探索高男高音歌唱藝術(shù)在新創(chuàng)中國(guó)作品中的演唱特色
[Abstract]:In the early 20th century, the art of beautiful singing rose in China. Its singing voice was divided into six parts: tenor, baritone, tenor, soprano, soprano and soprano. The traditional beautiful singing art originated from all over the world in Europe should be divided into seven parts, that is, the high tenor. High tenor (Countertenor), as an indispensable part of beautiful singing, has gone through four stages: medieval chanting, false tenor (Falsetto tenor) era, eunuch (Castrato) era, and high tenor recovery. The high tenor follows the law of beautiful singing just like other singing parts. This paper focuses on the new Chinese works with high tenor as the research object, compares and analyzes the domestic and foreign singing works, excellent singers at home and abroad, collects relevant professional literature, academic papers, periodicals, audio and video materials and so on at home and abroad. Fully demonstrate the singing characteristics and artistic charm of high tenor singing art. In addition to the introduction, this paper is divided into four chapters. The introduction briefly explains the domestic and foreign research status of the research field involved in this paper. In this paper, the problems to be solved, the research methods, and the theoretical and practical significance of the research work in academic and practical application are expounded. The first chapter mainly narrates the historical evolution and the present situation of the high tenor, combined with the ancient music movement which promotes its recovery and development, taking the excellent high tenor singer at home and abroad as the representative, expounds the present situation and the trend of the development of the high tenor. The second chapter mainly elaborates the singing characteristics of high tenor singing art in three sections. First of all, the singing of high tenor has its own physiological function and psychological factors, and then it uses scientific breath, vocal skills, sound resonance position and different mixing ratio and other singing techniques. Finally, the relationship and difference between high tenor and cauchan singer, false tenor and its unique artistic appeal are compared and analyzed. The third chapter shows the singing characteristics and charm of high tenor singing art with the deduction of newly created Chinese works. The categories of new works are Chinese operas, vocal music with Chinese poetic elements and modern lyric works. In the fourth chapter, in view of the present situation of high tenor singing talents in China, the author puts forward the conception of training high tenor singing talents in China, analyzes its necessity, feasibility and the renewal of training concept and mode.
【學(xué)位授予單位】:貴州師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:J616
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