本文選題：《禮記正義》 + 《樂記》　； 參考：《中國音樂》2017年02期

【摘要】：以經(jīng)學(xué)轉(zhuǎn)型為學(xué)術(shù)背景,以漢宋之學(xué)分野的學(xué)術(shù)方法為切入點(diǎn),以《樂記》篇和《禮運(yùn)》篇的義疏為研究個(gè)案,以禮樂思想、經(jīng)義詮釋和概念范疇的義疏為線索,運(yùn)用傳注學(xué)方法綜合考察《禮記正義》中的禮樂思想變遷問題。通過對比鄭玄注和孔穎達(dá)正義中關(guān)于禮樂關(guān)系以及對于心、性、情的認(rèn)識,發(fā)現(xiàn)唐代不同于漢代的經(jīng)部禮類注疏文獻(xiàn)中的理解。在禮樂思想領(lǐng)域,初唐孔穎達(dá)(574-648年)的《樂記正義》更早地發(fā)出了"言先王制樂,本人性情。禮樂兼有,所以為美"的呼聲。禮樂制度操作層面的樂律思想變遷,體現(xiàn)在對《禮運(yùn)》中"十二律管更相為宮"的生律法義疏體例中。
[Abstract]:Taking the transformation of Confucian classics as the academic background, taking the academic method of the separation of the Han and Song dynasties as the breakthrough point, taking the meaning and thinness of Le Ji and Li Yun as the research cases, and taking the idea of rites and music, the interpretation of the classics and the meaning of the concept category as the clue. This paper makes a comprehensive study of the changes of the thought of Rites and Music in the Book of Rites by means of the method of biographical annotation. By comparing Zheng Xuan's notes and Kong Yingda's understanding of the relationship between etiquette and music as well as the heart, sex and emotion, it is found that the Tang Dynasty is different from the Han Dynasty in the understanding in the literature of the Confucian classics and rites. In the field of propriety and music thought, in the early Tang Dynasty, Confucius Yingda 574-648) "the justice of Yue Ji" earlier issued "the first king of speech to make music, my temperament." Both etiquette and music, so that the United States, "the voice." The changes of music and law in the operation level of ritual and music system are embodied in the way of creating the law of justice in the "twelve laws are more like the palace" in the Book of Rites.
【作者單位】： 中國音樂學(xué)院;
【分類號】：J609.2
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本文編號：1778341