本文關(guān)鍵詞：戲劇人類學(xué)及其視野下的環(huán)縣道情皮影戲，由筆耕文化傳播整理發(fā)布。

1.

Re-Examining Richard Scheduler--Reflection on Environmental Theater;

重審謝克納——《環(huán)境戲劇》讀后三思

2.

Our purpose is to identify Chinese people to become Advanced TEA Communicators.

我們的目標(biāo)是在中國尋找能進(jìn)行環(huán)境戲劇交流的志同道合者。

3.

The time, place, and circumstances in which a narrative, drama, or film takes place.

背景記敘文、戲劇或電影發(fā)生的時(shí)間、地點(diǎn)和環(huán)境

4.

psychological function of dramatic situation

戲劇性情境的心理功能

5.

An artistic or theatrical work that surrounds or involves the audience.

環(huán)境藝術(shù)品一種包圍或包容觀眾的藝術(shù)或戲劇作品

6.

drama in which the protagonist is overcome by some superior force or circumstance; excites terror or pity.

主角被某種強(qiáng)大力量或者環(huán)境戰(zhàn)勝的戲��；引起恐懼或者憐憫。

7.

The Dilemma of Writing History of Theatre

戲劇史的困境——試論戲劇史寫作的可能性

8.

On British Playwright Caryl Churchill s Environmental Plays;

論英國劇作家凱蘿·邱吉爾的環(huán)保戲劇

9.

Drama Anthropology and Huanxian Daoqing Puppet Shadow Drama in This Visual Field;

戲劇人類學(xué)及其視野下的環(huán)縣道情皮影戲

10.

Such bon-mots are ever enticing to those who have all their days longed for such material surroundings and have never had them gratified.

對(duì)于那些終日渴望著這樣的物質(zhì)環(huán)境但卻永遠(yuǎn)得不到滿足的人，這種輕松戲劇始終具有魅力。

11.

An Analysis of the Predicament of Communication in David Mamet's Plays

大衛(wèi)·馬梅特戲劇中交流困境的分析

12.

Shangluo Drama in Plight--A Reflection on the Environment of Shangluo Drama;

困境中的商洛戲劇——對(duì)商洛戲劇文化生存現(xiàn)狀的思考

13.

Tragic environment and characters in Shakespeare s tragedies;

莎士比亞悲劇中的悲劇環(huán)境與悲劇人物

14.

the legitimate drama [theater]

正統(tǒng)戲劇 [演劇]

15.

International Theatre Institute

國際戲劇學(xué)會(huì)(戲劇學(xué)會(huì))

16.

The Acceptance and Creation: Chekhove s Drama in Modern Chinese Context;

接受與創(chuàng)化：現(xiàn)代中國語境中的契訶夫戲劇

17.

Primary Research on Reasons of Difficult Survival Situation of Local Drama--Taking the "Cai Diao" as Research Object;

地方戲劇生存困境原因初探——以彩調(diào)為研究對(duì)象

18.

From "Understands the Role" To "Manifests the Role"--Dual Boundary of Play Performance;

從“理解角色”到“體現(xiàn)角色”——戲劇表演的雙重境界

  本文關(guān)鍵詞：戲劇人類學(xué)及其視野下的環(huán)縣道情皮影戲，由筆耕文化傳播整理發(fā)布。