本文選題：勤納　切入點：戲曲劇種　出處：《中國戲劇》2015年09期

【摘要】：正為徐勤納同志舉行一次他的導演藝術(shù)研討會,是有意義的事。他是一位有多年經(jīng)驗,為多個戲曲劇種排過戲的有成就的老導演。而我更關(guān)注贊賞的是他在自己導演生涯中,十分重視"老戲新排"這方面的思考與實踐。我同勤納相識總有30年以上了。大致是在上世紀80年代初,先看了他導的《白蛇傳·斷橋》,引起相當?shù)霓Z動;又一次在杭州或金華看到他新排的婺劇《拾玉鐲》,大為驚喜。這個許多劇種常演的生活小戲,輕靈俏美,誰演都差不多,但是婺劇由
[Abstract]:It is meaningful to hold a seminar on his directing art for Comrade Xu Qinna.He is an accomplished old director who has many years of experience and has arranged plays for many kinds of operas.What I pay more attention to is that in his directing career, he attaches great importance to the thinking and practice of "the old opera and the new platoon".I have known each other for more than 30 years.Roughly in the early 1980s, he first saw the White Snake broken Bridge, which caused quite a stir; another time in Hangzhou or Jinhua, he saw his new Wu opera, "pick up Jade bracelet," and was greatly surprised.This kind of life drama, which is often performed by many kinds of plays, is light and beautiful. Everyone plays the same kind of drama, but the Wu opera is composed of
【分類號】：J811
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本文編號：1715652