【摘要】：莆仙戲又稱“興化戲”,主要流傳于福建莆田及相鄰地區(qū)。它是在古代“百戲”的基礎(chǔ)上發(fā)展形成的,與中國戲曲的形成、發(fā)展、繁榮幾乎同時。莆仙戲是現(xiàn)存的中國戲曲中,歷史最悠久、演出形態(tài)最古老、劇目最豐富、表演藝術(shù)最具特色的劇種之一,被戲曲史稱為中國最早成熟的戲曲——“宋元南戲”的遺響,是中國古代戲曲藝術(shù)形態(tài)的“活化石”。莆仙戲自宋代形成,至今已有近千年的歷史,比昆曲還早了三百年左右�！跋腋璋税偾�,珠玉五千篇”,也力證了其歷史之悠久,遺產(chǎn)之豐富。莆仙戲匯集了歷史、宗教、民俗、歌舞、十音八樂等多種文化藝術(shù)于一身,其表演風(fēng)格古樸典雅,極具地方特色,凝聚了閩中人民的聰明與才智。近年來,莆仙戲這一古老的劇種,因其獨特的藝術(shù)魅力,正日益受到重視。二○○六年五月二十日,莆仙戲被列為第一批國家級非物質(zhì)文化遺產(chǎn)名錄。目前,莆仙戲正在申報世界非物質(zhì)文化遺產(chǎn)名錄。我們看到這一藝術(shù)瑰寶將在新時代綻放出更加奪目的光芒。本文在田野調(diào)查的基礎(chǔ)上,運用民族音樂學(xué)、民族舞蹈學(xué)、民俗學(xué)等研究方法,在對莆仙戲的傳統(tǒng)藝術(shù)特征以及歷史文化、地理環(huán)境背景作出一番梳理后,對新創(chuàng)作劇目《媽祖-林默娘》的藝術(shù)特征進行重點分析,立足莆仙戲本體視角,從其劇本、音樂曲牌、表演、演唱、舞蹈、舞美與造型、樂隊等方面進行研究,探析該劇創(chuàng)作的價值和意義,最終闡明莆仙戲新作——《媽祖——林默娘》獲得成功的原因所在：即立足傳統(tǒng)精髓,恰如其分地加入現(xiàn)代審美意識,為新時期莆仙戲的創(chuàng)作提供探索方向。希望本課題的研究能夠為莆仙戲這一珍貴的非物質(zhì)文化遺產(chǎn)獲得更好地傳承與發(fā)展而貢獻出微薄力量。
[Abstract]:Puxian opera, also known as "Xinghua opera", is mainly spread in Fujian Putian and adjacent areas. It is developed on the basis of the ancient "hundred opera". It is formed with the formation, development and prosperity of Chinese opera. The Puxian opera is the existing Chinese opera with the longest history, the most ancient performance, the richest repertoire and the most distinctive performing art. One of the operas, the opera history called the earliest Chinese opera - "the Song Yuan southern opera", is the "living fossil" of the Chinese ancient opera art form. Puxian opera has been formed in the Song Dynasty and has a history of nearly a thousand years, three hundred years earlier than Kunqu Opera. "String songs eight hundred songs, five thousand pearls and jade", also testified to its history. Long, rich heritage. Puxian opera brings together the history, religion, folk custom, song and dance, ten music and eight music and other cultures and art. Its performance style is simple and elegant and has local characteristics, which has condensed the wisdom and intelligence of the people in Fujian Province. In recent years, Puxian Opera, an ancient play, is being paid more and more attention because of its unique artistic charm. Two 0 six. In May 20th, Puxian opera was listed as the first national intangible cultural heritage list. At present, Puxian opera is declaring the world's non material cultural heritage list. We see that the art treasure will bloom in the new era. Based on the field investigation, this article uses ethnomusicology, ethnic dancers and folklore. After reviewing the traditional artistic features of Puxian opera, historical and cultural background and the background of geographical environment, this study focuses on the artistic features of Mazu Linden, and based on the perspective of Puxian opera, from its script, music music card, table play, singing, dance, dance, dance, dance, dance, dance, dance, and Orchestra. In the end, the reasons for the success of the new play of Puxian opera, Mazu - maimu Lin maesu, are explained in the end. The reasons for the success of the new opera, Mazu - Lin maesu, are as follows: Based on the traditional essence, it is appropriate to join the modern aesthetic consciousness in order to provide the exploration direction for the creation of Puxian opera in the new period. The material and cultural heritage has contributed to the better inheritance and development.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J825

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