本文選題：見梅　切入點(diǎn)：梅蘭　出處：《戲曲藝術(shù)》2014年02期 　論文類型：期刊論文

【摘要】：正去歲以來,首都戲曲舞臺(tái)上出現(xiàn)了一出由梅派傳統(tǒng)名劇《太真外傳》整理改編的梅派新作《梅蘭霓裳》,引起北京、全國(guó)乃至海內(nèi)外關(guān)心戲曲改革和梅派藝術(shù)的眾多同仁、觀眾和戲曲愛好者的極大關(guān)注和廣泛好評(píng),至今,該劇還在修改、完善之中,總體評(píng)價(jià)似為時(shí)尚早,心中的大潮卻早已蕩出胸臆,難遏難平。"又見梅郎",是我久藏于心的一大深愿和一大情結(jié)。自我兒時(shí)癡戀梅派到我從事京劇工作以來,看了幾十年不同人演的成色不同的梅派戲,無論傳
[Abstract]:Since the beginning of last year, there has been a new Mei School novel, "Mei Lan Niang", which has been arranged and adapted from the traditional famous Meimei opera "too True Foreign Biography" on the stage of the Capital Opera, which has aroused many colleagues in Beijing, all over the country and even at home and abroad who are concerned about the reform of opera and the art of the Mei School. The audience and opera lovers have paid great attention and received high praise. Up to now, the play is still being revised and perfected. It seems that the overall evaluation is too early, but the spring tide in the heart has already given rise to the presupposition. It is a deep desire and a complex that I have been hiding in my heart for a long time. Since my childhood love for Mei sent to me to work in Beijing Opera, I have seen different kinds of plum opera performed by different people for several decades, regardless of the biography.
【分類號(hào)】：J821;K825.78
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本文編號(hào)：1641477