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從《海邊的卡夫卡》看村上春樹的貓情結(jié)

發(fā)布時(shí)間:2018-04-27 05:24

  本文選題:村上春樹 +  ; 參考:《東北師范大學(xué)》2014年碩士論文


【摘要】:村上春樹(1949—)可謂是日本當(dāng)代文壇一位備受矚目的作家,他的作品以其獨(dú)特的魅力征服著當(dāng)代讀者。村上和他喜歡的弗朗茨·卡夫卡一樣,經(jīng)常在小說中穿插動(dòng)物形象。形色各異的動(dòng)物形象,有其特有的隱喻世界,誘發(fā)人們對現(xiàn)實(shí)問題的思考。貓是擬人化非常鮮明的一個(gè)形象,在村上春樹作品中發(fā)揮著鮮明的提示作用,昭示和影響著小說中其他形象的塑造,整部作品的意義也完全借助貓來傳達(dá)。 本論文著重爬梳葺理村上的貓情結(jié),通過對《海邊的卡夫卡》的分析、解讀,結(jié)合村上春樹其他相關(guān)作品,試圖挖掘作者筆下的貓形象所蘊(yùn)涵的深層含義。全文除引言和結(jié)語外,共分為四章。 第一章概述村上作品中的動(dòng)物形象,總體把握村上小說中出現(xiàn)的貓情結(jié)。第二章分析其貓情結(jié)產(chǎn)生的根源。從自身和外界因素兩個(gè)大的方面進(jìn)行梳理。第三章以文本為基礎(chǔ),分析村上春樹小說中貓情結(jié)的深層寓意。本章選取了《海邊的卡夫卡》這篇具有代表性的涉獵貓形象的長篇小說,結(jié)合其他作品進(jìn)行解讀!逗_叺目ǚ蚩ā分袑⒇埮c暴力、生成動(dòng)物“中田貓”與暴力、空間轉(zhuǎn)換等問題重點(diǎn)分析。貓既是遭受暴力的受害者,也有施加暴力的一面。不僅如此,貓自由穿梭于現(xiàn)實(shí)世界和非現(xiàn)實(shí)世界,巧妙的進(jìn)行空間轉(zhuǎn)換,它暗喻了人在現(xiàn)實(shí)世界中的自我喪失,人無法掌握自己的命運(yùn),貓的意象是對人類自己生存狀態(tài)的一種消極的反抗。第四章綜述了村上春樹對隱喻的表現(xiàn)手法的追求。
[Abstract]:Murakami Haruki Murakami (1949-9) is a famous writer in contemporary Japanese literary circles. His works conquer contemporary readers with their unique charm. Murakami, like his favorite Franz Kafka, often intersperses with animal images in his novels. Animal images of different shapes and colors have their own metaphorical world, which induces people to think about practical problems. Cat is a very vivid personification image, in the Murakami Haruki works play a distinct role in prompting, revealing and affecting the other images of the novel, the meaning of the whole work is also fully with the help of cats to convey. This paper focuses on the cat complex in Shoujiao Village, through the analysis and interpretation of Kafka by the Sea, combined with other related works of Haruki Murakami, attempts to excavate the deep meaning of the cat image in the author's works. In addition to the introduction and conclusion, the full text is divided into four chapters. The first chapter summarizes the animal images in Murakami's works, and grasps the cat complex in Murakami's novels. The second chapter analyzes the origin of the cat complex. From its own and external factors in two major aspects of the comb. The third chapter is based on the text to analyze the deep implication of the cat complex in Murakami's novels. This chapter selects "Kafka by the Sea", a novel with typical image of a dabbling cat, to interpret it in combination with other works. "Cat-killing and violence" in "Kafka by the Sea" produces the animal "Nakada Cat" and violence. Space conversion and other issues focus on analysis. Cats are both victims of violence and violence. Not only that, cats freely travel through the real world and the non-real world, ingenious space conversion, it is a metaphor for the real world of self-loss, people can not control their own destiny, The image of a cat is a passive resistance to the state of human existence. Chapter four summarizes Murakami's pursuit of metaphor.
【學(xué)位授予單位】:東北師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:I313.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 劉研;;記憶的編年史:村上春樹《奇鳥行狀錄》的敘事結(jié)構(gòu)論[J];東疆學(xué)刊;2010年01期

2 張秀華;日本文化中的貓情結(jié)及其文化折射[J];解放軍外國語學(xué)院學(xué)報(bào);2004年04期



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