發(fā)布時(shí)間：2018-04-04 11:18

  本文選題：竹笛　切入點(diǎn)：演奏　出處：《上海音樂學(xué)院》2017年碩士論文

【摘要】：竹笛是中國歷史最悠久的樂器之一。隨著竹笛演奏藝術(shù)的不斷發(fā)展,不斷有作曲家和演奏家拓展著竹笛作為中國典型的獨(dú)奏/重奏樂器的表現(xiàn)力。在現(xiàn)當(dāng)代這個(gè)充斥著各種各種音樂文化、音樂形式、各種音樂語匯的音樂環(huán)境下,作為竹笛演奏者如何更好地將竹笛應(yīng)作曲家的樂思需求,以及將竹笛的音色演奏特點(diǎn)與各類非常規(guī)音樂元素融合,是頗有探究意義的。從竹笛與電子音樂融合的角度上來看,竹笛與電子音樂作品《吟》《半坡的月圓之夜》都擺脫了早期電子音樂作品"顯性音色思維方式",并非是以單純的電子合成音色用于作品中,而是對于演奏樂器本身音色采樣的變形、運(yùn)用,以及和演奏者本身演奏的交互融合,這也讓作曲家、竹笛演奏者在作品創(chuàng)作、處理上,有了更大的發(fā)揮空間。聲音是沒有極限的,竹笛與電子音樂的結(jié)合值得竹笛演奏者和作曲家的不斷探索、實(shí)踐和創(chuàng)新。
[Abstract]:Bamboo flute is one of the oldest musical instruments in China.With the continuous development of bamboo flute playing art, composers and performers expand the performance of bamboo flute as a typical solo / recital instrument in China.In the modern and contemporary music environment, which is full of all kinds of music culture, music forms and various musical terms, as a bamboo flute player, how can the bamboo flute better meet the music needs of the composer?It is of great significance to combine the timbre of bamboo flute with all kinds of unconventional music elements.From the point of view of the fusion of bamboo flute and electronic music,Bamboo flute and electronic music works "Yin" and "Banpo's full Moon Night" have all got rid of the "dominant timbre mode of thinking" of the early electronic music works, and are not used in works with simple electronic composite timbre.But for the instrument itself, the variation of timbre sampling, the use, and the interaction with the performer itself, which also allows composers, bamboo flute players in the creation, processing, there is a greater room for play.There is no limit to sound. The combination of bamboo flute and electronic music is worth the continuous exploration, practice and innovation of bamboo flute players and composers.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J632.11

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 劉京宇;;中國民族樂器竹笛的指向性研究[J];中國音樂;2015年03期

2 孫曉東;;竹笛的指孔奏法[J];樂器;1988年01期

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本文編號：1709728