本文選題：戲曲藝術(shù) + 傳播與傳承�。� 參考：《四川戲劇》2015年12期

【摘要】：中國(guó)戲曲藝術(shù)的繁榮興旺不僅有賴于融合了多種藝術(shù)形式,更得益于在文化傳播與傳承基本規(guī)律的作用下,使戲曲藝術(shù)能夠在社會(huì)動(dòng)蕩起伏中始終保持旺盛的生命力。文章著眼于傳播與傳承在戲曲藝術(shù)歷史流轉(zhuǎn)中所起到的作用,以傳播學(xué)的視角觀察文化藝術(shù)的變遷。通過對(duì)戲曲藝術(shù)雙重屬性及雙重演進(jìn)方式進(jìn)行思考,力求能夠還原戲曲藝術(shù)幾百年傳承的基本規(guī)律。與此同時(shí),在文章的最后,又將視角聚焦到現(xiàn)代社會(huì)戲曲發(fā)展的困境與解決之道,從傳播與傳承的關(guān)系角度思考如何使其復(fù)興。
[Abstract]:The prosperity of Chinese opera art not only depends on the fusion of various art forms, but also benefits from the effect of the basic laws of cultural transmission and inheritance, so that the opera art can always maintain its vigorous vitality in the ups and downs of society. This paper focuses on the role of communication and inheritance in the historical circulation of opera art, and observes the changes of culture and art from the perspective of communication. Through thinking about the dual attributes and evolution of the opera art, the author tries to restore the basic law of the inheritance of the opera art for hundreds of years. At the same time, at the end of the article, we focus on the predicament and solution of the development of modern social drama, and consider how to revive it from the angle of communication and inheritance.
【作者單位】： 河南職業(yè)技術(shù)學(xué)院音樂學(xué)院;
【分類號(hào)】：J805
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本文編號(hào)：1892669