《我彌留之際》是美國(guó)南方作家�？思{于1930年的杰作。它通過(guò)敘述一家人荒誕而又艱難的送葬過(guò)程,刻畫(huà)了一群思想幻滅與精神疏離的現(xiàn)代人形象,呈現(xiàn)給我們一個(gè)充斥著通奸、兄弟反目、弒父和背叛的“荒原”社會(huì)。這樣一個(gè)主題意象的最終意圖是表達(dá)出作者對(duì)現(xiàn)代社會(huì)中人的異化狀態(tài)和生存困境的思考。由此,�？思{的文學(xué)關(guān)注也正如二十世紀(jì)現(xiàn)代派作家的關(guān)注一樣,都是通過(guò)文學(xué)作品反思現(xiàn)代社會(huì)中的種種弊病。 但是作為20世紀(jì)杰出的文體學(xué)家和小說(shuō)家,福克納表現(xiàn)這個(gè)主題的藝術(shù)手法卻是獨(dú)到的。與喬伊斯的“交錯(cuò)式”意識(shí)流的表現(xiàn)手法不同,�？思{采用了“復(fù)合式”意識(shí)流的表現(xiàn)手法,即通過(guò)不同性格、不同遭遇、不同動(dòng)機(jī)的人物的意識(shí)流動(dòng)來(lái)敘述同一個(gè)故事,這樣使得故事內(nèi)容更加集中,使得讀者更能關(guān)注同樣的事件在不同人的內(nèi)心產(chǎn)生的影響。如在《我彌留之際》中,他通過(guò)15個(gè)敘述者的59章敘述展現(xiàn)出多視角的敘事,而這種手法不僅能讓讀者全方位地了解人物的心態(tài),更是從形式上表現(xiàn)了異化狀態(tài),因?yàn)檫@個(gè)敘事角度使得每個(gè)敘述者都是封閉的個(gè)體,都是精神上的“異化”人。由此,福克納真正做到了現(xiàn)代派所追求的以“顯現(xiàn)”(show)替代“講述”(tell)的藝術(shù)效果。...

【文章頁(yè)數(shù)】：50 頁(yè)

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Acknowledgements
Abstract in Chinese
Abstract in English
1. Introduction
    1.1 A literature review on As I Lay Dying
    1.2 The significance of studying As I Lay Dying from the perspective of narrative structure
    1.3 The thesis's chapter synopsis
2. Greimas' Narrative Structure
3. The Application of Greimas' Narrative Structure in As I Lay Dying
    3.1 The embodiment of semantic rectangle in As I Lay Dying
    3.2 Two prominent cases in the semantic rectangle
        3.2.1 The absence of seme "life"
        3.2.2 The dislocation of parental roles
4. Alienation, the Source of Absence and Dislocation
    4.1 Man's alienation from God: man's crisis in religious belief
    4.2 Man's alienation from nature: man's separation from nature
    4.3 Man's alienation from society: man's plight of existence
        4.3.1 The alienation between husband and wife
        4.3.2 The alienation between parents and children
        4.3.3 The alienation between sisters and brothers
5. Social Causes of Alienation
    5.1.Alienation caused by the decline of religious belief
    5.2 Alienation caused by the decline of humanitarianism
    5.3 Alienation caused by the dehumanization of modernity
6. Conclusion
Bibliography



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