(huì)影響及地位,凸現(xiàn)了姜夔的音樂創(chuàng)作對(duì)南宋復(fù)雅思潮在音樂上的貢獻(xiàn)。論文主要包括三個(gè)部分: 第一部分,主要闡述南宋復(fù)雅思潮產(chǎn)生的歷史背景及文化背景,及基于背景和個(gè)人經(jīng)歷下的姜夔的音樂美學(xué)思想,由此找出復(fù)雅思潮與姜夔音樂美學(xué)思想的關(guān)聯(lián)是以共同以“雅”“和”為宗旨的審美理念,旨在為下一章的音樂創(chuàng)作分析奠定理論分析基礎(chǔ)。 第二部分,基于以上分析的理論基礎(chǔ),把對(duì)姜夔音樂創(chuàng)作分為音樂文本分析、旋律音調(diào)分析、節(jié)奏分析及曲式結(jié)構(gòu)分析四部分進(jìn)行研究。并得出其創(chuàng)作的四個(gè)部分無論從文本上還是音樂元素上都體現(xiàn)了雅正中和的審美理念,其原因可看作是南宋復(fù)雅思潮對(duì)姜夔的影響,也可認(rèn)為是姜夔作為雅詞典范對(duì)復(fù)雅思潮在音樂元素上的拓展與推崇。 第三部分,通過以上詳細(xì)論述對(duì)姜夔音樂創(chuàng)作的現(xiàn)實(shí)意義作了三大點(diǎn)的歸納總結(jié),得出姜夔在俗樂題材的基礎(chǔ)上善用雅樂風(fēng)格的聰慧之舉以及先詞后曲的創(chuàng)作對(duì)音樂傳達(dá)有別于先前詞樂家的重要?jiǎng)?chuàng)作意義。最后從大范圍得出姜夔在南宋特殊的時(shí)代運(yùn)用文化武器捍衛(wèi)國(guó)家賴以生存的思想堡壘的真正意義所在。
[Abstract]:In this paper, Jiang Kui's music as a blueprint, made a comprehensive analysis of the Southern Song Dynasty in the complex background and the elegant ideological trend, in-depth study of the characteristics of the complex, thought of Jiang Kui's music creation and the Southern Song Dynasty complex, thought based on promotion effect, by the aesthetics of Jiang Kui's personal experience and thought of music the paper focus on the analysis of Jiang Kui's music creation and the Southern Song Dynasty complex, thought, inferred the music works of Jiang Kui "elegance" and "aesthetic ideas. And social influence and in the Jiang Kui in the Southern Song Dynasty complex, thought in the final conclusion, Jiang Kui's music highlights the creation of the Southern Song Dynasty complex, thought in musical contributions. The paper mainly includes three parts:
The first part mainly elaborates the historical background and cultural background of the Southern Song Dynasty, the thought of complex, and based on the background and the personal experience of Jiang Kui's music aesthetics, thus find the association complex, Jiang Kui's thoughts and aesthetics of music is in common with "elegant" "and" for the purpose of aesthetic idea, to lay the foundation the theoretical analysis for the next chapter, the analysis of music creation.
The second part, the theory on the basis of the above analysis, the analysis of Jiang Kui's music as music text, melody tone analysis, the four part is the analysis of rhythm analysis and musical structure. The four part and the creation of both from the text or music elements reflects the aesthetic concept and elegant, its reason the Southern Song Dynasty can be regarded as a complex, ideological trend on Jiang Kui, can also be considered as a model of Jiang Kui yaci and respected the development of complex thought in the Ya music elements.
The third part, through the above detailed elaboration of the practical significance of Jiang Kui's music creation summarized three points summarized, that Jiang Kui in folk music theme based style to make the best use of music and words after the first intelligent songs of music to convey important creation significance different from the previous Roca word. Finally, from a large range the true meaning of Jiang Kui in the Southern Song Dynasty special era culture using weapons to defend national survival of the ideological stronghold.

【學(xué)位授予單位】：江西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J605

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本文編號(hào)：1702109