本文選題：禮樂戶 + 太常樂舞生　； 參考：《中國(guó)音樂學(xué)》2017年02期

【摘要】：樂舞生是明清時(shí)期一個(gè)出身于“非賤民”階層,主要承應(yīng)封建國(guó)家大、中祀吉禮之雅樂,與樂戶在社會(huì)身份、管理機(jī)構(gòu)、行使職能等方面有明顯區(qū)別的群體。明代太常樂舞生是元代禮樂戶的后繼者,太常樂舞生的管理機(jī)構(gòu)神樂觀是元代大樂署的延續(xù)。
[Abstract]:In Ming and Qing dynasties, students of music and dance came from "non-untouchable people" class, which were mainly different from those in social status, management organization, function and so on.In the Ming Dynasty, the students of music and dance were successors to the families of ritual music in the Yuan Dynasty, and the management organization of the students was optimistic, which was the continuation of the Dale Department of the Yuan Dynasty.
【作者單位】： 中國(guó)海洋大學(xué)藝術(shù)系;
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本文編號(hào)：1735455