本文選題：海州五大宮調(diào) + 保護�。� 參考：《南京農(nóng)業(yè)大學》2011年碩士論文

【摘要】：連云港是歷史悠久,文化遺存深厚的古城,其民間藝術具有南北文匯的特征,2006年5月20日,海州五大宮調(diào)經(jīng)國務院批準列入第一批國家級非物質(zhì)文化遺產(chǎn)名錄,但由于社會環(huán)境發(fā)生變化,海州五大宮調(diào)已漸呈瀕危狀態(tài)。海州五大宮調(diào)在長期的流傳過程中,已與當?shù)厝嗣袢罕姷纳鐣钊跒橐惑w,比較集中地反映了他們的思想情感和藝術審美追求。作為珍貴的文化遺產(chǎn),它不僅是中國的,也是世界的。 研究通過文獻資料法、專家訪談法、實證分析法,對海州五大宮調(diào)從四個方面進行了梳理、分析和研究。 對海州五大宮調(diào)形成的經(jīng)濟、文化、地理進行了調(diào)查和分析,從而清楚地認識到海州五大宮調(diào)產(chǎn)生的歷史原因及形成條件。并在大量調(diào)查的基礎上,按其歷史沿革將其發(fā)展歷程分為：民間孕育階段；初步形成和興盛階段；發(fā)展停滯階段；保護與挖掘階段；開發(fā)與傳承階段。 在此基礎上,通過進一步深入研究,對海州五大宮調(diào)的分類、表現(xiàn)形式及藝術特色進行了較為詳細的論述和分析,讓我們認識到海州五大宮調(diào)獨特的藝術魅力。并探討了海州五大宮調(diào)在民族凝聚力方面的功能、對豐富群眾精神文化生活的作用及其文化價值。 對海州五大宮調(diào)作為非遺的特征及特質(zhì)進行了分析。認為海州五大宮調(diào)具有廣泛的群眾性、原生態(tài)性、傳承性、唱腔獨特性等特征,并通過實地調(diào)查,找出了目前海州五大宮調(diào)面臨的主要問題,為后續(xù)研究中能夠提出更具針對性的對策。 最后,文章結(jié)合新農(nóng)村建設的情況,探討了海州五大宮調(diào)對新農(nóng)村建設的意義及兩者的相互關系,提出了海州五大宮調(diào)保護、傳承及開發(fā)的框架和模式。探討了保護和傳承的基本原則、基本內(nèi)容及主要模式,并對現(xiàn)有模式進行了分析,提出了自己的見解；并對海州五大宮調(diào)的開發(fā)提出了相應的思路和具體對策。
[Abstract]:Lianyungang is an ancient city with a long history and profound cultural relics. Its folk art has the characteristics of North-South literature. On May 20, 2006, the five palaces of Haizhou were approved by the State Council for inclusion in the first batch of national intangible cultural heritage lists. However, due to the changes in social environment, Haizhou's five palaces have become endangered. The five palaces of Haizhou have been integrated with the social life of the local people in the long spreading process, which reflects their thoughts, feelings and artistic aesthetic pursuits. As a precious cultural heritage, it is not only Chinese, but also the world. Through the methods of literature, expert interview and empirical analysis, this paper combs, analyzes and studies the five major palaces of Haizhou from four aspects. This paper makes an investigation and analysis of the economy, culture and geography of the five palaces in Haizhou, so as to clearly understand the historical reasons and conditions for the formation of the five palaces in Haizhou. And on the basis of a large number of investigations, according to its historical evolution, its development process can be divided into: folk gestation stage; preliminary formation and prosperity stage; development stagnation stage; protection and mining stage; development and inheritance stage. On this basis, through further research, the classification, expression form and artistic characteristics of the five major palace tunes in Haizhou are discussed and analyzed in detail, which makes us realize the unique artistic charm of the five major palace tunes in Haizhou. The paper also discusses the function of the five palaces in the national cohesion and its cultural value in enriching the spiritual and cultural life of the masses. This paper analyzes the characteristics and characteristics of the five major palaces in Haizhou as non-posthumous. It is considered that the five major palace tunes in Haizhou have the characteristics of extensive mass, original ecology, inheritance and singularity, and through field investigation, the main problems faced by the five palace tunes in Haizhou are found out. In order to follow up the study can put forward more targeted countermeasures. Finally, combined with the situation of new rural construction, the paper discusses the significance of the five palaces in Haizhou to the construction of the new countryside and their mutual relations, and puts forward the framework and mode of the protection, inheritance and development of the five palaces in Haizhou. This paper probes into the basic principles, basic contents and main modes of protection and inheritance, analyzes on the existing models and puts forward his own opinions, and puts forward the corresponding ideas and concrete countermeasures for the development of the five major palaces in Haizhou.
【學位授予單位】：南京農(nóng)業(yè)大學
【學位級別】：碩士
【學位授予年份】：2011
【分類號】：J826

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